Writing

The original script was written by Iain Softley based on a series of 1988 interviews. After failing to secure funding, screenwriter Stephen Ward was brought in to completely rewrite the script in 1993. Ward interviewed Astrid Kirchherr and others who were close to the Beatles during their time in Hamburg. The project was green-lit that year.

Soundtrack

Due to the film's focus on the early days of the band, the soundtrack includes no songs written by members of the Beatles but various songs the group performed in Hamburg, written and recorded by other artists. In this respect, rather than re-create the sounds of the period, iconoclastic, rebellious musicians were recruited (as a producer noted, the Beatles' pre-recording stage act was "the punk of its day") to better convey the way the music was appreciated by audiences of the time. All musicians were members of contemporary American rock bands:

• Dave Pirner (Soul Asylum): vocals (Paul McCartney)
• Greg Dulli (The Afghan Whigs): vocals (John Lennon)
• Thurston Moore (Sonic Youth): guitar
• Don Fleming (Gumball): guitar
• Mike Mills (R.E.M.): bass guitar
• Dave Grohl (Nirvana): drums
• Henry Rollins (Black Flag): vocals (Stuart Sutcliffe)

The film's distributor happened to be PolyGram Filmed Entertainment which was then under common ownership with Polydor Records, the label that owned the rights to the Beatles' music from the Hamburg days.

Critics

Backbeat holds a rating of 68% based on 40 reviews on Rotten Tomatoes, the review aggregator site.^[2] The site’s consensus states, "Its overly pretentious and melodramatic leanings notwithstanding, Backbeat explores the beginnings of the Fab Four with striking authenticity, soaring rock 'n' roll verve, and a strong admiration for its subjects."^[2]

Peter Travers of Rolling Stone liked how the film captured the early 60s period through its visual style and use of music.^[3] Film critic Roger Ebert gave the film two out of four stars; although he thought the "dialogue has real wit", he felt the film is "never able to convince us there's a story there".^[4]

The Beatles and others

At the time of the film’s release, Paul McCartney commented:

One of my annoyances about the film Backbeat is that they've actually taken my rock 'n' rollness off me. They give John the song "Long Tall Sally" to sing and he never sang it in his life. But now it's set in cement. It's like the Buddy Holly and Glenn Miller stories. The Buddy Holly Story does not even mention Norman Petty, and The Glenn Miller Story is a sugarcoated version of his life. Now Backbeat has done the same thing to the story of the Beatles. I was quite taken, however, with Stephen Dorff's astonishing performance as Stu.^[5]

Astrid Kirchherr praised the accuracy and detail of her relationship with Sutcliffe and the Beatles.^[6] The film received further positive responses from Julian Lennon, Pete Best, and Sutcliffe's sister, Pauline, who said, "I still think the director did a fabulous job. It's a good movie. If you like movies, it's a great movie."^[7][8][9]

Box office

The film grossed £1,870,001 ($3 million) in the United Kingdom^[10] and $2.4 million in the United States and Canada.^[11]