Tōru "Tohl" Narita[1] (成田 亨, Narita Tōru, pronounced[nəˈriːtə]; September 3, 1929 – February 26, 2002) was a Japanese visual artist. He is best known for creating the characters and mechanics for the television programs in the Ultra series: Ultra Q, Ultraman, and Ultraseven.
You can help expand this article with text translated from the corresponding article in Japanese. (November 2022) Click [show] for important translation instructions.
View a machine-translated version of the Japanese article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Consider adding a topic to this template: there are already 3,722 articles in the main category, and specifying|topic= will aid in categorization.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Japanese Wikipedia article at [[:ja:成田亨]]; see its history for attribution.
You should also add the template {{Translated|ja|成田亨}} to the talk page.
Narita was born on September 3, 1929, in Kobe City, Hyōgo, Japan. His family moved to Aomori shortly after his birth.[2][3] When he was eight months old, Narita suffered a burn on his left hand after grabbing charcoal from the hearth in his abode; his hand didn't heal even after having many surgeries.[4]
Narita began school in April 1936, at Aomori Municipal Furukawa Elementary School.[5] At eight years old, his family moved to Ōshō Village, Muko District, Hyōgo (presently Amagasaki), and was transferred to Ritsudai Sho Jinjo Elementary School (presently Amagasaki Municipal Osho Elementary School). Due to the school's separation, Narita completed the fourth grade at Ritsudai Sho Jinjo Second Elementary School (presently Amagasaki Nishi Elementary School, where he stayed six years until the age of fourteen. During his time in elementary school, he was bullied due to his language differences and the burn on his left hand. Narita also decided he wanted to become a painter in the future.[2]
After graduating from Aomori Junior High (now Aomori High School), Narita worked as a printer to save money, and in 1950 entered Musashino Art School (presently Musashino Art University).[2] Initially, he majored in Western painting but felt dissatisfied with the class[6] and moved to the sculpting department.[2]
Career (1954–1987)
This section needs expansion. You can help by adding to it. (November 2022)
Narita at his drawing table
After graduating from Musashino Art School, he made part of his income doing special effects production work on the 1954 film Godzilla.[7] He then began working as a Tokusatsu artist for Toei starting in 1960. In 1965 he began working for Tsuburaya Visual Effects Productions (later renamed Tsuburaya Productions).[3] In addition to working as a designer, Narita was also a sculptor, painter, and director of special effects. He is best noted for his work on the Ultra series, known in the vernacular as "Narita's Monsters". He went on to work in TV special effects for the shows, Assault! Human!!, Enban Sensō Bankid, and Mighty Jack. In 1968 he became a freelance artist and worked on films and movies including Children of Nagasaki, The Bullet Train, Mahjong horoki, and Men and War.[7][3]
He continued to create and exhibit his oil painting and sculptures throughout his life, including a public artwork, Demon Monument, located in Fukuchi City, Kyoto.[7] Narita's work was included in the Little Boy: The Arts of Japan's Exploding Subculture exhibition at the Japan Society in New York City. The exhibition featured his drawings "a favorite of otaku artists"; the series of drawings showed monsters transforming into buildings, stones and trees, and other inanimate objects.[8] His work was the subject of a major retrospective exhibition at the Aomori Museum in 2015 that included 700 pieces of his work.[9] The show traveled to the Fukuoka Art Museum.[10]
A monograph was produced on his work, entitled “Narita Toru Illustration Works 成田亨作品集” (400 pages).[11] It is held in the Library of Congress.[12]
Death (2002)
Narita died on February 26, 2002, at age 72, from multiple cerebral infarctions.[3]
Personal life
Narita's wife is named Ruri, with whom he had a son named Kairi.[13]
In his late life, Narita filed a lawsuit against Tsuburaya Productions.[14] Tsuburaya had claimed Narita's alien and kaiju designs to be entirely their creation, and was erasing Narita's name from his art.[15][14]
"庵野秀明プロデュース「成田亨 複製絵画」受注制作販売のお知らせ"[News of order production and sales of "Recreation of Tōru Narita's Painting" produced by Hideaki Anno]. Anime Tokusatsu Archive Centre (in Japanese). Retrieved November 18, 2022.
"ウルトラマン秘話 彫刻家成田亨が過ごした尼崎（下）"[Ultraman Secret Story: Amagasaki where sculptor Toru Narita lived (below)]. Hyogo Odekake Plus+ (in Japanese). Kobe Shimbun. December 21, 2016. Archived from the original on December 13, 2022. Retrieved December 13, 2022.
"成田亨SPECIAL DESIGN WORK NO.21" [Tōru Narita SPECIAL DESIGN WORK NO.21]. B-CLUB (in Japanese). Bandai Publishing. September 1, 1986. ISBN978-4891893903.
This article uses material from the Wikipedia article Toru_Narita, and is written by contributors.
Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.
![[icon]](./File:Wiki_letter_w_cropped.svg){kind=small}
_Narita,_visual_artist_and_creator_of_Ultraman.jpg)