The Middle East are an Australian indie folk band that formed in Townsville, Queensland in 2005. The group garnered attention initially by playing small shows in their home town and quickly grew to national and international fame due to their rising popularity on music blogs and websites. In early 2008, the band released their home recorded first album called The Recordings of The Middle East. The band split up before reconvening in 2009 and signing to Australian indie label Spunk Records who re-issued 'The Recordings Of The Middle East' as an abridged EP.

The Middle East's first official full length album, I Want That You Are Always Happy was released in Australia and New Zealand on 8 April 2011. The band then played what was intended to be its last show on 31 July 2011, at the Splendour in the Grass festival in Woodford, Queensland.^[1] The group have, however, reunited twice since then: once in 2019, and again in 2023.

The band was formed by vocalist and guitarist Rohin Jones circa 2005, intended initially as a way to spend the summer of 2005-2006 making music with friends. The band's name was initially of no significance and was coined for a show poster of the then temporary project. The name was then kept and grew to significance as a reference to their geographical location on the east coast of their native state of Queensland. The lack of stylistically similar bands in Townsville meant the group frequently opened for local punk and hardcore bands at house shows, skating rinks, and DIY underage concerts, including opening for hardcore band Parkway Drive at James Cook University. ^[2][3] The band separated in 2008 after guitarist Jordan Ireland relocated to Europe, and reconvened in 2009 after his return to support Bill Callahan at Melbourne's Thornbury Theatre.

By early 2009, global interest surrounding the band started to escalate through word of mouth and the blogosphere, with indie blog I Guess I'm Floating introducing the band stateside in May 2009.^[4] Thereafter, The Middle East had over one hundred blog entries from around the world writing about the band.^[5][6] The most popular song on the EP, "Blood", written in 2006 by Jordan Ireland about three generations of his family, came to be the band's signature song. It went on to be featured in the films It's Kind of a Funny Story (2010), Crazy, Stupid, Love (2011), Accidents Happen (2009), Jeff, Who Lives at Home (2011) and A Perfect Pairing (2022). With the release of The Recordings of the Middle East, Pitchfork offered a free download of the song "The Darkest Side" as a part of its weekly "Forkcast".^[7]

After signing with Australian Indie label Spunk Records in early 2009, the band toured Australia extensively with fellow Spunk artist Emma Russack, whilst continuing to write new music and undergoing several line up changes.

2009 also saw The Middle East receive national airplay on Triple J and win the Australian radio station's Unearthed Artist Of The Year Award. ^[8] The band also went on to play several major Australian festivals such as Splendour in the Grass,^[9] Big Day Out,^[10] Big Sound,^[11] Homebake, Laneway, Meredith, Falls Festival and the Woodford Folk Festival.^{[12] [13][14]} and received interest in the United States, where The Recordings of The Middle East was released.

Throughout 2010 the band toured extensively in the USA and Europe with Beach House, and Laura Marling as well as opening for Pavement. They also played slots on several major festivals such as Coachella, Fuji Rock, Bonnaroo, Sasquatch Music Festival, and Eurockéennes.

The band self-recorded the majority of their album 'I Want That You Are Always Happy' in various houses and studios across the USA during downtime between shows with the majority being recorded in Denton, Texas. After returning home in 2010 the band also toured locally in Australia with Cat Power, and British group Doves.

Band members announced at Splendour in the Grass festival in August 2011 that their set that night would be their "last show ever." They released a statement to fans, explaining why the band had broken up by saying: "we don't feel like playing together any more for a whole lot of reasons that I won't list here and I'm afraid if we continue any longer it would just be a money grab."^[15] FasterLouder reported that the band thanked all in attendance, saying "it makes it special for us."^[16] Triple J presenter Dom Alessio reacted to the news on Twitter, adding that it was "an amazing band cutting it short before their time."^[1]

In March 2019, it was confirmed that the band would return for two nights only to perform at the Sydney Opera House as a part of Vivid Live to celebrate the 20th anniversary of Spunk Records. The band were joined by Jack Ladder, Holly Throsby, Machine Translations, The Ocean Party (playing their final show) and Emma Russack.^[17]

In August 2023, it was announced that the band would be opening for some of the dates on Zach Bryan's 2024 U.S. tour. These will be the first shows that the band have performed outside of Australia in 14 years.^[18]

The Middle East has been described as playing within "a multitude of genres and styles".^[19] Elements of country, blues, punk, rock, folk,^[19] chamber pop, psych folk,^[20] post-rock and ambience can be found throughout its music. Allmusic describes the band's sound as "lush, orchestral indie pop that blends the epic atmospherics of modern rock outfits like Múm and Sigur Rós with the earthy simplicity of modern indie folk".^[21] Instruments used include guitar—both electric and acoustic, drums, hand percussion, piano, glockenspiel, banjo and trumpet. Another distinguishing feature of the band's music is the use of vocal harmony—in particular close harmony performed at times by several members. Pitchfork described some The Middle East songs as being " simple, finger-plucked acoustic affair with alternating and harmonizing vocals that lend the hushed track a sense of beleaguered hope".^[7]

The band, however, has always been critical of itself and its style, believing as an entity it had yet to do anything unique and was too easy to pigeonhole.^[19]