Then_Nilavu

<i>Thennilavu</i>

Thennilavu

1961 film by C. V. Sridhar


Thennilavu (pronounced [teːn nilaʋu] transl.Honeymoon)[2] is a 1961 Indian Tamil-language romantic comedy film written, produced and directed by Sridhar. It stars Gemini Ganesan (credited as Ganesh) and Vyjayanthimala, with K. A. Thangavelu, M. N. Nambiar, M. Saroja and Vasanthi in supporting roles. The film's plot is about a man who, due to mistaken identity, is appointed as a manager by a young woman for her father's honeymoon in Kashmir. The man and the woman fall in love but things go awry when the real manager arrives in Kashmir.

Quick Facts Thennilavu, Directed by ...

Thennilavu is the first film Sridhar produced through his production company Chithralaya; it is also the first South Indian film to be made in Jammu and Kashmir; additional filming took place in Madras (now Chennai) and Kodaikanal. Principal photography took about two months to complete. A. M. Rajah composed the soundtrack and Kannadasan wrote the lyrics. Cinematography was handled by A. Vincent, art direction by Ganga and editing by T. R. Srinivasulu. The film was released on 30 September 1961 and became a commercial success.

Plot

A man named Raj meets a woman named Shanti in Madras and falls in love with her. Shanti does not reciprocate his love and leaves for her home in Bangalore. Shanti's father Sokkalingam and his new wife Thangam decide to honeymoon in Kashmir; Shanti also wants to come. A friend of Sokkalingam suggests an alliance between Shanti and his nephew Raj, who is now in Madras. Raj-2 abandons his wife Lalitha, who he had secretly married, when he learns of this proposed alliance; he leaves for Bangalore but misses the train. Raj-1 arrives in Bangalore, where Sokkalingam mistakes him for his friend's nephew. Sokkalingam and Thangam leave for Kashmir with Raj-1 and Shanti, who still dislikes Raj-1 but eventually returns his love.

Raj-2 reaches Kashmir in search of Sokkalingam. Lalitha, fearing the safety of her husband, also reaches Kashmir in search of him. Lalitha meets Raj-1 and stays in his house; she also meets Sokkalingam and tells him she is married to "Raj". Sokkalingam misinterprets this as Raj-1 and fires him as Shanti's manager. Meanwhile, Raj-2 meets Sokkalingam, explains everything and replaces Raj-1 as Shanti's manager, despite Shanti's dislike for him. Shanti later learns Lalitha is Raj-2's wife and reconciles with Raj-1 while Sokkalingam and Thangam are still unaware.

Raj-2 learns Shanti loves Raj-1 and becomes jealous. At the same time, he meets Lalitha, who he orders to return, otherwise she will be killed. Lalitha flees but secretly writes Raj-2 a love letter. Raj-2, touched by the letter, decides to take Lalitha on a boat ride but plans to kill her and frame Raj-1. When Lalitha joins Raj-2 on the boat ride, he forcefully rides the boat, causing her to fall into the lake. Subsequently, he frames Raj-1. Sokkalingam reports Lalitha's murder to the Kashmir Police, who chase Raj-1, who elopes with Shanti—his only source of an alibi.

Raj-1 and Shanti run into a forest for shelter, where they discover Lalitha is still alive and has been captured by a group of terrorists. Raj-1 and Shanti are put into the same prison as Lalitha, who reveals she washed ashore and was discovered by one of the terrorists. He started torturing Lalitha and she pushed him over a cliff to his death, and was imprisoned for murder. A gypsy dancer from the terrorist group helps them escape the prison but nearby guards see them and start shooting at them. The three escapees climb onto a boat, which develops a crack and starts sinking, leading to Raj-1's separation from Lalitha and Shanti. Raj-1 swims ashore and the police capture him.

During Raj-1's trial in the high court, Shanti and Lalitha arrive, leading to his acquittal. The letter Lalitha wrote to her husband is discovered and after reading the last line, in which Lalitha advised her husband to kill her if wanted, the court suspects Raj-2 of her attempted murder. Lalitha claims she fell into the lake and does not identify Raj-2 as her husband. The case is dismissed, and Sokkalingam and Thangam continue their honeymoon.

