Times_Square_Theatre

Times Square Theater

Times Square Theater

Former theater in Manhattan, New York

The Times Square Theater is a former Broadway and movie theater at 215–217 West 42nd Street in the Theater District of Midtown Manhattan in New York City, near Times Square. Built in 1920, it was designed by Eugene De Rosa and developed by brothers Edgar and Archibald Selwyn. The building, which is no longer an active theater, is owned by the city and state governments of New York and leased to New 42nd Street.

Quick Facts Address, Coordinates ...

The Times Square Theater was designed simultaneously with the now-demolished Apollo Theatre immediately to the north and west. The theaters shared a symmetrical facade on 42nd Street, which is made of limestone and contains a central colonnade. The Times Square Theater took up most of the facade, though the western section was occupied by the Apollo Theatre's entrance. Inside, the Times Square Theater had a fan-shaped auditorium that could seat 1,155 people. The auditorium was designed in a silver, green, and black color scheme and had a shallow balcony, box seats, and murals. As part of a renovation proposed in 2018, the theater building will be substantially expanded with a glass annex, the original facade will be raised, and some of the interior elements will be preserved.

The Times Square opened on September 30, 1920, with Edgar Selwyn's play The Mirage. The theater mostly hosted legitimate shows in its first decade, but it briefly screened films in 1926 and 1928. Notable shows included The Front Page (1928), Strike Up the Band (1930), and Private Lives (1931). The theater staged its last show in 1933, and the theater became a cinema the next year. The Brandt family operated the Times Square for the next five decades, showing westerns and action films. There were several proposals to redevelop theaters along 42nd Street in the 1980s. New 42nd Street took over the Times Square and several neighboring theaters in 1990, but the theater building was difficult to lease out because of its lack of a rear entrance. Among the unsuccessful bids were those by MTV, Marvel Mania, Livent, Ecko Unltd., and a 4D theater company. Stillman Development International leased the building in 2017 and hired Beyer Blinder Belle to renovate it.

Site

The Times Square Theater is at 215–217 West 42nd Street, on the northern sidewalk between Eighth Avenue and Seventh Avenue, at the southern end of Times Square in the Midtown Manhattan neighborhood of New York City.[1][2] The building occupies a nearly square land lot covering 10,401 sq ft (966.3 m2), with a frontage of 105 ft (32 m) on 42nd Street[lower-alpha 1] and a depth of 100.5 ft (30.6 m).[1] The theater is surrounded to the east and north by the Lyric Theatre. It also shares the block with the Hotel Carter building and the Todd Haimes Theatre to the west, as well as the New Victory Theater and 3 Times Square to the east. Other nearby buildings include 255 West 43rd Street, the St. James Theatre, the Hayes Theater to the northwest; 229 West 43rd Street and 1501 Broadway to the north; 5 Times Square and the New Amsterdam Theatre to the southeast; and the Candler Building to the south.[1][2]

The surrounding area is part of Manhattan's Theater District and contains many Broadway theaters.[4] In the first two decades of the 20th century, eleven venues for Legitimate theatre were built within one block of West 42nd Street between Seventh and Eighth Avenues.[5][6] The New Amsterdam, Harris, Liberty, Eltinge, and Lew Fields theaters occupied the south side of the street. The original Lyric and Apollo theaters (combined into the current Lyric Theatre), as well as the Times Square, Victory, Selwyn (now Todd Haimes), and Victoria theaters, occupied the north side.[6] These venues were mostly converted to movie theaters by the 1930s, and many of them had been relegated to showing pornography by the 1970s.[6][7]

Design

The Times Square Theater, along with the Apollo Theatre immediately to the north and west, was developed by brothers Edgar and Archibald Selwyn in 1920. Both theaters were built simultaneously and designed by Eugene De Rosa.[2][8][9] Architectural Plastering Co. performed the theater's exterior sgraffito work, while L. S. Fischl's Sons was the interior decorator.[10]

Facade

The theater's original facade, shared with the former Apollo Theatre, is made of limestone and is symmetrical.[11][12][13] The layout is similar to that of the still-extant Music Box Theatre.[14] The westernmost section served as an entrance to the Apollo Theatre, whose auditorium was originally on 43rd Street.[11][13] There was a marquee overhanging the entrance to the Apollo. Above that was a vertical sign advertising the two theaters. The Apollo's name was placed on the western face of the sign, while the Times Square's name was placed on the eastern face. In addition, there were entrances to the Times Square Theater to the east, separated by rusticated limestone piers.[11] The two theaters' entrances were otherwise identical in design.[13]

At the second floor is a colonnade of six columns between a pair of outer bays.[15][16] The New York Times described the columns as being in the Doric order.[17] There were originally seven wrought-iron screens, one between each set of columns. The auditorium facade is slightly recessed behind the colonnade, creating a gallery. The outermost bays in the second floor contained sash window panes, flanked by pilasters that support a round arch. The pilasters in the corners of the arches were carved. A cornice ran above the facade.[11] Unlike the four neighboring theaters, the Times Square Theater did not have any access from 43rd Street.[13][18] Instead, its auditorium and stage house were both on 42nd Street.[13][19] This allowed the auditorium to be positioned parallel to the street, facing eastward.[13]

As of 2018, Beyer Blinder Belle is planning to substantially reconfigure the Times Square Theater building. The proposed renovation includes increasing the building's height to six stories, with its roof 138 ft (42 m) high. Four stories will be built above the existing building.[20] The existing facade will be raised by 5 ft (1.5 m) to accommodate higher ceilings on the ground floor.[21][22][23] The second story will have a glass enclosure in front of the colonnade, allowing passersby to view the former theater's interior.[24][25] The enclosure, measuring 23 ft (7.0 m) tall, will partially cantilever above the sidewalk on 42nd Street. LED signs are also planned to be installed on the building's exterior.[26] An open-air restaurant will also be placed on the roof.[20][24]

Interior

Original theater

View of interior (1920)

The Times Square Theater had a fan-shaped layout.[8][13] A contemporary account said the theater could accommodate 1,127 people;[27] meanwhile, The Broadway League and Playbill both cite a capacity of 1,055,[28][29] and theater historian Mary C. Henderson gives a figure of 1,035.[13] The interior was originally decorated in the Empire style[10][27] with some Adam style ornamentation.[8] The original color scheme was silver and green against a black background.[10][27][14] In later years, the green decorations faded to gray.[14]

The theater had two levels of seating: a ground-floor orchestra level, as well as a balcony with a slightly higher seating capacity.[8][13] The first four rows of the orchestra were designed with armchairs instead of typical theater seats. At balcony level was a crossover aisle with several entrances, reducing the distance that patrons had to climb compared to in older theaters.[30] Near the front of the auditorium, on either side of the balcony level, was a wall section with two box seats.[8][13] Each wall section had black velvet curtains and was topped by a plaster half-dome.[10][27] The theater contained an "air cushion" facing 42nd Street to the south, which dampened noise from outdoors. On either side of the auditorium were emergency exits leading to passageways; the New-York Tribune said these were capable of emptying the theater "in a matter of seconds".[30] The ceiling had a dome measuring 35 ft (11 m) wide.[22]

A black velvet curtain separated the audience from the stage, which was 40 ft (12 m) wide.[14] A grand staircase connected the orchestra and balcony levels. There was also a women's lounge and smoking room on balcony level, as well as a men's lounge in the basement. The men's lounge was decorated in the Tudor style and contained wooden paneling.[10][13][27] To the west of the Times Square's auditorium was the Apollo's entrance, which consisted of a corridor with paneled walls and several types of marble.[15] The old Apollo entrance from 42nd Street, with bas-relief sculptures and black-and-white marble decorations, was retained when the current Lyric Theatre was built in 1998. To the east of the auditorium is the lobby from the original Lyric Theatre.[31]

Proposed conversion

The building is proposed to be converted into over 52,000 sq ft (4,800 m2) of mixed-use space as of 2019.[20][24] Most of the building, about 34,000 sq ft (3,200 m2), is planned to be used as storefronts.[20] The third and fourth stories are both planned to have double-height ceilings, as well as many of the historical features relocated from the auditorium.[20][22][25] Both stories are to have outdoor terraces.[25] A spiral staircase would connect the second through fourth floors, and the dome would be reinstalled above the staircase.[26]

Use as theater

Development

Times Square became the epicenter for large-scale theater productions between 1900 and the Great Depression.[32] Manhattan's theater district had begun to shift from Union Square and Madison Square during the first decade of the 20th century.[33][34] From 1901 to 1920, forty-three theaters were built around Broadway in Midtown Manhattan.[35] The Selwyn brothers, developed several Broadway theaters on 42nd Street.[36] Before the Times Square Theater was developed, the brothers operated the Harris and Selwyn (now Todd Haimes) theaters.[37][38] The Selwyn Theatre had opened on an adjacent site in 1918.[39][40] Even before that theater was completed, the Selwyn brothers had asked their partner Crosby Gaige to search for sites where they could build additional theaters. The brothers bought two sites just east of the Selwyn Theatre: a 105-foot-wide (32 m) plot on 42nd Street, which contained George Sturges's unprofitable Bryant Theatre, as well as a 100-foot-wide (30 m) plot on 43rd Street, which was vacant.[13]

As construction proceeded on the Selwyn Theatre in September 1917, the Selwyn brothers announced two additional theaters. Originally, the two theaters were to be named after actress Margaret Illington and producer Margaret Mayo.[37][38] The following February, the Shubert family acquired a partial interest in the three theaters that the Selwyns were constructing. By this time, the planned Illington Theatre was to be known as the Times Square Theater.[41][42] The Selwyn brothers leased the eastern site from Sperry and Hutchinson Co. in July 1918, after the plot had already been excavated.[43][44] In May 1919, the New York City Department of Buildings approved the Selwyn brothers' plans for a 1,100-seat theater on 42nd Street and a 1,200-seat theater on 43rd Street.[45] The O'Day Construction Company was hired to erect both theaters.[30] The Selwyn brothers intended to use the two theaters exclusively for their own productions.[46]

