The Barretts of Wimpole Street is a 1930 play by the Dutch/English dramatist Rudolf Besier, based on the romance between Robert Browning and Elizabeth Barrett, and her domineering father's unwillingness to allow them to marry. Presented first at the Malvern Festival in August 1930, the play transferred to the West End, where it ran for 528 performances. An American production, produced by and starring Katharine Cornell, opened in 1931 and ran on Broadway for 370 performances. The play has subsequently been revived onstage and adapted for television and the cinema.

The play caused some protests from the descendants of one of the central characters, Edward Moulton-Barrett, objecting to what they saw as his depiction as a depraved monster, although the author and original director denied that the play did so.

The Barretts of Wimpole Street was Rudolf Besier's only real success as a playwright.^[1] It was first staged on 20 August 1930, at the Malvern Festival in Malvern, Worcestershire. Elizabeth Barrett lived near Malvern as a child, which suggested to the director, Sir Barry Jackson, the appropriateness of opening the play there before presenting it in the West End.^[2] The production starred Gwen Ffrangcon-Davies as Elizabeth Moulton-Barrett and Scott Sunderland as Robert Browning.^[3] The production was later seen in Birmingham^[4] before opening, with the original cast unchanged, at the Queen's Theatre in London on 23 September 1930, where it ran until 2 January 1932,^[5] a total of 528 performances.^[6]

The production provoked protests from some of Edward Moulton-Barrett's grandchildren about the portrayal of their grandfather as a monster with "unspeakable vices".^[7] Besier and Jackson issued a statement that neither when writing the play nor in its production was there any intention to portray Barrett as a man with incestuous impulses, and that such interpretation of the play was erroneous and unfounded.^[8] The text of the play was published by Victor Gollancz in 1931. It is dedicated to Hugh Walpole.^[3][9]

In search of an American production, Besier was rebuffed by 27 producers before the actress Katharine Cornell took an interest in the play and had it staged at the Hanna Theatre in Cleveland, Ohio on 29 January 1931.^[1] The play then went to Broadway, where it opened on 9 February, at the Empire Theatre, starring Cornell and Brian Aherne, running for 370 performances.^[10] The Stage commented in 1974 that Elizabeth was Cornell's most famous part.^[11]

The action of the play takes place in Elizabeth Barrett's bed-sitting room in her father's house. She is an invalid, taking comfort from her pet spaniel, Flush. Her sister Henrietta tells her that their father is in a fury because of the impending visit of their cousin Bella, who is about to marry – something Barrett will not allow his daughters to do: "So long as Papa's alive none of us will ever be able to marry with his consent – and to marry without it is unthinkable". To Moulton-Barrett, love entails "cruelty and loathing and degradation and remorse ... With the help of God, and through years of tormenting abstinence, I strangled it in myself. And so long as I have breath in my body, I'll keep it away from those I was given to protect and care for".^[12]

When Bella arrives, Elizabeth confesses that she too has an admirer – the handsome young poet Robert Browning. Invigorated by his renewed declaration of love, she gets up and walks for the first time in years.^[13]

Some months later, Elizabeth is so much better that she is planning a trip to Italy, on her doctor's advice. Her father cannot bear to let her go. When Browning begs her to marry him and leave for Italy together, Elizabeth pleads for time. When Barrett discovers that Henrietta has an admirer, he is so angry that he assaults her and makes her swear never to see him again.^[14] Elizabeth, realising that she must act, secretly marries Browning and elopes with him, leaving a note for her father. Barrett, devastated, wants revenge. "A smile of indescribable ugliness flickers across his face" and he orders Elizabeth's beloved dog to be destroyed – but she has taken Flush with her. Learning from Henrietta that his cruel vengeance has been thwarted, Barrett stands perfectly still, "staring straight before him and mechanically tearing Elizabeth's letter into little pieces, which drop to his feet".^[15]