Cast

Other supporting roles were played by K. Natarajan, V. Mahalingam, Padmini Priyadarshini, Veeraragavan and Balakrishnan.[3][4]

Production

Development

In the early 1960s, Sridhar founded the production company Chithralaya after making films for Venus Studios.[lower-alpha 1][7] When discussing with his associates what should be the company's first film, Sridhar devised the story of Nenjil Or Aalayam but later decided the company's first film should not be a tragedy and devised the lighter Thennilavu.[8] A. Vincent was the cinematographer,[9] Ganga was the art director and T. R. Srinivasulu was the editor.[10] Film News Anandan was Chithralaya's public relations officer for the film.[11] Sridhar cast most of the actors who appeared in his directorial debut Kalyana Parisu (1959); Gemini Ganesan (credited as Ganesh), K. A. Thangavelu, M. N. Nambiar and M. Saroja.[12] Despite being replete with Hindi film offers, Vyjayanthimala accepted to star as the female lead.[7] This was the Tamil film debut of Vasanthi.[13]

Filming

Thennilavu is the South Indian film to be shot in Jammu and Kashmir,[14] unlike most Tamil films of that period, which were mostly filmed in studios.[7][15][16] The first scene was filmed during an India-Pakistan cricket match at M. A. Chidambaram Stadium, Madras (now Chennai).[17][18] This scene was also used as the background for the film's opening credits.[19] One scene that was filmed in Madras depicts several buildings near Marina Beach that were under construction.[20] While filming at Dal Lake, where the song "Nilavum Malarum" was filmed,[21] Vyjayanthimala almost drowned but was rescued by the cameraman.[22][23] The song "Oho Endhan Baby" was picturised on Ganesan and Vyjayanthimala water skiing; Vyjayanthimala refused to use a body double.[8][24] Other shooting locations included Shalimar Bagh, Pahalgam and Gulmarg.[25][26]

Principal photography lasted about two months.[8][16] In retrospect, Sridhar noted he was determined to ensure all scenes in Kashmir were filmed well because returning to re-film them would be impossible. Because Kashmir did not have facilities, film rolls had to be sent to Vijaya Laboratory in Madras for processing.[7][27] Before the film's release, the censor board objected to the climax where the lead character clashes with the Gurjar community as it would lead to severing ties between India and Kashmir; this forced Sridhar to shoot a different climax at parts of Kodaikanal resembling Kashmir.[24][28] Patch work for certain scenes was done on a set built at Vijaya Studios.[29] The final cut of the film measured 15,125 feet (4,610 m).[30]

Soundtrack

A. M. Rajah composed Thennilavu's music and Kannadasan wrote the lyrics.[3][31] A. Maruthakasi was originally signed on as the film's lyricist and wrote three songs but differences arose between Rajah and Maruthakasi during the making of another Sridhar film Vidivelli (1960) and Maruthakasi swore not to work with Rajah again, and forced him to abandon the songs already written for Thennilavu.[32] Vyjayanthimala was affectionately called "Pappa", which Kannadasan translated into English as "Baby" and wrote the song "Oho Endhan Baby".[33] Writing for Scroll.in, Sruthisagar Yamunan noted many Tamil film songs in the 1960s have repetitive interludes, "the same notes and orchestration repeating before every charanam", citing "Paattu Padava" as an example.[34]

Both "Oho Endhan Baby" and "Paattu Padava" are set in the Carnatic raga known as Keeravani,[35][36] while "Nilavum Malarum Paaduthu" is set in Mohanam.[37][38] N. Krishnaswamy, writing for The Indian Express in 1988, said "Kaalaiyum Neeye" is set in Hamsanandi,[39] a view that is shared by Shoba Narayan, who was writing for Mint in 2009.[40] Singer Charulatha Mani said it only has "Hamsanandi-like phrases" and is not strictly based on the raga itself.[41] Carnatic musicologist Sundararaman identifies it as being set in the Hindustani raga Basant,[42] while K. Easwaralingam, writing for Thinakaran, said it is set in Hamsadhvani.[43] "Oorengum Thaedinaen" is set in Charukesi.[44] "Paattu Padava" was later adapted into a different song titled "All Your Beauty", which appears in the film Goli Soda (2014).[45] It was also recreated as the theme song for the 2022 TV series Iniya.[46]

More information No., Title ...

