Davis once left the music world to be a tailor, but returned. A soloist, bandleader, and accompanist, he amassed a body of work while never becoming a high-profile name even within the jazz community. Davis played with Babs Gonzales' Three Bips & a Bop as a teen, then moved from Richmond to New York in the early 1950s. He played with Max Roach and Charlie Parker, recording with Roach in 1953.
After retiring from music for a while to run his tailor shop, Davis returned in the 1960s, producing records and writing arrangements for a local New Jersey group. He studied music in India in 1979, and played with Sonny Rollins in the early 1970s.
Biography
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Although he retired from music in the 1960s to work as a tailor, painter, and designer, he returned to his music career later that decade, and in the 1970s he performed with Sonny Rollins and again with the Jazz Messengers. He recorded with many other prominent jazz musicians, including Kenny Clarke, Sonny Criss, Jackie McLean, Pierre Michelot and Archie Shepp.[3]
Davis was known as an interpreter of the music of Bud Powell,[4] but also recorded an album capturing the compositional and piano style of Thelonious Monk. Several of his compositions served as titles for albums by Blakey's Jazz Messengers. Combining traditional harmonies with modal patterns and featuring numerous rhythmic shifts along with internal melodic motifs within operatic, aria-like sweeping melodies, Davis's compositions included "Scorpio Rising", "Backgammon", "Uranus", "Gypsy Folk Tales", "Jodi", and "Ronnie Is a Dynamite Lady".
Davis had an occasional role as the piano player on the CBS television comedy Frank's Place. He also contributed to the soundtrack of the Clint Eastwood film Bird (1988).
Death
Davis died in New York City on June 2, 1990, aged 57, from complications of liver and kidney disease.[5]
This article uses material from the Wikipedia article Walter_Davis,_Jr., and is written by contributors.
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