In the most prevalent version of the "Four Beauties" legend, it is said that Wang Zhaojun left her hometown on horseback on a bright autumn morning and began a journey northward. Along the way, the horse neighed, making Zhaojun extremely sad and unable to control her emotions. As she sat on the saddle, she began to play sorrowful melodies on a pipa (a round-bodied lute that was later called ruanxian). A flock of geese flying southward heard the music, and saw the beautiful young woman riding the horse; they immediately forgot to flap their wings, and fell to the ground. From then on, Zhaojun acquired the nickname "fells geese" or "drops birds."
Life
Entering the harem
Wang was born to a prominent family of Baopin Village, Zigui County (now Zhaojun Village, Xingshan County, Hubei) in the south of the Western Han empire. As she was born when her father was very old, he regarded her as "a pearl in the palm". Wang Zhaojun was endowed with dazzling beauty with an extremely intelligent mind. She was adept in playing the pipa and also master of the ancient "Four Arts of the Chinese Scholar" – the guqin, go, calligraphy and Chinese painting.
In 36 BC, Emperor Yuan of Han chose his concubines from the whole state. Because of Wang's fame in the county, she was his first choice as concubine Nan County. Emperor Yuan issued an edict that Wang should enter his harem soon. Wang's father said that his daughter was too young to enter the harem, but could not violate the decree. Wang left her hometown and entered the harem of Emperor Yuan in early summer. According to the custom in the palace, when choosing a new wife, the Emperor was first presented with portraits of all the candidate women. It is said that because of Wang's confidence of beauty and temperament, she refused to bribe the artist Mao Yanshou as the other maids did. As a reprisal, Mao Yanshou painted a mole of widowed tears on Wang's portrait. As a result, during her time in the Lateral Courts, Wang Zhaojun was never visited by the Emperor and remained as a palace lady-in-waiting. Wang Zhaojun's portrait was either never viewed by the Emperor or was inaccurate, and therefore the Emperor overlooked her.
Departing for the frontier
1772 image of Wang Zhaojun
In 33 BC, Huhanye visited Chang'an as part of the tributary system that existed between the Han and Xiongnu governments. He took the opportunity to request to become an imperial son-in-law, which is recorded by Lou Jingde.
Typically the daughter of a concubine would then be offered, but unwilling to honour Huhanye with a real princess, Emperor Yuan ordered that the plainest girl in the harem be selected. He asked for volunteers and promised to present her as his own daughter. The idea of leaving their homeland and comfortable life at court for the grasslands of the far and unknown north was abhorrent to most of the young women, but Wang Zhaojun accepted. When the matron of the harem sent her unflattering portrait to the Emperor, he merely glanced at it and nodded his approval. Only when summoned to court was Wang Zhaojun's beauty revealed.
The Emperor considered retracting his decision, but it was too late by then, and he regretfully presented Wang Zhaojun to Huhanye, who was delighted. Relations with the Xiongnu subsequently improved, and artist Mao Yanshou was subsequently executed for deceiving the Emperor.[2][3]
Life with the Xiongnu
Wang Zhaojun became a favourite of Huhanye Chanyu, giving birth to two sons. Only one, Yituzhiyashi (伊屠智牙師), seems to have survived. They also had two daughters, Yun (雲) known as Subu Juci (须卜居次) and Dangyu Juci(当于居次). Yun was created Princess Yimuo and would later become a powerful figure in Xiongnu politics.[citation needed]
When Huhanye died in 31 BC, Wang Zhaojun requested to return to China. Emperor Cheng, however, ordered that she follow Xiongnu levirate custom and become the wife of the next Chanyu, the eldest brother (or her stepson, born by her husband's first wife) of her husband. In her new marriage, she had two daughters. Wang was honoured as Ninghu Yanzhi (寧胡閼氏 "Hu-Pacifying Chief-Consort").
Imperial Lady by Andre Norton and Susan Schwartz (1990)
Chapter 3, "Naturalizing National Unity: Political Romance and the Chinese Nation," of The Mongols at China's Edge by Uradyn E. Bulag (2002) contains a detailed discussion of variants of the Wang Zhaojun legend.
Film, television and music
Beyond The Great Wall (1964), Hong Kong film produced by Shaw Brothers.[5] Linda Lin Dai played Wang Zhaojun.
Wang Zhaojun (1984), Hong Kong TV series on Asia Television, supervised by Wang Ximei.
Wang Zhaojun (1985), TV series by Hong Kong Asia Television Limited. Wei Qiuhua played Wang Zhaojun.
Wang Zhaojun (1988), Taiwanese TV series on CTV, directed by Zhou You. Song Gangling played Wang Zhaojun.
Wang Zhaojun (2005), TV series by China Central Television (CCTV) and China Television Media, Ltd. Yang Mi played Wang Zhaojun.
Zhaojun Chu Sai (2006), TV series by China Central Television (CCTV). Li Caihua played Wang Zhaojun.
This article uses material from the Wikipedia article Wang_Zhaojun, and is written by contributors.
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