Early life and education

Anthony Frederick Levin was born on June 6, 1946, in Boston, Massachusetts. He grew up in a Reform Jewish household in the suburb of Brookline.^[6] He began playing double bass at 10 years old, primarily studying classical music. In high school, he learned tuba, soloing with the concert band, and also started a barbershop quartet.

After high school, he attended the Eastman School of Music in Rochester, New York and played in the Rochester Philharmonic Orchestra. Also at Eastman, he studied with drummer Steve Gadd. He traded in his Ampeg electric upright "Baby Bass" for a Fender Precision Bass; in the early days his first bass amplifier was an Ampeg Portaflex B-15.^{[citation needed][7]} Levin's first recording was in 1968, when he and Gadd played on Diana in the Autumn Wind, Gap Mangione's first solo album.^{[citation needed]}

1970s–1980s

In 1970, Levin moved to New York City, joining a band called Aha, the Attack of the Green Slime Beast, with Don Preston of The Mothers of Invention. Soon after, he began working as a session musician, and through the 1970s he played bass on many albums, including Buddy Rich's big band jazz album, The Roar of '74, and Paul Simon's Still Crazy After All These Years (1975).

In 1971, John McLaughlin asked Levin to join his new project, the Mahavishnu Orchestra: "My original choice for bass was Tony Levin. But he told me, 'Oh man, I just took a gig with Gary Burton.'"^[8]

From 1973 to 1975, Levin and Steve Gadd played in the band of veteran jazz flautist Herbie Mann. Two of Levin's early compositions (“Daffodil” and “Music Is a Game We Play”) were featured on the 1973 Mann album First Light.

In 1976, Levin helped create the lush textures on Andy Pratt's Resolution album, that featured numerous notable musicians including Arif Mardin, Andy Newmark, Hugh McDonald, Luther Vandross and Levin's frequent rhythm section partner Steve Gadd. Allmusic.com and Rolling Stone magazine rated this album as one of the best singer/songwriter albums of the 1970s.

In 1977, Levin joined Peter Gabriel's band. He had met Gabriel through producer Bob Ezrin with whom Levin had recorded Alice Cooper's Welcome to My Nightmare and Lou Reed's Berlin. Levin has been Gabriel's bass player of choice ever since. On Peter's first solo album, Levin played tuba as well, and directed and sang with a barbershop quartet on "Excuse Me".

With the exception of John Giblin's fretless bass playing on Peter Gabriel III, and some additional work by Larry Klein on "In Your Eyes" & "Mercy Street", and Bill Laswell on "This is the Picture" (all three tracks from So), Levin has been the bassist on all of Gabriel's studio sessions and on his many tours around the world.

In his years with Gabriel, Levin developed two unique aspects of his playing: further advancement on the Chapman Stick, which he would later utilize heavily in King Crimson,and invented funk fingers. Essentially, these are short drumsticks used to strike the bass strings, resulting in a very percussive effect. Levin credits Gabriel with the concept and his tech at the time (Andy Moore) with actually making them workable.

In 1978, Levin moved to Woodstock, New York, to join the band L'Image, which included his old friend Steve Gadd as well as Mike Mainieri and Warren Bernhardt. The band broke up after a year, though Levin still decided to stay in the area: he currently resides in Kingston, New York. This Ill-fated group would reunite much later in Levin's career. While recording Peter Gabriel's first album, Levin became acquainted with guitarist Robert Fripp, and in 1978 played on Fripp's solo album, Exposure. This would lead Levin to become a member of the 1981–1984 incarnation of King Crimson, along with Fripp, guitarist/vocalist Adrian Belew and drummer Bill Bruford. Levin recorded four studio albums as part of King Crimson: Discipline (1981), Beat (1982), Three of a Perfect Pair (1984) and THRAK (1995), all critically acclaimed. Tony is best known for works with King Crimson and Peter Gabriel who mentions him the “Emperor of the Bottom End.”^[9]

In 1980, Levin participated in the sessions for John Lennon and Yoko Ono's Double Fantasy album.

In 1987, Levin played the bass and Chapman Stick parts on Pink Floyd's first album after the departure of Roger Waters, A Momentary Lapse of Reason.

In 1988 Bruford asked Levin to be an "unofficial fifth member" in the Yes related supergroup Anderson Bruford Wakeman Howe, which consisted of all the members from the classic Yes lineup except bassist Chris Squire, but he only functioned as a session player on ABWH's eponymous album. Due to a severe virus, he was unable to play on some of the final dates of the accompanying tour, being replaced by Jeff Berlin. Levin also plays on the Yes album Union from 1991.

