Background

Following the 1994 release of the album Ringmaster, Insane Clown Posse started to attract a strong local following in Detroit, Michigan.^[5] The group began selling out large clubs such as St. Andrew's Hall and the State Theatre, and drew the attention of major record label Jive Records.^[5] The following year, Insane Clown Posse signed with the label Battery Records, a subsidiary of Jive Records.^[6] Battery/Jive released the duo's third studio album, Riddle Box (1995), but showed little interest in promoting the album.^[6] The group's manager Alex Abbiss negotiated a contract with Disney's Hollywood Records label, which reportedly paid $1 million to purchase the Insane Clown Posse contract from Battery/Jive Records.^[4][7]

The expansion of the Juggalo fanbase into its own culture inspired Insane Clown Posse to write the songs "What Is a Juggalo?" and "Down with the Clown" for this album.^[8]

Recording

The group started recording The Great Milenko in 1996, and Violent J began thinking of a title for the album shortly after. Bruce later came up with the title The Great Milenko.^[9] Bruce also admitted that he had always liked the ring name of professional wrestler Dean Simon ("Dean Malenko"), because he felt that the name Malenko had a "carnival" sound to it.^[9] Believing that he had created the name himself, Bruce later realized that he had unwittingly used the nickname of Dean's father, Boris "The Great" Malenko.^[9]

The band wanted to include famous rock stars on the album.^[10] Julian Raymond, the artists and repertoire representative for Hollywood Records, contacted Slash, Steve Jones, and Alice Cooper.^[10] Slash, who was a self-professed fan of the band's music, reportedly only asked for Wild Irish Rose as payment for his contributions.^[11] Bruce, who knew very little about the Sex Pistols or Steve Jones, declined to show up at the studio when Jones played his guitar part for "Piggy Pie".^[12] Although not knowing much about Alice Cooper either, Bruce decided to fly to Arizona and coach Cooper on his parts.^[13] Bruce and Clark also met George Clinton, who was staying in the same hotel, and recorded his voice in his room, but it did not fit anywhere on the album.^[14]

After the recording sessions were finished, executives at Hollywood Records—and the label's parent company, Disney—expressed dissatisfaction with several tracks.^[15] Disney requested that the tracks "The Neden Game", "Under the Moon", and "Boogie Woogie Wu" be removed because of lyrics referencing abuse of women, rape and murder, and the slaughter of children, respectively.^[15] Disney also asked that the lyrics of "Piggy Pie" be changed, due to lyrics about murdering police officers. Disney threatened not to release the album if their requests were not met.^[15][16] Begrudgingly, Bruce and Utsler complied with Disney's requests.^[15] The uncensored version of "Piggy Pie" was later released on Forgotten Freshness Volumes 1 & 2.^[17] After recording was finalized, the duo planned to go on a national tour with House of Krazees and Myzery as its opening acts.^[15] Several songs were recorded with the intention of releasing them on The Great Milenko. One such song, "House of Wonders", was recorded but was later released on Mutilation Mix (1997) and Forgotten Freshness Volumes 1 & 2 (1998).^[17]

Joker's Cards

The Great Milenko is the fourth Joker's Card in Insane Clown Posse's Dark Carnival concept album series.^[18] The Dark Carnival is a concept of the afterlife in which souls are sent to a form of limbo while waiting to be sent to heaven or hell based on their individual actions. These concepts are related by Insane Clown Posse in a series of albums called the six Joker's Cards. Each of the six Joker's Cards relate to a specific character—an entity of the Dark Carnival—that tries to "save the human soul" by showing the wickedness inside of one's self.^[19][20]

This Joker's Card is a necromancer and illusionist who tries to trick individuals into acts of greed, envy, and lust.^[21][22] The Card ultimately issues a warning against such acts of sin, and enlightens listeners that The Great Milenko is a part of every individual, and that they have the power to fall under his illusions or cast his hoaxes aside.^[21][22]

Style

"Boogie Woogie Wu" (sample) "Boogie Woogie Wu", from the group's 1997 album The Great Milenko. Problems playing this file? See media help.

The Great Milenko featured more rock influences than previous Insane Clown Posse albums, including an introduction performed by Alice Cooper and guitar tracks performed by Steve Jones (on "Piggy Pie"), and Slash (on "Halls of Illusions").^[21] Stephen Thomas Erlewine of AllMusic wrote, in his review of The Amazing Jeckel Brothers (1999) that, "The Great Milenko [...] was targeted at white-boy, adolescent metalheads -- really, how could any album that contained guest spots from Alice Cooper, Slash, Steve Jones and Legs Diamond be anything else?"^[23]

Insane Clown Posse hired renowned Detroit record producer and DJ Mike E. Clark to produce the record. Clark made the album sound more rock-oriented, as opposed to the duo's earlier material, which featured a more prominent hip-hop sound.^[23] To create the record, Clark utilized standard hip hop techniques such as record scratching, and mixed them with elements of rock and heavy metal.^[23]

Lyricism

According to the group's mythology, The Great Milenko is a necromancer and illusionist who tries to trick individuals into greed and other such sins. He takes out the worst in an individual and creates powerful illusions in an attempt to cause them to become hedonistic and greedy. An honorable individual must fight his magic in order to make it to Shangri-La (as revealed in the track "Pass Me By").^[24]

The album's themes mostly revolve around those of death, morality, and everyday decisions. For instance, "How Many Times?" talks about annoying traffic jams and other everyday-life inconveniences.^[3] "Piggy Pie" references the Three Little Pigs and tells Violent J's story of murdering three kinds of people: an incest-prone redneck, a judge who unjustly sentences people based on their looks, and a stuck-up wealthy person. "Under the Moon" tells the tale of a man convicted after killing a man who tried to rape his girlfriend. "Boogie Woogie Wu" is told from the perspective of the boogie man and talks about the slaughter of children. The "Neden Game" takes the form of a Dating Game-esque show, albeit with added misogynistic banter for humor. Finally, the lyrics to "Hellalujah" target money-hungry preachers.

Singles

Two singles were released from the album: "Halls of Illusions" and "Hokus Pokus". "Halls of Illusions" was the first single released in 1997. The single peaked at number 56 on the UK Singles Chart, and its accompanying music video peaked at number one on The Box video request channel.^[15][25] The album's second single, "Hokus Pokus", was released in June 1997. In 1998, it peaked at number 54 on the UK Singles Chart.^[25]

Singles