Legitimate use

Selwyn years

The Times Square opened on September 30, 1920, with Florence Reed starring in Edgar Selwyn's play The Mirage.[47][48][49] The production was a relative hit,[50] lasting for 192 performances through March 1921.[51][52] During that play's run, G.K. Chesterton spoke on the topic "Shall We Abolish the Inevitable?" at the theater.[53] This was followed by the musical comedy The Right Girl,[54][55] as well as the mhort-lived usical revue The Broadway Whirl.[56][57][58] The plays The Demi-Virgin, Honors Are Even, and Love Dreams had short runs at the Times Square in late 1921.[14][58] That November, the Clemence Dane play A Bill of Divorcement moved from George M. Cohan's Theatre to the Times Square;[59] it was one of the first hits that featured actress Katharine Cornell.[14][60] The theater also hosted recitals by actress Ruth Draper,[61] who continued her performances there for several years.[62] In 1922, the Times Square hosted plays such as The Charlatan, as well as The Exciters with Tallulah Bankhead.[14]

The Fool, by Channing Pollock, opened in October 1922[63][64] and ran for over 200 performances through the next year.[65][66] As an experiment, the Selwyn brothers brought over several visiting companies in mid-1923 to perform The Fool in place of the usual actors. Each company performed for three days before being performing the production at other theaters.[67][68] The play Helen of Troy, New York, transferred from the Selwyn Theatre in October 1923;[66][69] this was followed in December by Pelléas and Mélisande with Jane Cowl,[70] which flopped after 13 performances.[66][71] During early 1924, André Charlot presented his eponymous musical revue, featuring Gertrude Lawrence, Beatrice Lillie, and Jack Buchanan.[72] Charlot's revue transferred to the Selwyn Theatre in April 1924,[73][74] swapping houses with the musical Battling Buttler.[75] The theater also hosted a dance recital by Albertina Rasch in May 1924, though the Sabbath Committee ruled that the recital could not be staged on Sundays.[76][77] That September, the theater hosted Jerome Kern and Howard Dietz's musical Dear Sir, featuring Oscar Shaw and Walter Catlett.[14][78] It was followed in November by Clifford Grey, Clare Kummer, and Sigmund Romberg's musical Annie Dear, which featured Billie Burke.[79][80]

Decline

The Selwyn brothers dissolved their firm in 1925.[81][82] The same year, the theater hosted the play Mismates, the namesake of the film Mismates.[83][84] The musical Kosher Kitty Kelly also ran for 166 total performances at the Times Square Theater and Daly's 63rd Street Theatre,[85] in spite of negative critical reception.[86] Pollock's play The Enemy opened in late 1925[81][87] and ran for 202 performances.[88] The Times Square Theater then showed a variety of films in early 1926,[82] including The Volga Boatman[89] and a double feature of Silence and The Prince of Pilsen.[90] The theater's next legitimate show was Love 'Em and Leave 'Em, which relocated from the Apollo in May 1926.[82][91]

The Anita Loos play Gentlemen Prefer Blondes opened in September 1926[81][92] and ran for 199 total performances across two theaters.[93][94] During the play's run, the theater also hosted a speech by explorer Richard E. Byrd,[95] a documentary presented by aviator Alan Cobham,[96] and a ballet show.[97] After Blondes relocated from the Times Square in March 1927, A. H. Woods planned to move his production of the play Crime into the theater.[98] Instead, the Times Square screened silent films for the 1927–1928 season.[93] The silent film Sunrise opened at the Times Square in September 1927,[99][100] and the theater screened the film Dawn in May 1928.[101][102] Although other theaters on 42nd Street were already struggling to book long-running shows by the late 1920s, the Times Square was still able to secure some hits.[93] Jed Harris leased the theater in mid-1928[93][103] and presented the original Broadway production of Ben Hecht and Charles MacArthur's comedy The Front Page, which opened in August 1928.[104][105] The Front Page ran for 276 performances through April 1929.[93][106]

Several shows had short runs in 1929, including The Middle Watch[107] and Other Men's Wives.[108] The next hit was George and Ira Gershwin's musical Strike Up the Band, which opened at the theater in January 1930[109][110] and ran for 191 performances over the next five months.[111] At the onset of the Great Depression, many Broadway theaters were impacted by declining attendance, leading to many flops.[112] The 1930–1931 season alone had six shows,[82] including a revival of The Merchant of Venice.[113][114] The season ended with Noël Coward's Private Lives, starring Coward and Gertrude Lawrence,[115][116] which lasted 256 performances.[117] In the 1931–1932 season, four successive plays closed within one month.[28][29] The 1932–1933 season, with three shows, was the Times Square's final season as a live venue.[82][118] The season's shows included Clear All Wires!,[119][120] Foolscap,[121][122] and Forsaking All Others.[123][124] The play Angel, with Lenore Ulric, was supposed to have opened at the Times Square in June 1933 but never did so.[125]

Movies

Seen from across 42nd Street (2021)

The theater remained dark for the 1933–1934 season,[118][126] even though the play Ragged Army had been planned to open there in February 1934.[127] The theater's owner Burgwyn Realty Corp. leased the theater to the Brandt family for use as a cinema in May 1934. The Brandts planned to operate the theater under a grindhouse format, with films running continuously.[126][128] This was part of a decline in the Broadway theater industry in the mid-20th century; from 1931 to 1950, the number of legitimate theaters decreased from 68 to 30.[129][130] The lease originally ran for five years.[128] The following year, Burgwyn lost the theater in a foreclosure proceeding.[118][131] The Times Square and Apollo theaters were auctioned off; Timap Inc. acquired them in June 1935 for $110,000 and assumed responsibility for the existing $800,000 mortgage.[132][133] The proscenium arch was infilled in 1939 when the former stage house was converted to a haberdashery, since the theater no longer needed these facilities after its conversion into a cinema.[19]

By the mid-1940s, the ten theaters along 42nd Street between Seventh and Eighth Avenues were all showing movies; this led Variety to call the block the "biggest movie center of the world".[134] The Brandts owned seven of these theaters, while the Cinema circuit operated the other three.[134][135] The Brandt theaters included the Selwyn, Apollo, Times Square, Lyric, and Victory theaters on the north side of 42nd Street,[136][137] as well as the Eltinge and Liberty theaters on the south side.[135] The Times Square Theater showed action films and Westerns, and the Brandt changed the bill three times a week.[134] Several producers offered to stage legitimate productions in the Brandt theaters, but none of the offers were successful.[138] William Brandt indicated in 1946 that he might replace the theaters on the north side of 42nd Street with a skyscraper.[138][139] By then, there was a shortage of new films in the theaters along 42nd Street, which led to decreased attendance.[134]

William Brandt said in 1953 that any of his 42nd Street theaters could be converted to a legitimate house within 24 hours' notice, but producers did not take up his offer.[140] By the late 1950s, the Times Square was classified as a "western and action outlet", displaying films that related to that genre. Tickets cost 25 to 65 cents apiece, the cheapest admission scale for any theater on 42nd Street. The Times Square and the other 42nd Street theaters operated from 8 a.m. to 3 a.m., with three shifts of workers. The ten theaters on the block attracted about five million visitors a year between them.[141]

The 42nd Street Company was established in 1961 to operate the Brandts' seven theaters on 42nd Street.[142][143] By the early 1960s, the surrounding block had decayed, but many of the old theater buildings from the block's heyday remained, including the Times Square.[144] Martin Levine and Richard Brandt took over the 42nd Street Company in 1972.[142][143] The Times Square still operated as an action house. The other six theaters showed a variety of genres, though Levine said none of the company's 42nd Street theaters showed hardcore porn. The Brandts' theaters had a combined annual gross of about $2 million and operated nearly the entire day.[145] However, the area was in decline; the Brandts' theaters only had three million visitors by 1977, about half of the number in 1963.[146] The area had also become dangerous and rundown as well.[147] Patrons were fatally shot in separate incidents in 1977[148] and 1980.[149] The Brandts' movie theaters on 42nd Street continued to operate through the mid-1980s, at which point the Times Square was showing "obscure horror/action triple-bills".[150]

Redevelopment

The 42nd Street Development Corporation had been formed in 1976 to discuss plans for redeveloping Times Square.[151] The same year, the City University of New York's Graduate Center hosted an exhibition with photographs of the Times Square Theatre and other theaters to advocate for the area's restoration.[152][153] Another plan, in 1978, called for restoring the Selwyn, Apollo, and Harris for opera and dance, rather than for theatrical purposes. Other nearby buildings, including possibly the Times Square Theater, would have been razed to create a park.[154][155]

Preservation attempts

Seen in 1985, beside the old Victory and Lyric theaters at right

Another plan, called the City at 42nd Street, was announced in December 1979 as part of a proposal to restore West 42nd Street around Times Square.[156][157] Under the plan, the Times Square Theatre would have been preserved, and some of the other theaters would have been modified.[156][158] Mayor Ed Koch wavered in his support of the plan, criticizing it as a "Disneyland on 42nd Street".[159][160] Subsequently, Hugh Hardy conducted a report on 42nd Street's theaters in 1980. His report, in conjunction with a movement opposing the demolition of the nearby Helen Hayes and Morosco theaters, motivated the New York City Landmarks Preservation Commission (LPC) to survey fifty of Midtown Manhattan's extant theaters in the early 1980s.[161]

The LPC started to consider protecting theaters, including the Times Square Theater,[162] as landmarks in 1982, with discussions continuing over the next several years.[163] While the LPC granted landmark status to many Broadway theaters starting in 1987, it deferred decisions on the exterior and interior of the Times Square Theater.[164] Further discussion of the landmark designations was delayed for several decades.[165] In late 2015, the LPC hosted public hearings on whether to designate the Times Square and six other theaters as landmarks.[166] The LPC rejected the designations in February 2016, as the theaters were already subject to historic-preservation regulations set by the state government.[167]