Release and reception

Thennilavu was released on 30 September 1961.[30] Kanthan of Kalki praised the performances of the cast and the photography in Kashmir but criticised the story.[47] Kumudam gave a more negative review, playing on the film's title by saying "Thennilavu Veen Selavu" (Thennilavu is a waste of money).[33] It was a success at the box office,[48] running in theatres for over 100 days.[49]

Legacy

Thennilavu inspired the filming of more Indian films in Kashmir.[50] Baradwaj Rangan said; "People from an older era may claim that the definitive Gemini romance was Missiamma, which reportedly was our grandmothers' Titanic [...] I, however, go with [Thennilavu], if only for the too-cool image of him in swimming trunks, water-skiing alongside the charmingly young Vyjayanthimala."[51] Mohan Raman named Thennilavu one of "the best examples" where Thangavelu played a "father" role.[52] Thangavelu's dialogue "Kashmirikku ponakka cash meeruma?!" ("Will we have cash left if we go to Kashmir?") attained popularity.[53] A sari brand named after the film was launched by Nalli Kuppuswami Chetti in 1961.[54][55][56][57] The song "Paattu Padava" was included in the opening scene of the 2020 Canadian film Funny Boy.[58]

Notes

  1. While S. Theodore Baskaran says in his 1996 book The Eye of the Serpent Chithralaya was founded in 1961,[5] Sanjit Narwekar says in the 1994 book Directory of Indian film-makers and films it was founded in 1960.[6]

