There's_a_New_Sound

There's a New Sound

There's a New Sound

1953 single by Tony Burrello


"There's a New Sound" is a 1953 novelty song by Tony Burrello, written by Burrello and Tom Murray.[1]

Quick Facts Single by Tony Burrello, B-side ...

Burrello, a songwriter and jazz pianist better known as Tony Tamburello,[2] and Murray started writing novelty songs after they were unsuccessful in having their more serious material recorded by prominent musicians.[1] They noted the success of music that was seemingly intentionally bad, after hearing a disc jockey play Harry Stewart's version of "Yes Sir, That's My Baby" sung in a faux-Japanese accent. According to Murray, the disc jockey said that the record was a hit but also "one of the most horrible records he had ever heard".[3]

Burrello and Murray responded by creating the songs "There's a New Sound", performed by Burello, and "Fish", sung by Leona Anderson, which they released as a single. "There's a New Sound" consists of a single chorus repeated five times, each time in a higher key, with calliope accompaniment.[4] The lyrics describe "the strangest sound that you have ever heard", which turns out to be "the sound that's made by worms".[1] Burrello was credited as the artist on the single,[5] which was released on Burrello and Murray's own record label, Horrible,[4] as catalog numbers H 100 (ten-inch 78 rpm format) and H 100-X45 (seven-inch 45 rpm format).[5] The single was Horrible's only release.

When Billboard magazine reviewed the single, it commented: "A weird one. 'The new sound is the sound made by worms.' Strange sound effects go with nonsense lyric. It's a studied attempt to be as screwy as possible."[5] For the flip side, "Fish", Billboard′s review was "Same comment".[5]

Burrello and Murray originally had only 500 copies of "There's a New Sound"/"Fish" issued to be sent to disc jockeys.[4] However, within two weeks, they received orders for more than 100,000 copies of the single.[4]

Soon afterward, Burrello and Murray were called upon to write a song for Brucie Weil, who was then 6 years old.[6] The song they wrote for Weil, "God Bless Us All", reached #18 on the Billboard singles chart.[7][8] Burrello and Murray were soon called upon to write music for other artists, including a theme song for John Conte and special material for Tony Bennett.[9]

Anderson went on to exploit her newfound fame as a "horrible" musician by making appearances on The Ernie Kovacs Show and signing with Columbia Records for two more singles.[10] In 1957, for Unique Records, Anderson released a full-length album, Music to Suffer By, in the same mock-operatic style she used for "Fish."[10][11]

"There's a New Sound" was later featured often on the Dr. Demento show[12][13] and performed by Scooter on The Muppet Show.


References

  1. Anderson, Tim J. (2006). Making Easy Listening: Material Culture and Postwar American Recording. Minneapolis: University of Minnesota Press. p. xiii. Retrieved 2011-02-10. new sound.
  2. "Tony Tamburello, Pianist and Vocal Coach, 72". The New York Times. 1992-09-25. ISSN 0362-4331. Retrieved 2023-02-10.
  3. Ewald, William (1953-06-08). "Song Writers Guarantee New Record Worst". Oxnard Press-Courier. United Press. p. 9. Retrieved 11 February 2011.
  4. "Fair Warning". Time. 1953-06-08. Archived from the original on May 16, 2008. Retrieved 12 February 2011.
  5. "Reviews of This Week's New Records". Billboard. May 23, 1953. p. 152. Retrieved 12 February 2011.
  6. "Once There Was a Boy ..." Life. 1953-08-31. p. 55. Retrieved 12 February 2011.
  7. Lonergan, David F. (2005). Hit Records, 1950-1975. Lanham, Md.: Scarecrow Press. p. 69. ISBN 978-0-8108-5129-0. Retrieved 12 February 2011.
  8. Whitburn, Joel (1994). Joel Whitburn's Pop Hits, 1940-1954. Menomonee Falls, Wis.: Record Research. p. 305. ISBN 0-89820-106-3.
  9. "Much Activity for Murray-Burrello". Billboard. 1953-08-15. p. 14. Retrieved 12 February 2011.
  10. "Leona Anderson | Space Age Pop". spaceagepop.com. Retrieved 31 July 2017.
  11. Wolk, Douglas., "Review: Various Artists - Only In America", CMJ New Music Monthly, February 1996, page 16.

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