Early redevelopment proposals

The Urban Development Corporation (UDC), an agency of the New York state government, then proposed redeveloping the area around a portion of West 42nd Street in 1981.[168][169] The plan centered around four towers that were to be built at 42nd Street's intersections with Broadway and Seventh Avenue, developed by Park Tower Realty and the Prudential Insurance Company of America.[170][171][lower-alpha 2] The Brandt family planned to submit a bid to redevelop some of the theaters they owned on 42nd Street.[172][173] In June 1982, the Brandts' five theaters on the north side of 42nd Street, including the Times Square, were added to the redevelopment plan.[174] In August 1984, the UDC granted Jujamcyn Theaters the right to operate the Selwyn, Apollo, and Lyric theaters; as part of the same project, the Times Square Theater would have become retail space.[175][176] In response, Brandt and Cine Theater Corp. sued the UDC, claiming that the moves shut out independent theatrical operators.[177] Michael J. Lazar would have renovated the four theaters for Jujamcyn, but the city and state removed him from the project in 1986 following a parking scandal.[178][179] The Brandts also leased all their movie theaters on 42nd Street, including the Times Square, to the Cine 42nd Street Corporation in 1986.[118]

From 1987 to 1989, Park Tower and Prudential hired Robert A. M. Stern to conduct a study on the Apollo, Lyric, Selwyn, Times Square, and Victory theaters on the north side of 42nd Street.[161][180] Stern devised three alternatives for the five theaters.[181] City and state officials announced plans for the five theaters, along with the Liberty Theatre on the south side of 42nd Street, in September 1988.[182] Stern presented a model of his plan the next month.[183][184] The plan called for reducing the size of the Selwyn Theatre to accommodate "intimate drama", as well as replacing the Selwyn Building with a structure containing rehearsal studios.[185] The UDC opened a request for proposals for six of the theaters that October. The Liberty and Victory were to be converted into performing-arts venues for nonprofit organizations, while the Selwyn, Apollo, Lyric, and Times Square were to be converted to commercial use.[186] By the end of the year, the plans were threatened by a lack of money.[187]

In early 1989, several dozen nonprofit theater companies submitted plans to the UDC for the takeover of six theaters.[188][189] Most of the bids were for the Liberty and Victory, but the Selwyn, Apollo, Lyric, and Times Square theaters received 13 bids between them.[190] That year, the Durst Organization acquired the leases to eight theaters in Times Square, including the Selwyn. It subsequently announced plans to renovate the eight theaters in February 1990.[191][192] The theaters closed when the New York state government acquired the theater sites that April via eminent domain.[188][193][194] The city had planned to buy out the theaters' leases[195] but withdrew after the 42nd Street Company indicated it would lease the theaters to another developer.[196] Although Durst protested the move, a New York Supreme Court judge ruled that the condemnation could occur.[197]

New 42nd Street control

1990s proposals

Eastern end of the facade (2021)

A nonprofit organization, New 42nd Street, was formed in September 1990 to restore six of the theaters and find uses for them.[194][198][199] Government officials hoped that development of the theaters would finally allow the construction of the four towers around 42nd Street, Broadway, and Seventh Avenue.[200] In 1992, New 42nd Street received a $18.2 million grant for restoring the six theaters[201] as part of an agreement with Prudential and Park Tower.[202][203] Donna Dennis used the vacant theater's facade in 1993 for an art exhibition that included old playbills.[204][205] That year, officials proposed opening the New York Information Center, which would occupy the Times Square Theater and either the Apollo or Lyric theaters.[206] After Disney committed to restoring the New Amsterdam Theatre in 1994, most of the other theaters around 42nd Street were quickly leased.[207] Garth Drabinsky, president of Canadian company Livent, signed a long-term lease for the Apollo and Lyric theaters in July 1995,[208][209] and the present Lyric Theatre (then known as the Ford Center for the Performing Arts) opened in 1998.[210]

In September 1994, MTV took an option on the Apollo, Lyric, and Times Square theaters, which it planned to convert into a production studio.[203][211] However, the negotiations with MTV fell through.[208] Marvel Entertainment signed a letter of intent to build a Marvel Mania restaurant inside the Times Square[212][213] in May 1996.[214] These plans were placed on hold after Marvel Entertainment Group filed for bankruptcy protection at the end of the year.[215] In mid-1997, Billboard Live International was negotiating to renovate the Times Square into a live-concert venue.[216][217] Had this plan been successful, the theater building would have been expanded to 35,000 sq ft (3,300 m2) to accommodate live concerts, and much of the theater's architectural details would have been preserved.[217] After Billboard Live reneged, CBS considered leasing the theater as a broadcast studio by late 1997.[218] Ultimately, CBS never signed a lease.[16] Yet another themed restaurant, operated by WrestleMania, was proposed for the theater in early 1998, though WrestleMania also did not sign a lease.[219][220]

New 42nd Street leased the theater in August 1998 to Livent, which proposed an entertainment complex with a 500-seat auditorium and a themed restaurant.[118][219][220] Livent encountered major accounting issues within a week of the lease.[16][221] By November 1998, Livent had filed for Chapter 11 bankruptcy protection,[222][223] and the company canceled its plans to redevelop the Times Square Theater.[16][118][221] New 42nd Street Inc. president Cora Cahan said she had received several proposals for potential uses of the theater, though most bidders said they did not want to build a performance space there.[224] Producer Stewart F. Lane had proposed converting the theater for live use, but Cahan rejected the plan in January 1999.[225] In the meantime, advertising firm TDI installed seven advertisement panels between the theater's columns. Cahan said that, in three months, the ads could raise $100,000 for New 42nd Street's adjacent rehearsal studios.[16] By then, the popularity of theme restaurants was decreasing,[226] and most sites in the neighborhood had already been redeveloped.[227]

2000s and early 2010s

The Times Square Theater remained empty in 2000, after every other theater on the block had been renovated. Part of the issue was that it was not viable as a theater, as its only entrance was on 42nd Street, making it more difficult to load scenery and props.[18] In addition, the Times Square was old, had a small lobby, and suffered from noise issues.[224] The 42nd Street Development Project had its offices on the former stage until 2004. Construction workers removed seat cushions and dismantled the project's offices before the theater was marketed for commercial use.[228] That year, New 42nd Street agreed to lease the Times Square to Ecko Unltd., which planned to convert it into a hip-hop store.[17][229] Ecko planned to build a 20,000 sq ft (1,900 m2)[230] or 30,000 sq ft (2,800 m2) store across four floors.[231] The firm of Janson-Goldstein was hired to renovate the space; at the time, the store would have been completed in 2006.[231] The project stalled after the planning process, even though Ecko had continued to pay rent, and the theater was covered in plywood. In 2009, the company abandoned its lease, and Cahan considered filing a lawsuit against Ecko.[232]

A mural by Sofia Maldonado was placed on the empty theater in 2010.[233] The Observer reported in early 2011 that a 4D theater was being planned for the Times Square.[234] The next year, a group called Broadway 4D Theaters, LLC signed a long-term lease for the theater.[235][236] The Times Square would have been renovated to accommodate a 4D film presentation dedicated to the history of Broadway, Broadway Sensation, to be produced by lawyer Robert Kory and producer/director Gary Goddard. The attraction was expected to open in early 2015.[236] The Times Square had proven so hard to lease that the Real Estate Board of New York granted an award to the brokers who had arranged the deal.[237] The media reported in 2014 that the project had been canceled due to financial troubles.[238] In August 2015, Elie Samaha and Donald Kushner announced they purchased the assets of Broadway 4D Theaters and would continue the project.[239] Singaporean company Oracle Projects International reportedly leased the theater in March 2016 for use as an event space.[240][241]

Renovation

Under renovation in 2021

Stillman Development International LLC signed a 73-year lease for the Times Square Theater in 2017. The following year, Stillman and its partner Daishin Securities [ko] announced a $100 million renovation of the building. Colliers International was also hired to market the building.[21][22][25] At the time of the announcement, the project was supposed to take two years.[22][242] Stillman hired Beyer Blinder Belle to design the renovation, add several stories, and raise the facade by five feet.[22][25] The facade would be separated from the interior structure and raised using hydraulic jacks.[23][26] In addition, Stillman would remove the proscenium arch, dome, and boxes for restoration.[22][25] Even though the LPC had not designated the Times Square Theater as a landmark, parts of the building were still subject to preservation guidelines.[26] The New York City Economic Development Corporation and the 42nd Street Development Project's Historic Preservation Committee both supported the plans.[25]

In early 2019, Stillman's executive vice president Armen Boyajian expressed hope that the theater's restoration would be completed by early 2021.[26] John Tiedemann had removed an iron gate on the facade for restoration, while contractor Shawmut had removed some of the interior decorative elements.[24] The developers filed partial demolition plans for the Times Square Theater with the New York City Department of Buildings in July 2019. The developers then submitted construction plans in February 2020.[243] Though the renovation had been slated for completion in 2020, the renovation was still incomplete at the beginning of 2021, and the developers did not give an updated timeline.[20] Work on the Times Square had stalled by January 2023 because no tenants had shown interest in occupying the theater.[244]

Notable productions

Productions are listed by the year of their first performance. This list only includes Broadway shows; it does not include films screened there.[28][29]

See also

References

Notes

  1. The building contains both the former entrance to the Apollo Theatre, as well as the Times Square Theater itself. The Apollo Theater entrance is 11 ft 5 in (3.48 m) wide. The portion of the building housing the former Times Square Theater is only about 94 feet (29 m) wide.[3]
  2. The sites were:[171]
    • Northwest corner of 42nd Street and Seventh Avenue: now 3 Times Square
    • Northeast corner of 42nd Street and Broadway: now 4 Times Square
    • Southwest corner of 42nd Street and Seventh Avenue: now 5 Times Square
    • South side of 42nd Street between Seventh Avenue and Broadway: now 7 Times Square (Times Square Tower)

