Background

Dean Mullaney, the founder of the Library of American Comics, developed his interest for comics in his early youth and by the 1970s he was a so-called letterhack, regularly sending in letters of comment to the Marvel comic books' letter pages. His career in comics began in 1977 when he, together with his brother Jan Mullaney^[3] as well as Don McGregor and Paul Gulacy, launched the publishing company Eclipse Comics,^[4] famous for publishing the graphic novel Sabre. After some time at Eclipse Comics, Mullaney left the comics industry.

In 2006, Mullaney was thinking about making a return to comics, and he found an online article about Sabre written by Bruce Canwell, a former DC Comics and Marvel Comics employee. The article mentioned that Canwell remembered Mullaney as a once frequent letter writer to the Marvel comic books' reader pages which he read growing up, just as Canwell himself was. Mullaney contacted Canwell, and after discussing their future plans, they realized that their visions and ideas were aligned. They discussed going into business together, with the initial goal of bringing a complete hardcover collection of Milton Caniff's comic strip Terry and the Pirates to the public.^[5]

Mullaney and Canwell launched the Library of American Comics in summer 2007, beginning publication of a definitive collection The Complete Terry and the Pirates.^[6]

Findlay joins

While writing as an animation blogger, Kurtis Findlay discovered a comic strip he had never heard of: "Crawford", created by the famous animator Chuck Jones. When Findlay checked the copyright status of the strip, he was connected by a worker of Tribune Media Services to Dean Mullaney of LoAC. When Findlay approached LoAC with the proposal of publishing a book about the strip, he learned that Mullaney was a fan of Chuck Jones' works; Mullaney was enthusiastic about Findlay's book idea, and Chuck Jones: The Dream That Never Was was eventually published by LoAC in December 2011.

Since then, Findlay has become the company's Online Communications Coordinator as well as editor for the For Better or For Worse collection published by LoAC.^{[7] [8]}

New partnership

From 2022, LoAC and EuroComics switched publisher to Clover Press. An agreement with IDW Publishing remains to continue publishing the ongoing series of For Better or For Worse.

The first new LoAC title to be published through the Clover Press partnership will be the enhanced reprint series Terry and the Pirates: The Master Collection in early 2022.^[9][10]

Key people

• Dean Mullaney, Creative Director, founder and editor
• Bruce Canwell, associate director, co-founder and editor
• Lorraine Turner, Art Director
• Kurtis Findlay, Online Communications Coordinator, editor

Format

All the books The Library of American Comics publish are hardcover, with sewn binding; the majority also come with a dust jacket and sewn linen bookmark. Book size and reproduction color depend on each series.

Nominations

Eisner Award nominations

• 2012^[11]
  • "Best Archival Collection/Project—Strips" — Flash Gordon & Jungle Jim, Vol. 1
  • "Best Archival Collection/Project—Strips" — Tarpe Mills' Miss Fury - Sensational Sundays 1944-1949
  • "Best Comics-Related Book" — Caniff: A Visual Biography
  • "Best Comics-Related Book" — Genius Isolated: The Life and Art of Alex Toth
  • "Best Publication Design" — Genius Isolated: The Life and Art of Alex Toth
• 2013^[12]
  • "Best Archival Collection/Project—Strips" — Flash Gordon & Jungle Jim, Vol. 2
  • "Best Archival Collection/Project—Strips" — Percy Crosby's Skippy Daily Comics, Vol. 1
• 2014 — "Best Archival Collection/Project—Strips" — Percy Crosby's Skippy Daily Comics, Vol. 2^[13]
• 2015 — "Best Comics-Related Book" — What Fools These Mortals Be: The Story of Puck^[14]
• 2016^[15]
  • "Best Archival Collection/Project - Strips" — Beyond Mars by Jack Williamson and Lee Elias
  • "Best Comics-Related Book" — King of the Comics: One Hundred Years of King Features Syndicate
  • "Best Publication Design" — King of the Comics: One Hundred Years of King Features Syndicate
• 2018 — "Best Archival Collection/Project - Strips — Star Wars: The Complete Classic Newspaper Comics Vol. 1^[16]

Harvey Award nominations

• 2008 — "Best Domestic Reprint Project" — The Complete Terry and the Pirates^[17]
• 2009
  • "Best Biographical, Historical or Journalistic Presentation" — Scorchy Smith and the Art of Noel Sickles
  • "Best Domestic Reprint Project" — The Complete Terry and the Pirates
  • "Best Domestic Reprint Project" — Scorchy Smith and the Art of Noel Sickles^[18]
• 2010 — "Best Domestic Reprint Project" — Rip Kirby^[19]
• 2011 — "Best Domestic Reprint Project" — Li'l Abner: The Complete Dailies & Color Sundays^[20]
• 2012 — "Best Domestic Reprint Project" — Flash Gordon & Jungle Jim^[21]

Awards

Eisner Awards^[22][23]

• 2008 – "Best Archival Collection/Project—Strips" – The Complete Terry and the Pirates - Vol. 1
• 2010 – "Best Archival Collection/Project—Strips" – Bloom County: The Complete Library - Vol. 1
• 2011 – "Best Archival Collection/Project—Strips" – Archie Dailies Vol. 1
• 2014 – "Best Archival Collection/Project—Strips" – Tarzan: The Complete Russ Manning Newspaper Strips Vol. 1
• 2014 – "Best comics related book" – Genius, Illustrated: The Life and Art of Alex Toth
• 2014 – "Best publication design" – Genius, Illustrated: The Life and Art of Alex Toth
• 2015 – "Best comics related book" – Genius, Animated: The Cartoon Art of Alex Toth
• 2019 – "Best Archival Collection/Project—Strips" – Star Wars: The Complete Classic Newspaper Comics - Vol. 3

Harvey Awards^[24]

• 2012 – "Best biographical, historical or journalistic presentation" – Genius, Isolated: The Life and Art of Alex Toth

Publications of EuroComics

Recognition