Box Office

According to Kinematograph Weekly the film was considered a "money maker" at the British box office in 1962.^[6]

Critical reception

Monthly Film Bulletin said "With a TV reputation for slick, hard-hitting and technically adventurous productions behind him, it might have been expected that William Kotcheff would have brought some of these qualities to his first commercial feature. Unhappily, the film bears all the hallmarks of the standard Rank production; if there was any freshness of approach in Kotcheff's original conception, it has now been successfully ironed away. Essentially an actor's vehicle (resembling, at times, a South Sea island version of Tunes of Glory [1960]), the story needs much firmer and subtler handling than it receives here; veering uneasily between military satire and character drama, it scarcely convinces on either level. But it has two meaty parts and James Mason, with his practised charm and irony, brings just the right weight to his role. John Mills, on the other hand, is encouraged to over-act and, surely, it was a mistake to give him two lengthy face-to-camera monologues, especially when the situations are so overblown. After the protracted opening sequences, the Tahitian locations seem like a breath of fresh air yet, even here, neither camerawork, colour nor direction make much of the material."^[7]

In The New York Times, Bosley Crowther called it "lush, foolish, sometimes funny ... splotchy entertainment that is, at least, colorful".^[8]

Variety wrote "The two male stars in this pic have a field day. Mason is fine as the mocking wastrel while Mills is equally good in a more difficult role that could have lapsed into parody. These two carry the main burden of the film"^[9]

The Radio Times Guide to Films gave the film 2/5 stars, writing: "Director Ted Kotcheff's feature debut is an adequate showcase for the talents of James Mason and John Mills. Nobody can smarm like Mason and he breezes through the picture, as a cultured crook who sees Mills's arrival on Tahiti to negotiate a hotel del as the chance to pay him back for his being cashiered at the end of the war. Mills occasionally struggles to convince in the more difficult role, not always managing to keep the lid on his histrionics."^[10]

Time Out found it an "uneven mix of character study and situation comedy".^[11]

Leslie Halliwell said: "Uneasy mixture of light comedy and character drama; enjoyable in parts, but flabbily assembled and muddily photographed."^[12]