Citations

  1. [1]
    "215 West 42 Street, 10036". New York City Department of City Planning. Archived from the original on April 17, 2022. Retrieved March 25, 2021.
  2. [2]
    White, Norval; Willensky, Elliot; Leadon, Fran (2010). AIA Guide to New York City (5th ed.). New York: Oxford University Press. p. 296. ISBN 978-0-19538-386-7.
  3. [3]
    "Site Map" (PDF). New 42nd Street. Archived from the original (PDF) on July 7, 2011. Retrieved September 30, 2022.
  4. [4]
    New York City, Proposed Times Square Hotel UDAG: Environmental Impact Statement. 1981. p. 4.15. Archived from the original on October 25, 2021. Retrieved September 25, 2021.
  5. [5]
    "Legitimate: New York's Playhouse List Nearing Half Century Mark". Variety. Vol. 48, no. 7. October 12, 1917. p. 14. ISSN 0042-2738. ProQuest 1505606157.
  6. [6]
    Stern, Fishman & Tilove 2006, p. 675.
  7. [7]
    Gussow, Mel (May 23, 1990). "Critic's Notebook; Where Legends Were Born, Ghosts of Glory Linger". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved January 17, 2022.
  8. [8]
    Morrison 1999, p. 111.
  9. [9]
    Building Age and National Builder Vol. 47, Nos. 7—12 (1925), p. 82.
  10. [10]
    "Times Square and Apollo Theatres". Architecture and Building. Vol. 52, no. 12. December 1920. pp. 104–105. Archived from the original on April 17, 2022. Retrieved April 14, 2022.
  11. [11]
    Morrison 1999, pp. 110–111.
  12. [12]
    Bloom 2007, p. 11.
  13. [13]
    Henderson & Greene 2008, p. 195.
  14. [14]
    Bloom 2007, p. 257.
  15. [15]
    Morrison 1999, p. 110.
  16. [16]
    Newman, Andy (November 5, 1998). "Livent Drops Times Square Theater Plans". The New York Times. ISSN 0362-4331. Archived from the original on January 1, 2018. Retrieved April 12, 2022.
  17. [17]
    Bagli, Charles V. (July 15, 2004). "Hip-Hop Store to Open in Times Square Theater". The New York Times. ISSN 0362-4331. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  18. [18]
    Pogrebin, Robin (December 11, 2000). "From Naughty and Bawdy to Stars Reborn; Once Seedy Theaters, Now Restored, Lead the Development of 42nd Street". The New York Times. ISSN 0362-4331. Archived from the original on April 7, 2022. Retrieved April 11, 2022.
  19. [19]
    "Movie Is Building a Store Backstage; Shows Will Not Be Interfered With". The New York Times. August 6, 1939. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  20. [20]
    "Times Square Theater's Retail Conversion and Expansion Progresses at 215 West 42nd Street in Times Square, Manhattan". New York YIMBY. January 3, 2021. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  21. [21]
    Bockmann, Rich (September 18, 2018). "Stillman reveals pricey revamp of long-shuttered Times Square Theater". The Real Deal New York. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  22. [22]
    Morris, Keiko (September 18, 2018). "Final Holdout of Times Square's Rejuvenation to Get $100 Million Makeover". Wall Street Journal. ISSN 0099-9660. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  23. [23]
    Baird-Remba, Rebecca (October 23, 2018). "How One Developer Is Reconstructing the Times Square Theater". Commercial Observer. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  24. [24]
    Ricciulli, Valeria (June 14, 2019). "Checking in on Times Square Theater's revival project". Curbed. Archived from the original on February 25, 2021. Retrieved April 11, 2022.
  25. [25]
    "Stillman unveils plan to transform Times Square Theater". Real Estate Weekly. September 19, 2018. Archived from the original on April 11, 2022. Retrieved April 11, 2022.
  26. [26]
    "Developer ready to lift and tuck old theater in bold move to create Times Square star". Real Estate Weekly. April 10, 2019. Archived from the original on April 17, 2022. Retrieved April 11, 2022.
  27. [27]
    "Selwyns' New Times Square Theater Presents Latest In Architectural Beauty: A Vanderbilt and Astor of "Little Old New York"". New-York Tribune. October 3, 1920. p. B2. ProQuest 576330499.
  28. [28]
    The Broadway League (September 30, 1920). "Times Square Theatre – New York, NY". Internet Broadway Database. Archived from the original on December 4, 2020. Retrieved April 13, 2022.
  29. [29]
    "Times Square Theatre (1920) New York, NY". Playbill. Archived from the original on April 17, 2022. Retrieved April 13, 2022.
  30. [30]
    "Two Fine Theatres for 42d Street Tell of Growing Building Activity". New-York Tribune. June 22, 1919. p. A10. ProQuest 576045835.
  31. [31]
    Amelar, Sarah (March 1998). "Reclamation on 42nd Street" (PDF). Architecture. Vol. 87, no. 3. pp. 147–148. ProQuest 227880056. Archived (PDF) from the original on February 3, 2022. Retrieved April 14, 2022.
  32. [32]
    Swift, Christopher (2018). "The City Performs: An Architectural History of NYC Theater". New York City College of Technology, City University of New York. Archived from the original on March 25, 2020. Retrieved March 25, 2020.
  33. [33]
    "Theater District -". New York Preservation Archive Project. Archived from the original on October 19, 2021. Retrieved October 12, 2021.
  34. [34]
    Landmarks Preservation Commission 1987, p. 2.
  35. [35]
    Landmarks Preservation Commission 1987, p. 4.
  36. [36]
    Bianco, Anthony (2004). Ghosts of 42nd Street: A History of America's Most Infamous Block. New York: HarperCollins. p. 82. ISBN 0-688-17089-7.
  37. [37]
    "Selwyn & Co. To Build; Plans for Three Theatres in 42d St. Near Times Square". The New York Times. September 17, 1917. ISSN 0362-4331. Archived from the original on April 8, 2022. Retrieved April 8, 2022.
  38. [38]
    "Selwyn to Build Two New Theatres: Producer Will Then Enter Field of Musical Comedy for the First Time". New-York Tribune. September 17, 1917. p. 7. ProQuest 575741553.
  39. [39]
    "Jane Cowl in Quest of Information; The Beautiful Selwyn Theatre Opens with a Rather Thin Farce Comedy". The New York Times. October 3, 1918. ISSN 0362-4331. Archived from the original on April 8, 2022. Retrieved April 8, 2022.
  40. [40]
    "The Drama: "Information Please," With Jane Cowl, at Selwyn Theatre". New-York Tribune. October 4, 1918. p. 9. ProQuest 575939130.
  41. [41]
    "Shuberts Make New Deal; Selwyn & Co. to Book Through Them Hereafter". The New York Times. February 14, 1918. ISSN 0362-4331. Archived from the original on April 8, 2022. Retrieved April 8, 2022.
  42. [42]
    Allen, Eugene Kelcey (February 14, 1918). "Around The Theatres: More Theatres For The Shuberts". Women's Wear. Vol. 16, no. 37. p. 8. ProQuest 1666056297.
  43. [43]
    "Recent Leases". The Real Estate Record: Real estate record and builders' guide. Vol. 102, no. 2. July 13, 1918. p. 44. Archived from the original on April 17, 2022. Retrieved April 14, 2022 – via columbia.edu.
  44. [44]
    "Real Estate Field; Business Expansion Reflected in Transactions for Downtown Building Sites". The New York Times. July 10, 1918. ISSN 0362-4331. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  45. [45]
    "Legitimate: Selwyn's Theatre Plans O. K.'d". Variety. Vol. 54, no. 13. May 23, 1919. p. 13. ISSN 0042-2738. ProQuest 1505605552.
  46. [46]
    "Selwyn to Open Two New Theaters in Fall: Times Square and Forty-second Street Playhouses for Own Productions". New-York Tribune. March 24, 1920. p. 13. ProQuest 576213515.
  47. [47]
    Broun, Heywood (October 1, 1920). "The Mirage' Bares The High Jinks Of Traction Men: Times Square Theater Is Opened by Cheap but Mildly Diverting Play From Pen of Edgar Selwyn". New-York Tribune. p. 6. ProQuest 576332032.
  48. [48]
    Bloom, Ken (2004). Broadway: Its History, People, and Places: An Encyclopedia. Taylor & Francis. ISBN 978-0-203-64435-5. Archived from the original on September 4, 2021. Retrieved March 6, 2013.
  49. [49]
    Trager, James (2010). The New York Chronology: The Ultimate Compendium of Events, People, and Anecdotes from the Dutch to the Present. HarperCollins. ISBN 978-0-06-201860-1. Archived from the original on September 4, 2021. Retrieved March 6, 2013.
  50. [50]
    Bloom 2007, p. 257; Morrison 1999, p. 111.
  51. [51]
    The Broadway League (September 30, 1920). "The Mirage – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "The Mirage (Broadway, Times Square Theatre, 1920)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  52. [52]
    Henderson & Greene 2008, p. 197.
  53. [53]
    "Shows Fallacy of Fatalism". The Los Angeles Times. January 24, 1921. p. 2. Archived from the original on April 17, 2022. Retrieved April 17, 2022 – via newspapers.com.
  54. [54]
    "Minute Visits in the Wings". The New York Times. March 27, 1921. ISSN 0362-4331. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  55. [55]
    The Broadway League (March 15, 1921). "The Right Girl – Broadway Musical – Original". IBDB. Archived from the original on March 4, 2021. Retrieved April 13, 2022; "The Right Girl (Broadway, Times Square Theatre, 1921)". Playbill. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  56. [56]