In 1984 Levin released Road Photos, a collection of black and white photos taken during his travels with Crimson, Gabriel, Simon, and others. Another book of photos focusing on King Crimson's travels in the 1980s, The Crimson Chronicles volume 1, was released in 2004. There has been no word yet on the release of volume 2, which will cover the 1990s and possibly 2000s versions of the band. Levin has also written a book of career anecdotes and road stories called Beyond the Bass Clef.

Levin was part of King Crimson again from 1994 to 1997 as part of the "Double Trio" line-up of the band which consisted of Levin, Robert Fripp, Adrian Belew, Trey Gunn, Pat Mastelotto, and Bill Bruford. Fripp then reformed King Crimson as a quartet, without Levin and Bruford. Levin also took part in two of the post-breakup experimental sub-groups, ProjeKct One (1997) and ProjeKct Four (1998). Levin played bass on "Watcher of the Skies" from Steve Hackett's Genesis Revisited album (1996). He was very busy in the late 1990s with his own groups Bruford Levin Upper Extremities, Bozzio Levin Stevens and Liquid Tension Experiment. In 2008, Levin joined King Crimson's 40th Anniversary Tour, in a lineup including Fripp, Belew, and drummers Mastelotto and Gavin Harrison (Porcupine Tree). He holds the record as Crimson’s longest-serving bassist.^[9]

1990s–2000s

In 1998, Levin and Bruford formed Bruford Levin Upper Extremities with trumpeter Chris Botti and guitarist David Torn; they released one studio album in 1998 and a live double album in 2000. Torn, Levin, and Bruford had worked with trumpeter Mark Isham, for Torn's album Cloud About Mercury. Former Japan bassist Mick Karn replaced Levin for Isham's tour at the time. Levin also continued recording albums with his own band, consisting of drummer/saxophonist/vocalist Jerry Marotta, guitarist Jesse Gress, synthesizer programmer/player Larry Fast, and Levin's brother, keyboardist Pete Levin. He also regularly played (and occasionally recorded) with the California Guitar Trio when their schedules permitted.

In 1997, Levin teamed up with Mike Portnoy and John Petrucci, members of Dream Theater, as well as future Dream Theater keyboardist Jordan Rudess, for a project called Liquid Tension Experiment. The combo released two albums, Liquid Tension Experiment and Liquid Tension Experiment 2 in 1998 and 1999 respectively, as well as playing short tours in 1998 and 2008. There have also been two CDs of material released under the name "Liquid Trio Experiment"; the first composed of studio jams from the LTE2 sessions without Petrucci (Spontaneous Combustion), released for the band's tenth anniversary, and a live recording from a 2008 Chicago show where Rudess's equipment failed and the other three covered for it with a nearly hour-long improvisation (When the Keyboard Breaks). During the COVID-19 global pandemic, the group reconvened and recorded Liquid Tension Experiment 3.

At the end of 2003 Trey Gunn left King Crimson and Levin rejoined as the bassist, although the band was only active for a handful of rehearsals at that time and the aforementioned 40th Anniversary tour in the summer of 2008.

In 2006, Levin released Resonator, The first album to feature Levin as a lyricist and lead vocalist. 2007 saw the release of Stick Man, an album of pieces recorded on the Chapman Stick.

In 2009 Levin reunited with his band from 1978, L'Image, featuring Mike Mainieri, Warren Bernhardt, David Spinozza, and Steve Gadd. The group performed at the Iridium Jazz Club in New York City, toured Japan, and released the album L'Image 2.0. In 2010 Levin toured with HoBoLeMa, a group consisting of Allan Holdsworth on guitar, Terry Bozzio on drums, Levin on bass and Pat Mastelotto. All their shows were completely improvised with no written music.

Following on from the Stick Man album, Levin joined up with fellow player Michael Bernier and King Crimson drummer Pat Mastelotto to form the group Stick Men.^[10] The band released its first album Soup in 2010.^[11] Bernier left the group shortly after the release of Soup and was replaced by touch guitarist Markus Reuter in 2010. This lineup has continued with a busy touring and recording schedule, releasing the EP Absalom in 2011 and the full albums Open (June 2012), and Deep (Sept 2012). ^{[needs update]}

Levin's brother, Pete Levin, is a New York keyboardist and writer who is known for his work with Gil Evans. In the 1970s, Tony and Pete collaborated with Steve Gadd in the comedy band The Clams. Levin has stated that some of the Clams' material may eventually be released. Levin also played on Jean-Pierre Ferland's Jaune album, which included hits "Le petit roi" and "Le chat du café des artistes".

On September 24, 2013, Levin was officially announced as a member of the 8th incarnation of King Crimson, alongside band founder Robert Fripp, guitarist Jakko Jakszyk, the returning Mel Collins on saxophone, and drummers Pat Mastelotto, Gavin Harrison and new member Bill Rieflin.^[12] The group toured the United States in the autumn of 2014 and has continued to tour throughout the world since, including 2019 when King Crimson celebrated its 50th anniversary.