Where the Pyramid Meets the Eye is a 1990 tribute album to singer-songwriter Roky Erickson, founder of the 13th Floor Elevators and solo artist, whose career was subject to significant periods of challenge from schizophrenia. The album was released by Sire Records in the United States, and by WEA International in Europe.[3] The album was produced by Bill Bentley, who also produced a 1999 tribute album to Moby Grape co-founder Skip Spence,[4] who, like Erickson, was subject to the challenges of schizophrenia. The album's title is said to be Erickson's definition of psychedelic music.[5]
Quick Facts Where the Pyramid Meets the Eye, Compilation album by various artists ...
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The album was produced with the intention of raising money for Erickson and exposing his music to a wider audience.
In 2017, 2000 copies of a two-LP edition of the album were released exclusively for Record Store Day 2017, which marked its first appearance on vinyl.[6]
The bands on the compilation were a mix of Austin, Texas musicians, Erickson fans or associates, and groups on the roster of major labels Warner Bros. and Sire. Due to the maximum-length difference between compact discs, cassettes, and LPs, several songs had to be left off the original CD release, but were included on the cassette and LP versions: The Mighty Lemon Drops' "Splash #1", Lyres' "We Sell Soul," and Angry Samoans' "White Faces." R.E.M. appears twice: Credited under the band's real name on "I Walked With a Zombie," and under the alias "Vibrating Egg," with their manager Jefferson Holt on vocals, for the song "Bermuda."[7]
Stu Cook, a bassist of the country-rock band Southern Pacific, which covered "It's a Cold Night For Alligators" for the tribute album, had produced more than a dozen of Erickson's songs in 1979, which became Erickson's album The Evil One.[7]
AllMusic reviewer Mark Deming wrote that "there are several moments of very real beauty and power here, especially from the artists who share Erickson's Texas heritage — Doug Sahm and ZZ Top rock out on their contributions, the Butthole Surfers' version of 'Earthquake' is one of their finest moments on wax, and T-Bone Burnett's take on 'Nothing in Return' is a heart-tugging gem."[2] Joe Nick Patoski of Texas Monthly called it "the best rock and roll album I've heard in years," praising the musicians' "unbridled passion" for Erickson's songwriting.[8] The Rolling Stone Album Guide called the album "an eloquent tribute to the enduring strength of Erickson's songwriting."[9]