    "'The Broadway Whirl' Brisk, Colorful Revue; New Summer Show at The Times Square Is Rich in Girls and Has Good Comedians". The New York Times. June 9, 1921. ISSN 0362-4331. Archived from the original on April 17, 2022. Retrieved April 12, 2022.
  57. [57]
    The Broadway League (June 8, 1921). "The Broadway Whirl – Broadway Musical – Original". IBDB. Archived from the original on November 4, 2021. Retrieved April 13, 2022; "The Broadway Whirl (Broadway, Times Square Theatre, 1921)". Playbill. Archived from the original on April 17, 2022. Retrieved April 13, 2022.
  58. [58]
    Henderson & Greene 2008, pp. 197–198.
  59. [59]
    The Broadway League (October 18, 1921). "The Demi-Virgin – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "The Demi-Virgin (Broadway, Times Square Theatre, 1921)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  60. [60]
    Whitman, Alden (June 10, 1974). "Katharine Cornell Is Dead at 81". The New York Times. ISSN 0362-4331. Archived from the original on May 1, 2021. Retrieved April 13, 2022.
  61. [61]
    "Many at Draper Recital; Audience Overflows the Times Square Theatre". The New York Times. November 28, 1921. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  62. [62]
    "Ruth Draper, in Character Sketches, Thrills Audience: Performance at Times Square Theater Called Perfect in Conception and Execution". New York Herald Tribune. November 9, 1925. p. 12. ProQuest 1112846899.
  63. [63]
    ""The Fool" for Times Sq. Theatre". The New York Times. October 17, 1922. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  64. [64]
    Hammond, Percy (October 24, 1922). "The Theaters". New-York Tribune. p. 8. Archived from the original on April 13, 2022. Retrieved April 13, 2022 – via newspapers.com.
  65. [65]
    The Broadway League (September 22, 1922). "The Exciters – Broadway Play – Original". IBDB. Archived from the original on January 5, 2022. Retrieved April 13, 2022; "The Fool (Broadway, Times Square Theatre, 1922)". Playbill. Archived from the original on December 8, 2021. Retrieved April 13, 2022.
  66. [66]
    Henderson & Greene 2008, p. 198.
  67. [67]
    Allen, Kelcey (August 2, 1923). "Amusements: San Carlo Subscriptions Heaviest In History Of Company In New York". Women's Wear. Vol. 27, no. 27. p. 47. ProQuest 1665747192.
  68. [68]
    "Many Road Companies Soon to Play "The Fool"". The Washington Post. July 22, 1923. p. 48. ISSN 0190-8286. ProQuest 149320851.
  69. [69]
    The Broadway League (June 19, 1923). "Helen of Troy, New York – Broadway Musical – Original". IBDB. Archived from the original on December 15, 2021. Retrieved April 13, 2022.
  70. [70]
    "Jane Cowl in Maeterlinck Play at Times Square: "Pelleas and Melisande" Colorful Event That Doesn't Seem Overburdened With Drama". New-York Tribune. December 5, 1923. p. 14. ProQuest 1331158740.
  71. [71]
    The Broadway League (December 4, 1923). "Pelleas and Melisande – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "Pelleas and Melisande (Broadway, Times Square Theatre, 1923)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  72. [72]
    "Comediennes Star in Charlot's Revue; Production at the Times Square Is Enlivened by Miss Lillie and Miss Lawrence". The New York Times. January 10, 1924. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  73. [73]
    The Broadway League (January 9, 1924). "Andre Charlot's Revue of 1924 – Broadway Musical – Original". IBDB. Archived from the original on February 27, 2022. Retrieved April 12, 2022; "Andre Charlot's Revue of 1924 (Broadway, Times Square Theatre, 1924)". Playbill. Archived from the original on April 8, 2022. Retrieved April 12, 2022.
  74. [74]
    Henderson & Greene 2008, p. 199.
  75. [75]
    The Broadway League (October 8, 1923). "Battling Buttler – Broadway Musical – Original". IBDB. Archived from the original on September 5, 2015. Retrieved April 8, 2022; "Battling Buttler (Broadway, American Airlines Theatre, 1923)". Playbill. Archived from the original on April 8, 2022. Retrieved April 8, 2022.
  76. [76]
    "Sabbath Committee Halts Rasch Recital". The Billboard. Vol. 136, no. 20. May 17, 1925. pp. 5, 11. ISSN 2638-3853. ProQuest 1505543498.
  77. [77]
    "Dance Recital Halted By Sabbath Committee: N. V. A. Performance Given in 4 Theaters During Evening, Banned at Times Sq". New York Herald Tribune. May 12, 1924. p. 1. ProQuest 1113129460.
  78. [78]
    "Beautiful Music Adorns 'Dear Sir'; Kern's Score, Dietz's Lyrics, Catlett, Shaw and Miss Tobin Make Enjoyable Show". The New York Times. September 24, 1924. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  79. [79]
    Bloom 2007, pp. 257–258.
  80. [80]
    "Billie Burke Gives Delight in New Role; " Annie Dear," a Rich Musical Comedy With Fantasy, Played by a Splendid Company". The New York Times. November 5, 1924. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  81. [81]
    Henderson & Greene 2008, p. 201.
  82. [82]
    Bloom 2007, p. 258.
  83. [83]
    The Broadway League (April 13, 1925). "Mismates – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "Kosher Kitty Kelly (Broadway, Times Square Theatre, 1925)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  84. [84]
    "Melodrama Ragbag Rifled For Patchwork 'Mismates': This Bit of Bronx Home Life Might Thrill on Screen, but Doesn't on Stage". New York Herald Tribune. April 14, 1925. p. 15. ProQuest 1112956188.
  85. [85]
    The Broadway League (June 15, 1925). "Kosher Kitty Kelly – Broadway Musical – Original". IBDB. Archived from the original on October 19, 2021. Retrieved April 12, 2022; "Kosher Kitty Kelly (Broadway, Times Square Theatre, 1925)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  86. [86]
    "Four Companies of "Kosher Kitty Kelly"". The Billboard. Vol. 36, no. 28. July 11, 1925. p. 11. ISSN 2638-3853. ProQuest 1031754880.
  87. [87]
    Hammond, Percy (October 21, 1925). "The Theaters: Pollock Versus Moloch. "ThE Enemy" Is Better Than Merely a Good Show Fay Bainter". New York Herald Tribune. p. 18. ProQuest 1112937044.
  88. [88]
    The Broadway League (October 20, 1925). "The Enemy – Broadway Play – Original". IBDB. Archived from the original on January 12, 2022. Retrieved April 13, 2022; "The Enemy (Broadway, Times Square Theatre, 1925)". Playbill. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  89. [89]
    Hall, Mordaunt (April 14, 1926). "The Screen; The "Russian Revolution."". The New York Times. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  90. [90]
    Hall, Mordaunt (May 19, 1926). "The Screen". The New York Times. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  91. [91]
    "Amusements: Amusement Notes". Women's Wear. Vol. 32, no. 126. May 29, 1926. p. 26. ProQuest 1676654678.
  92. [92]
    Atkinson, J. Brooks (September 29, 1926). "The Play; Blondes Preferred". The New York Times. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  93. [93]
    Henderson & Greene 2008, p. 202.
  94. [94]
    The Broadway League (September 28, 1926). "Gentlemen Prefer Blondes – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "Gentlemen Prefer Blondes (Broadway, Times Square Theatre, 1926)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  95. [95]
    "Gleanings From the Screen". The New York Times. December 12, 1926. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  96. [96]
    "Air Film of Africa Shown by Cobham; British Flier Says Natives Were Uninterested in the Airplane". The New York Times. December 6, 1926. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  97. [97]
    "Mme. Nina Tarasova Displays Pantomime Skill in Her Recital: Russian Artist in Costume Program at Times Square Waiter Edelstein's Debut at Aeolian Hall Lauded". New York Herald Tribune. January 10, 1927. p. 21. ProQuest 1130384298.
  98. [98]
    "Theater News: Five Dark Theaters Next Week Indicate That Height of the Season Is Past". New York Herald Tribune. March 3, 1927. p. 15. ProQuest 1130549656.
  99. [99]
    Hall, Mordaunt (October 2, 1927). "Murnau's Drums and Fifes of Life; " Sunrise" a Startlingly Fine Cinematic Creation With Sound Human Psychology -- The Movietone of Mussolini". The New York Times. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  100. [100]
    Allen, Kelcey (September 26, 1927). "Amusements: "Sunrise," With Movietone Features, Proves Potentialities Of Science And Genius". Women's Wear. Vol. 35, no. 173. pp. 9, 15. ProQuest 1653591769.
  101. [101]
    Watts, Richard Jr. (May 30, 1928). "On the Screen: "Dawn"--Times Square". New York Herald Tribune. p. 10. ProQuest 1113447651.
  102. [102]
    Allen, Kelcey (May 31, 1928). ""Dawn" Shows Heroic End Of Edith Cavell: Thought - Provoking Picture Displays, With Minimum Of Rancor, Result Of Conflict Between War And Humanity — Sybil Thorndike Superb". Women's Wear. Vol. 36, no. 127. pp. 4, 54. ProQuest 1653781164.
  103. [103]
    "The Dramatic Stage: Jed Harris After Houses". The Billboard. Vol. 40, no. 28. July 14, 1928. p. 10. ISSN 2638-3853. ProQuest 1031876248.
  104. [104]
    Allen, Kelcey (August 15, 1928). "Amusements: 'The Front Page' Will Have Big Circulation: Lee Tracy, Ably Supported, Stars In Gripping Newspaper Drama Presented". Women's Wear Daily. Vol. 37, no. 38. p. 4. ProQuest 1653391011.