References

  1. "Thennilavu". Complete Index to World Film. Archived from the original on 22 March 2018. Retrieved 22 March 2018.
  2. தேன் நிலவு (PDF) (song book) (in Tamil). Chithralaya. 1961. Retrieved 14 December 2021 via Internet Archive.
  3. "Travelogue-cum-romantic Social Due Tomorrow". The Indian Express. 29 September 1961. p. 3. Retrieved 12 March 2018 via Google News Archive.
  4. ஸ்ரீதர், டைரக்டர் (15 December 1991). "கடலலையில் எங்கள் சிறிய தோணி; கலையுலகில் எங்கள் புதிய பாணி" [We know art is an ocean, we row for novel creation]. Kalki (in Tamil). pp. 63–64. Archived from the original on 3 April 2023. Retrieved 3 April 2023.
  5. நரசிம்மன், டி.ஏ. (27 April 2018). "டி.சி(ரி)த்ராலயா 15: காஷ்மீரில் கட்டிப்போட்ட சலுகை!". Hindu Tamil Thisai (in Tamil). Archived from the original on 20 September 2020. Retrieved 13 December 2021.
  6. Kolappan, B. (26 February 2015). "Cinematographer Vincent dead". The Hindu. Archived from the original on 27 February 2018. Retrieved 27 February 2018.
  7. "Thennilavu". The Indian Express. 30 September 1961. p. 3. Retrieved 22 March 2018.
  8. Naig, Udhav (21 March 2016). "'Film News' Anandan, cinema historian, passes away". The Hindu. Archived from the original on 22 March 2016. Retrieved 22 March 2016.
  9. "Veteran Actress Vasanthi Passed Away!". Nettv4u. 30 May 2019. Archived from the original on 14 December 2021. Retrieved 14 December 2021.
  10. "Tamil film director Sridhar passes away". Screen. 20 October 2008. Archived from the original on 22 October 2008. Retrieved 21 October 2016.
  11. Rangarajan, Malathi (21 July 2016). "The director's fine cut". The Hindu. Archived from the original on 22 March 2018. Retrieved 22 March 2018.
  12. "பார்த்தது படித்தது ரசித்தது – சுதாங்கன்". Dinamalar (in Tamil). Nellai. 30 July 2017. Archived from the original on 22 March 2018. Retrieved 22 March 2018.{{cite web}}: CS1 maint: unfit URL (link)
  13. "Did You Know?". The Times of India. 4 December 2013. Archived from the original on 28 April 2018. Retrieved 28 April 2018.
  14. Mahendra, Y.Gee. (9 March 2010). "Where arts and academics met". The Hindu. Archived from the original on 27 February 2018. Retrieved 27 February 2018.
  15. C. N. R. (10 February 1963). "The Growing Burden Of Taxation". The Illustrated Weekly of India. Vol. 84, Part 1. p. 124. Retrieved 3 November 2022.
  16. Raman, Mohan (24 August 2020). "#MadrasThroughTheMovies: A stroll by the Marina Beach & its landmarks". The Times of India. Archived from the original on 19 October 2020. Retrieved 16 December 2021.
  17. Gopalakrishnan, P. V. (4 April 2017). "Filmy Ripples: Moonlit Movies (Part 2)". The Cinema Resource Centre. Archived from the original on 23 March 2018. Retrieved 23 March 2018.
  18. Bali 2007, pp. 93–96.
  19. ஸ்ரீதர், டைரக்டர் (22 December 1991). "வைஜயந்தி மாலாவுக்கு ஆபத்து!" [Danger for Vyjayanthimala!]. Kalki (in Tamil). pp. 59–60. Archived from the original on 3 April 2023. Retrieved 3 April 2023.
  20. நாகேஷ் (4 January 2004). "மோடி மஸ்தான் காமெடி பண்ணு!". Kalki (in Tamil). pp. 33–35. Archived from the original on 3 April 2023. Retrieved 3 April 2023.
  21. Saregama Tamil (8 August 2015). Then Nilavu (1961) All Songs Jukebox (in Tamil). Archived from the original on 14 December 2021. Retrieved 23 March 2018 via YouTube.
  22. "வைஜெயந்தி மாலா: 3. ஓஹோ... எந்தன் பேபி...!". Dinamani (in Tamil). 25 March 2016. Archived from the original on 29 March 2018. Retrieved 14 December 2021.
  23. Yamunan, Sruthisagar (10 March 2019). "Ilaiyaraaja: His preludes and interludes changed the way we listened to Tamil film music". Scroll.in. Archived from the original on 22 November 2021. Retrieved 14 December 2021.
  24. Mani, Charulatha (26 April 2013). "Harmonious symmetry". The Hindu. Archived from the original on 19 December 2014. Retrieved 6 June 2017.
  25. Saravanan, T. (20 September 2013). "Ragas hit a high". The Hindu. Archived from the original on 13 December 2014. Retrieved 6 June 2017.
  26. Krishnaswamy, N. (22 January 1988). "Killing spree". The Indian Express. p. 5. Retrieved 23 April 2018 via Google News Archive.
  27. Narayan, Shoba (23 January 2009). "Music is the mood, the muse and the meaning". Mint. Archived from the original on 6 June 2017. Retrieved 6 June 2017.
  28. Mani, Charulatha (23 December 2011). "A Raga's Journey – Heart-rending Hamsanandi". The Hindu. Archived from the original on 6 February 2014. Retrieved 6 June 2017.
  29. Rangan, Baradwaj (25 January 2014). ""Goli Soda"... Little men". Baradwaj Rangan. Archived from the original on 10 October 2016. Retrieved 22 March 2016.
  30. Saregama TV Shows Tamil (6 December 2022). Iniya – Song Making | Paattu Paadava | Alya Manasa | Saregama TV Shows Tamil. Archived from the original on 6 December 2022. Retrieved 7 December 2022 via YouTube.
  31. காந்தன் (15 October 1961). "தேன்நிலவு". Kalki (in Tamil). p. 43. Archived from the original on 31 March 2023. Retrieved 31 March 2023 via Internet Archive.
  32. "C.V Sridhar, veteran director passes away!". Sify. 20 October 2008. Archived from the original on 22 January 2014. Retrieved 21 October 2011.
  33. Narayanan, Arjun (22 August 2012). "Serenading the Silver Screen". The Times of India. Archived from the original on 10 May 2018. Retrieved 10 May 2018.
  34. Ramesh, Neeraja (23 August 2019). "New Kashmir beckons Kodambakkam arc lights". The Times of India. Archived from the original on 25 November 2020. Retrieved 6 March 2022.
  35. Rangan, Baradwaj (27 March 2005). "Tribute: Gemini Ganesan". Baradwaj Rangan. Archived from the original on 19 August 2013. Retrieved 8 August 2013.
  36. Raman, Mohan V. (24 September 2016). "King of comedy". The Hindu. Archived from the original on 25 April 2018. Retrieved 25 April 2018.
  37. Krishnan, Raghu (22 April 2007). "Once upon a stand-alone theatre". The Economic Times. Archived from the original on 29 March 2018. Retrieved 29 March 2018.
  38. Sundar, Mrinalini (14 April 2016). "Of T Nagar, textiles and tinsel town memories". The Times of India. Archived from the original on 2 April 2018. Retrieved 14 December 2021.
  39. Narayana, V. G. (28 June 2014). "Interview with Dr. Nalli Kuppuswami Chetti" (PDF). Harvard Business School. Chennai. Archived (PDF) from the original on 13 May 2021. Retrieved 14 December 2021.
  40. Swaminathan, Chitra (23 October 2014). "Checks go out of the box". The Hindu. Archived from the original on 29 November 2014. Retrieved 14 December 2021.
  41. Umashanker, Sudha (4 November 2004). "Tradition's modern spin". The Hindu. Archived from the original on 2 April 2018. Retrieved 14 December 2021.
  42. Shedde, Meenakshi (12 December 2020). "Border-slashing Funny Boy". Mid-Day. Archived from the original on 6 March 2022. Retrieved 6 March 2022.

Bibliography


Share this article:

This article uses material from the Wikipedia article Then_Nilavu, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.