  105. [105]
    "Theater News". New York Herald Tribune. August 14, 1928. p. 14. ProQuest 1113598254.
  106. [106]
    The Broadway League (August 14, 1928). "The Front Page – Broadway Play – Original". IBDB. Archived from the original on August 28, 2016. Retrieved April 12, 2022; "The Front Page (Broadway, Times Square Theatre, 1928)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  107. [107]
    The Broadway League (October 16, 1929). "The Middle Watch – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "The Middle Watch (Broadway, Times Square Theatre, 1929)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  108. [108]
    The Broadway League (November 12, 1929). "Other Men's Wives – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "Other Men's Wives (Broadway, Times Square Theatre, 1929)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  109. [109]
    Ruhl, Arthur (January 15, 1930). "The Theaters: 'Strike Up the Band' With Music by George Gershwin Opens at the Times Square Bobby Clark". New York Herald Tribune. p. 16. ProQuest 1114346251.
  110. [110]
    Henderson & Greene 2008, p. 204.
  111. [111]
    The Broadway League (December 2, 1930). "The Merchant of Venice – Broadway Play – 1930 Revival". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "Strike Up the Band (Broadway, Times Square Theatre, 1930)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  112. [112]
    Bloom 2007, p. 189.
  113. [113]
    The Broadway League (January 14, 1930). "Strike Up the Band – Broadway Musical – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "The Merchant of Venice (Broadway, Times Square Theatre, 1930)". Playbill. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  114. [114]
    "An Opening Night Change; "Merchant of Venice" to Be in the Times Square Theatre". The New York Times. November 25, 1930. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  115. [115]
    Ruhl, Arthur (January 28, 1931). "Noel Cowd's "Private Lives" Arrives at the Times Square: Gives Gertrude Lawrence and Its Author Usual Roles as Sophisticated Farces Gertrude Lawrence". New York Herald Tribune. p. 16. ProQuest 1114046820.
  116. [116]
    McNamara, Robert P. (1995). Sex, Scams, and Street Life: The Sociology of New York City's Times Square. Greenwood Publishing Group. ISBN 978-0-275-95359-1. Archived from the original on April 11, 2022. Retrieved September 20, 2018.
  117. [117]
    The Broadway League (January 27, 1931). "Private Lives – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022; "Private Lives (Broadway, Times Square Theatre, 1931)". Playbill. Archived from the original on April 12, 2022. Retrieved April 11, 2022.
  118. [118]
    Henderson & Greene 2008, p. 205.
  119. [119]
    The Broadway League (September 14, 1932). "Clear All Wires – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 11, 2022; "Clear All Wires (Broadway, Times Square Theatre, 1932)". Playbill. Archived from the original on April 12, 2022. Retrieved April 11, 2022.
  120. [120]
    Atkinson, Brooks (September 15, 1932). "Satire and Melodrama in a Newspaper Play Entitled "Clear All Wires."". The New York Times. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  121. [121]
    The Broadway League (January 11, 1933). "Foolscap – Broadway Play – Original". IBDB. Archived from the original on November 17, 2021. Retrieved April 13, 2022; "Foolscap (Broadway, Times Square Theatre, 1933)". Playbill. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  122. [122]
    Atkinson, Brooks (January 12, 1933). "Presenting "Foolscap," Which Is a Comedy of Shaw and Pirandello In a Mad House". The New York Times. ISSN 0362-4331. Archived from the original on April 17, 2022. Retrieved April 13, 2022.
  123. [123]
    The Broadway League (March 1, 1933). "Forsaking All Others – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 11, 2022; "Forsaking All Others (Broadway, Times Square Theatre, 1933)". Playbill. Archived from the original on April 17, 2022. Retrieved April 11, 2022.
  124. [124]
    Atkinson, Brooks (March 2, 1933). "Tallulah Bankhead as the Capricious Bride of "Forsaking All Others" -- Hall Johnson Singers". The New York Times. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  125. [125]
    "Angel' to Open Here June 19". The New York Times. June 1, 1933. ISSN 0362-4331. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  126. [126]
    "Times Sq. Theatre Leased for Movies; Continuous Shows to Be Given in Forty-second Street House by Brandt Brothers". The New York Times. April 13, 1934. ISSN 0362-4331. Archived from the original on April 17, 2022. Retrieved April 13, 2022.
  127. [127]
    "News of the Theaters". New York Herald Tribune. February 9, 1934. p. 12. ProQuest 1240105114.
  128. [128]
    "Times Square: News From the Dailies - East". Variety. Vol. 114, no. 5. April 17, 1934. p. 60. ISSN 0042-2738. ProQuest 1475860505.
  129. [129]
    Reilly, James F. (January 3, 1951). "Legitimate: the Disappearing Theatre". Variety. Vol. 181, no. 4. pp. 266, 268. ISSN 0042-2738. ProQuest 1505767801.
  130. [130]
    Pihodna, Joe (January 21, 1951). "30 Theaters a Far Cry From Abundant Old Days: But They're Enough to Fill Our Needs, People Claim, Despite TV's Inroads". New York Herald Tribune. p. D3. ProQuest 1291337111.
  131. [131]
    "Theatres to Be Auctioned". The New York Times. May 18, 1935. p. 31. ISSN 0362-4331. ProQuest 101535104.
  132. [132]
    "Two Midtown Theaters Sold In Foreclosure: Times Square and Apollo Houses Bring $110,000 Over Lien of $800,000". New York Herald Tribune. June 7, 1935. p. 40. ProQuest 1237345017.
  133. [133]
    "Theatres Bid in at Sale: Times Square and Apollo Taken Over by the Plaintiff". The New York Times. June 7, 1935. p. 40. ISSN 0362-4331. ProQuest 101483251.
  134. [134]
    "Pictures: Even 42d St., With Its Unique Films, Faces Shortages". Variety. Vol. 165, no. 12. February 26, 1947. p. 27. ISSN 0042-2738. ProQuest 1285899443.
  135. [135]
    "Brandt Acquires 2 More Theatres; Adds the Liberty and Eltinge on West 42d St. Through Holding Co. Purchase". The New York Times. December 22, 1944. ISSN 0362-4331. Archived from the original on April 9, 2022. Retrieved April 9, 2022.
  136. [136]
    "Extends Holdings in Times Sq. Area: Theatre Group Now Controls Half of Frontage in 42d and 43d Street' Blocks". The New York Times. April 9, 1944. p. RE1. ISSN 0362-4331. ProQuest 106913088.
  137. [137]
    "State Liquor Authority Rents Broadway Offices". New York Herald Tribune. March 20, 1944. p. 21A. ProQuest 1283104921.
  138. [138]
    Cooper, Lee E. (June 9, 1946). "Brandt Assembles Big Theatre Plot in Times Sq. Area; Five Buildings May Give Way to a Tall New Structure Under Pending Deals". The New York Times. ISSN 0362-4331. Archived from the original on April 9, 2022. Retrieved April 9, 2022.
  139. [139]
    "Pictures: Brandts' Skyscraper Or Hotel Planned For 42d-43d St., N.Y, Plot". Variety. Vol. 163, no. 1. June 12, 1946. p. 22. ISSN 0042-2738. ProQuest 1505744610.
  140. [140]
    Zolotow, Sam (April 3, 1953). "Movie Man Scoffs at Playhouse Jam; Brandt Invites Bookings at 42d St. Theatres at Guarantee -- 'The Bat' Fluttering". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 9, 2022.
  141. [141]
    "42d St. Grinds' $5-mil Gross". Variety. Vol. 205, no. 9. January 30, 1957. pp. 3, 20. ISSN 0042-2738. ProQuest 1014785728.
  142. [142]
    "Levine, Brandt Partners In the 42nd Street Co". Boxoffice. Vol. 101, no. 22. September 11, 1972. p. E1. ProQuest 1476041465.
  143. [143]
    "Levine & Brandt Top 42nd St. Co". The Independent Film Journal. Vol. 70, no. 7. September 4, 1972. p. 21. ProQuest 1014665133.
  144. [144]
    Reed, Henry Hope Jr. (October 28, 1962). "Beneath the Squalor, Yesterday's Glamor: the Names of the Astaires, of Barrymore and Belasco, Lawrence and Lillie, Cling to the Cheap Movie Houses of 42nd Street". New York Herald Tribune. p. SM2. ProQuest 1325840251.
  145. [145]
    Albarino, Richard (July 18, 1973). "'Main Drag' Of U.S.A.--42d Street; 5,000,000 Cheapie Tickets Yearly". Variety. Vol. 271, no. 10. pp. 1, 111. ISSN 0042-2738. ProQuest 963281987.
  146. [146]
    Horsley, Carter B. (June 19, 1977). "A Critical Time For the Old Theaters Along 42d Street". The New York Times. ISSN 0362-4331. Archived from the original on April 8, 2022. Retrieved April 10, 2022.
  147. [147]
    Blum, David J. (September 4, 1981). "Slice of Life: A Day and a Night On a 42nd Street Block Is Crash Course in Vice New York's Center of Drugs, Sex Lures Businessmen, Prostitutes and Preachers Gerard Coury's Tragic Tale Slice of Life: A Day on 42nd Street Is a Crash Course in New York Vice". Wall Street Journal. p. 1. ISSN 0099-9660. ProQuest 134594294.
  148. [148]
    "Metropolitan Briefs". The New York Times. December 27, 1977. ISSN 0362-4331. Archived from the original on April 17, 2022. Retrieved April 14, 2022.
  149. [149]
    "Brooklyn Boy Slain in Argument At Times Square Movie Theater". The New York Times. April 27, 1980. ISSN 0362-4331. Archived from the original on March 24, 2018. Retrieved April 14, 2022.
  150. [150]
    McDonough, Jimmy (December 11, 1985). "New York Entertainment: 42d St. Grindhouses: Alternative Outlet For Dusty Subruns Facing Extinction". Variety. Vol. 321, no. 7. pp. 94, 116. ISSN 0042-2738. ProQuest 1438444052.
  151. [151]
    Morehouse, Ward III (November 9, 1977). "A 'Little White Way' for tawdry 42nd St". The Christian Science Monitor. p. 1. ISSN 2573-3850. ProQuest 511943242.
  152. [152]
    Williams, Lena (November 7, 1977). "Can Photos Return Gloss to Times Square?". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 15, 2021.
  153. [153]
    "42d St. Show on Theaters is a Tragedy". New York Daily News. October 19, 1977. p. 336. ISSN 2692-1251. Archived from the original on October 16, 2021. Retrieved October 15, 2021 – via newspapers.com.
  154. [154]
    "Changing cityscape: $170M smile planned for face of W. 42d St". New York Daily News. November 19, 1978. p. 423. ISSN 2692-1251. Archived from the original on October 16, 2021. Retrieved October 15, 2021 – via newspapers.com.
  155. [155]
    "City Considers Park Plan For Times Square". Newsday. August 25, 1978. p. 14. ISSN 2574-5298. Archived from the original on October 16, 2021. Retrieved October 15, 2021 – via newspapers.com.
  156. [156]
    Stern, Fishman & Tilove 2006, p. 679.
  157. [157]
    "Architecture View; Redeveloping New York". The New York Times. December 23, 1979. ISSN 0362-4331. Archived from the original on January 17, 2022. Retrieved January 17, 2022.
  158. [158]
    Horsley, Carter B. (December 23, 1979). "Times Square's Potential Inspires the Developers". The New York Times. ISSN 0362-4331. Archived from the original on January 19, 2022. Retrieved January 17, 2022.
  159. [159]
    Stern, Fishman & Tilove 2006, p. 681.
  160. [160]
    Goodwin, Michael (June 8, 1980). "Roadblocks For a New Times Sq". The New York Times. ISSN 0362-4331. Archived from the original on January 19, 2022. Retrieved January 17, 2022.
  161. [161]
    Stern, Fishman & Tilove 2006, p. 691.
  162. [162]
    Dunlap, David W. (October 20, 1982). "Landmark Status Sought for Theaters". The New York Times. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 29, 2021.
  163. [163]
    Shepard, Joan (August 28, 1985). "Is the final curtain near?". New York Daily News. pp. 462, 464. ISSN 2692-1251. Archived from the original on September 21, 2021. Retrieved September 16, 2021 – via newspapers.com.
  164. [164]
    Dunlap, David W. (November 22, 1987). "The Region; The City Casts Its Theaters In Stone". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  165. [165]
    Rajamani, Maya (February 23, 2016). "7 Theaters Among Midtown and Hell's Kitchen Sites Up for Landmarking". DNAinfo New York. Archived from the original on November 28, 2020. Retrieved September 30, 2021.
  166. [166]
    Bindelglass, Evan (November 9, 2015). "42nd Street Theaters, Osborne Interior, More Round Out First Manhattan Landmarks Backlog Hearing". New York YIMBY. Archived from the original on September 30, 2021. Retrieved September 30, 2021.
  167. [167]
    "7 Theaters on 42nd Street Fail to Make Cut for Landmark Consideration". DNAinfo New York. February 23, 2016. Archived from the original on November 29, 2020. Retrieved September 30, 2021.
  168. [168]
    Prial, Frank J. (April 6, 1982). "City Names Main Builders in Times Sq. Redevelopment". The New York Times. ISSN 0362-4331. Archived from the original on October 1, 2021. Retrieved January 17, 2022.
  169. [169]
    Stern, Fishman & Tilove 2006, p. 683.
  170. [170]
    Stephens, Suzanne (March 2000). "Four Times Square" (PDF). Architectural Record. Vol. 188. p. 92. Archived (PDF) from the original on September 29, 2021. Retrieved October 1, 2021.
  171. [171]
    Dunlap, David W. (August 3, 1992). "Long Delay Likely in Rebuilding Plan for Times Square". The New York Times. ISSN 0362-4331. Archived from the original on September 17, 2021. Retrieved September 17, 2021.
  172. [172]
    Wellisz, Christopher (August 30, 1981). "Reality News". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  173. [173]
    Hummler, Richard (April 7, 1982). "Legitimate: Name Nederlander To Convert New Amsterdam, Harris, 42d St.; Brandt Firm Is Still Negotiating". Variety. Vol. 306, no. 10. pp. 85, 90. ISSN 0042-2738. ProQuest 1438352463.
  174. [174]
    Prial, Frank J. (June 13, 1982). "Five Theaters Added to 42d St. Revival Plan". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  175. [175]
    Hummler, Richard (August 29, 1984). "Legitimate: Brandt Vows Lawsuit To Block 42d St. Film-To-Legit Plan; Developer Names Jujamcyn". Variety. Vol. 316, no. 5. pp. 99, 107. ISSN 0042-2738. ProQuest 1438390370.
  176. [176]
    Prial, Frank J. (August 24, 1984). "State Unit Issues Study on Impact of 42d St. Plan". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  177. [177]
    "Pictures: Two 42d St. Exhibs Take Action To Halt Redevelopment Plan". Variety. Vol. 317, no. 1. October 31, 1984. pp. 7, 42. ISSN 0042-2738. ProQuest 1438396561.
  178. [178]
    Gottlieb, Martin (April 1, 1986). "City and State Will Seek Removal of Lazar From Times Sq. Project". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  179. [179]
    Polsky, Carol (April 5, 1986). "Scandal Figure Out of Project". Newsday. p. 12. ISSN 2574-5298. Archived from the original on April 10, 2022. Retrieved April 10, 2022 – via newspapers.com.
  180. [180]
    Dunlap, David W. (August 21, 1987). "Agency Acts to Speed Times Sq. Project". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  181. [181]
    Goldberger, Paul (February 19, 1989). "Architecture View; Times Square: Lurching Toward a Terrible Mistake?". The New York Times. ISSN 0362-4331. Archived from the original on December 19, 2017. Retrieved January 17, 2022.
  182. [182]
    Lueck, Thomas J. (September 18, 1988). "Six Times Square Theaters to Go 'Populist'". The New York Times. ISSN 0362-4331. Archived from the original on May 25, 2015. Retrieved January 17, 2022.
  183. [183]
    Stern, Fishman & Tilove 2006, p. 692.
  184. [184]
    Terry, Don (October 21, 1988). "Man Wired to Explosive Killed in Subway Blast". The New York Times. ISSN 0362-4331. Archived from the original on May 31, 2017. Retrieved January 17, 2022.
  185. [185]
    Stern, Fishman & Tilove 2006, pp. 692–693.
  186. [186]
    "Legitimate: Bids Sought For 42d St. Theaters; 2 For Nonprofits, 4 Commercial". Variety. Vol. 333, no. 1. October 26, 1988. p. 61. ISSN 0042-2738. ProQuest 1438511816.
  187. [187]
    Goldberger, Paul (November 14, 1988). "Lack of Money Threatens a Plan To Restore Six Times Sq. Theaters". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  188. [188]
    Stern, Fishman & Tilove 2006, p. 693.
  189. [189]
    Wolff, Craig (April 14, 1989). "On 42d Street, a Tour Back to the Future". The New York Times. ISSN 0362-4331. Archived from the original on December 20, 2017. Retrieved January 17, 2022.
  190. [190]
    "Legit: Nonprofit groups bid for 42d St., but Broadwayites take a pass". Variety. Vol. 335, no. 5. May 17, 1989. p. 73. ISSN 0042-2738. ProQuest 1438518205.
  191. [191]
    O'Haire, Patricia (February 2, 1990). "The Great White Way Makes a Comeback". New York Daily News. p. 42. ISSN 2692-1251. Archived from the original on January 19, 2022. Retrieved January 17, 2022 – via newspapers.com.
  192. [192]
    Walsh, Thomas (February 9, 1990). "New Plans For 42nd St. Theatres Arrive, & So Does A New Battle". Back Stage. Vol. 31, no. 6. pp. 1A, 6A. ISSN 0005-3635. ProQuest 962907555.
  193. [193]
    Levine, Richard (April 19, 1990). "State Acquires Most of Times Square Project Site". The New York Times. ISSN 0362-4331. Archived from the original on May 25, 2015. Retrieved January 17, 2022.
  194. [194]
    Cohn, Lawrence (September 24, 1990). "Legit: Gotham 'takes back' West 42nd Street". Variety. Vol. 340, no. 11. p. 92. ISSN 0042-2738. ProQuest 1286158079.
  195. [195]
    Marinaccio, Paul; Berkowitz, Harry (March 6, 1989). "City Buying Out 42nd St.: $2M would buy theater leases in crime-ridden area". Newsday. p. 2. ISSN 2574-5298. Archived from the original on April 10, 2022. Retrieved April 10, 2022 – via newspapers.com.
  196. [196]
    Fisher, Patricia; Marinaccio, Paul (April 14, 1989). "City Gives Up on Buying Theater Leases". Newsday. pp. 69, 71. ISSN 2574-5298. Archived from the original on April 10, 2022. Retrieved April 10, 2022 – via newspapers.com.
  197. [197]
    Walsh, Thomas (April 27, 1990). "42nd St. Project Earns OK For Condemnation And Restoration Of Area's Historic Theatres". Back Stage. Vol. 31, no. 17. pp. 1A, 33A, 37A. ISSN 0005-3635. ProQuest 1286158079.
  198. [198]
    Sack, Kevin (September 19, 1990). "Leaders Chosen for 42d St. Theaters' Renewal". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  199. [199]
    Stern, Fishman & Tilove 2006, pp. 693–694.
  200. [200]
    "42nd Street: No beat of dancing feet- yet" (PDF). Architectural Record. Vol. 177. June 1989. p. 85. Archived (PDF) from the original on September 3, 2021. Retrieved January 19, 2022.
  201. [201]
    Collins, Glenn (August 4, 1992). "Six Theaters to Benefit From Revised Times Square Plan". The New York Times. ISSN 0362-4331. Archived from the original on April 10, 2022. Retrieved April 10, 2022.
  202. [202]
    Walsh, Thomas (May 20, 1994). "It's a New Victory As 42nd St. Finally Breaks Its Ground". Back Stage. Vol. 35, no. 20. pp. 1, 39. ISSN 0005-3635. ProQuest 962860132.
  203. [203]
    Grimes, William (September 28, 1994). "MTV To Make 42d Street Rock". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved January 17, 2022.
  204. [204]
    Smith, Roberta (July 29, 1994). "Art Review; 42d Street Puts On Heavy Makeup and Smiles a Summer Smile". The New York Times. ISSN 0362-4331. Archived from the original on November 9, 2020. Retrieved April 11, 2022.
  205. [205]
    Walsh, Thomas (July 8, 1994). "42nd St. Asks, Again, "Is It Art?" For New Project". Back Stage. Vol. 35, no. 27. pp. 1, 6. ISSN 0005-3635. ProQuest 962861951.
  206. [206]
    Collins, Glenn (October 20, 1993). "42d Street To Get A Theater For Youth". The New York Times. ISSN 0362-4331. Archived from the original on January 17, 2018. Retrieved April 11, 2022.
  207. [207]
    Lueck, Thomas J. (November 15, 1995). "Returning From Decline, 42d Street Is Now a Magnet for Merchants". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved January 17, 2022.
  208. [208]
    Pulley, Brett (July 20, 1995). "A Restoration Is Announced For 42d Street". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved January 17, 2022.
  209. [209]
    Koenenn, Joseph C. (July 20, 1995). "Times Square Hit?". Newsday. p. 8. ISSN 2574-5298. Archived from the original on January 19, 2022. Retrieved January 17, 2022 – via newspapers.com.
  210. [210]
    O'Toole, Fintan (January 19, 1998). "'Ragtime' to riches". New York Daily News. pp. 510, 523. ISSN 2692-1251. Archived from the original on January 19, 2022. Retrieved January 18, 2022 – via newspapers.com.
  211. [211]
    Schatz, Robin; Henry, David (September 28, 1994). "MTV Theater?". Newsday. p. 6. ISSN 2574-5298. Archived from the original on January 19, 2022. Retrieved January 17, 2022 – via newspapers.com.
  212. [212]
    Bressi, Todd W. (September 1996). "Reveille for Times Square". Planning. Vol. 62, no. 9. p. 4. ProQuest 206707519.
  213. [213]
    Grimes, William (December 21, 1996). "Liberty Theater Facing Virtual-Reality Future". The New York Times. ISSN 0362-4331. Archived from the original on May 26, 2015. Retrieved April 11, 2022.
  214. [214]
    Grant, Peter (May 9, 1996). "Spider will spin web on 42d St". New York Daily News. p. 999. ISSN 2692-1251. Archived from the original on April 12, 2022. Retrieved April 12, 2022 – via newspapers.com.
  215. [215]
    Norris, Floyd (December 28, 1996). "2 Financiers Cross Swords Over Marvel". The New York Times. ISSN 0362-4331. Archived from the original on August 29, 2021. Retrieved April 11, 2022.
  216. [216]
    "Homefront: Billboard Live Plans Club in Huge Las Vegas Complex". The Billboard. Vol. 109, no. 28. July 12, 1997. p. 102. ISSN 2638-3853. ProQuest 1506007174.
  217. [217]
    Halbfinger, David M. (June 26, 1997). "Concerts Considered for Times Sq. Theater". The New York Times. ISSN 0362-4331. Archived from the original on January 1, 2018. Retrieved April 12, 2022.
  218. [218]
    Bagli, Charles V. (November 19, 1997). "NBC Rivals Look to Times Square In Quest for Studio Space on Street". The New York Times. ISSN 0362-4331. Archived from the original on February 7, 2022. Retrieved April 11, 2022.
  219. [219]
    Bagli, Charles V. (August 4, 1998). "Wrestlemania Loses Out to New Theater for 42d St". The New York Times. ISSN 0362-4331. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  220. [220]
    Grant, Peter (August 5, 1998). "Going to the mat for Times Sq. site". New York Daily News. p. 431. ISSN 2692-1251. Archived from the original on April 12, 2022. Retrieved April 12, 2022 – via newspapers.com.
  221. [221]
    "Livent Calls Off Renovation Of Times Square Theater". Wall Street Journal. November 5, 1998. p. B22. ISSN 0099-9660. ProQuest 398741646.
  222. [222]
    Pogrebin, Robin; McKinley, Jesse (November 19, 1998). "News Analysis; In Livent's Bankruptcy, a Cautionary Tale for Broadway". The New York Times. ISSN 0362-4331. Archived from the original on July 2, 2019. Retrieved January 17, 2022.
  223. [223]
    Furman, Phyllis (November 18, 1998). "Livent troubles". New York Daily News. p. 681. ISSN 2692-1251. Archived from the original on January 19, 2022. Retrieved January 17, 2022 – via newspapers.com.
  224. [224]
    McKinley, Jesse (November 20, 1998). "On Stage and Off; House Hunting Can Be Tricky". The New York Times. ISSN 0362-4331. Archived from the original on April 12, 2022. Retrieved April 12, 2022.
  225. [225]
    McBride, Murdoch (January 21, 1999). "New 42nd nixes theatre rehab". Back Stage. Vol. 40, no. 3. p. 1. ISSN 0005-3635. ProQuest 221115751.
  226. [226]
    Bagli, Charles V. (February 8, 1999). "As Rents Soar, Boom Is Slowed in Times Square". The New York Times. ISSN 0362-4331. Archived from the original on September 4, 2021. Retrieved April 12, 2022.
  227. [227]
    Dent, David J. (May 16, 1999). "Times Square's New Identity". Newsday. p. 269. ISSN 2574-5298. Archived from the original on April 12, 2022. Retrieved April 12, 2022 – via newspapers.com.
  228. [228]
    Simonson, Robert (January 8, 2004). "42nd Street's Times Square Theatre Continues Search for Tenant". Playbill. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  229. [229]
    "Times Square Theatre of 42nd Street Finds a Tenant". Playbill. Archived from the original on December 3, 2020. Retrieved April 11, 2022.
  230. [230]
    Rothstein, Mervyn (January 23, 2005). "A Crossroads for Restaurants". The New York Times. ISSN 0362-4331. Archived from the original on November 15, 2021. Retrieved April 11, 2022.
  231. [231]
    "Ecko's 42nd Street Hub". California Apparel News. July 23, 2004. Archived from the original on April 17, 2022. Retrieved April 11, 2022.
  232. [232]
    Cuozzo, Steve (February 17, 2009). "This 'Ecko' Sounds Like A Lawsuit". New York Post. Archived from the original on April 17, 2022. Retrieved March 6, 2013.
  233. [233]
    Goodman, J. David (March 18, 2010). "Looking Hard at Looking Good". City Room. Archived from the original on August 15, 2020. Retrieved April 11, 2022.
  234. [234]
    Chaban, Matt (January 11, 2011). "Final Piece of Times Square Falls Into Place, In 4-D". Observer. Archived from the original on November 24, 2020. Retrieved April 11, 2022.
  235. [235]
    Szalai, Georg (March 21, 2012). "Vacant Times Square Theatre to Become 'Broadway 4D' Attraction". The Hollywood Reporter. Archived from the original on April 17, 2022. Retrieved April 11, 2022.
  236. [236]
    Jones, Kenneth (March 21, 2012). "Broadway's Times Square Theater Will Be Renovated for Broadway Sensation Film Show". Playbill. Archived from the original on March 24, 2012. Retrieved March 25, 2012.
  237. [237]
    Rosen, Daniel Edward (June 19, 2012). "All the Twists and Turns Behind Times Square Theater, Last Week's Most Creative Deal of the Year Winner". Commercial Observer. Archived from the original on September 4, 2021. Retrieved April 11, 2022.
  238. [238]
    McPhee, Ryan (May 28, 2014). "Broadway 4D Cancels Planned Times Square Attraction Featuring Filmed Broadway Performances". Broadway.com. Archived from the original on May 29, 2014. Retrieved May 28, 2014.
  239. [239]
    Viagas, Robert; Gioia, Michael (August 18, 2015). "Broadway 4D Project Back on Track; Times Square Theatre To Be Rescued!". Playbill. Archived from the original on March 17, 2022. Retrieved April 11, 2022.
  240. [240]
    Stulberg, Ariel (March 2, 2016). "Times Square Theater to reopen after 25 years". The Real Deal New York. Archived from the original on April 16, 2021. Retrieved April 11, 2022.
  241. [241]
    "Times Square Theater revival in the works". Crain's New York Business. March 3, 2016. Archived from the original on June 13, 2021. Retrieved April 11, 2022.
  242. [242]
    Hershberg, Marc (September 18, 2018). "Jinxed Times Square Theater to Reopen as Retail Space". Forbes. Archived from the original on September 19, 2018. Retrieved September 20, 2018.
  243. [243]
    Londono, Vanessa (February 6, 2020). "Permits Filed for 215 West 42nd Street in Times Square, Manhattan". New York YIMBY. Archived from the original on May 16, 2021. Retrieved April 11, 2022.
  244. [244]
    Beling, Sarah (January 23, 2023). "Without a Tenant, Renovation of Historic Times Square Theater Takes a Long Intermission". W42ST. Retrieved March 27, 2023.
  245. [245]
    The Broadway League (October 10, 1921). "A Bill of Divorcement – Broadway Play – Original". IBDB. Archived from the original on April 12, 2022. Retrieved April 12, 2022.

Sources

Wikimedia Commons has media related to Times Square Theater.
Share this article:

This article uses material from the Wikipedia article Times_Square_Theatre, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.