White_Fungus_(magazine)

<i>White Fungus</i>

White Fungus

Art magazine and project based in Taichung City, Taiwan

White Fungus is an arts magazine and project based in Taichung City, Taiwan. Founded by brothers Ron Hanson and Mark Hanson in Wellington, New Zealand in 2004, it began as an intended one-off, photocopied political zine.[1] Over time, the publication evolved into a widely distributed print magazine with an international readership.[2]

Quick Facts Editor, Categories ...

The name of the publication comes from a can of "white fungus" the Hansons discovered in their local Taiwan supermarket in 2003. Each cover of the magazine is derived from a scan of that can. In 2009, White Fungus relocated to Taichung City, where it has since been based.[3]

History

The first issue of White Fungus was published in October 2004 as a protest against the building of an inner-city bypass in Wellington, New Zealand. The proposed road project threatened to demolish heritage buildings and displace artists from their studios.[4] The project had been successfully opposed by Wellingtonians for more than 40 years but was now being vigorously pushed forward by Mayor Kerry Prendergast, who is married to one of the city's biggest property developers, Rex Nicholls.[2][5]

White Fungus attacked Prendergast's leadership, listed her financial holdings, and explored the history of Wellington's Te Aro area which was at risk due to the proposed road. The publication also profiled various groups of artists who were being evicted from their studios due to inner-city development, while Prendergast was simultaneously branding Wellington as New Zealand's "creative capital".[6][2]

The publication was produced and distributed in the lead-up to Wellington's 2004 local body elections. It was published anonymously with articles written using pseudonyms. Copies of the first issue were printed on a photocopier, wrapped in Christmas paper, and thrown through the entrances of businesses across the city.[1] Wellington community newspaper the Cook Strait News reported on the stunt and the mayor's response.[7]

"Ms Prendergast has dismissed the magazine, gift-wrapped in Christmas paper and anonymously delivered to Cuba Street shops on Wednesday and Thursday. Ziggurat retail assistant Kate Bryant says: 'It was hurled in through the door by three guys, who then disappeared down the street.'

"Ms Prendergast told the Cook Strait News she welcomes intelligent and reasoned debate but not of the sort contained in White Fungus. 'I will not dignify with comment the untruths, lies and innuendo contained in White Fungus. They don't even have the integrity to say who they are,' she says. She says the only message contained in the magazine she agrees with is the importance of voting."

Prendergast was re-elected and the road was built.[8][9] The first issue of White Fungus is now on permanent display at Wellington Museum as part of its exhibit about the city's protest movement against the bypass.

After an impactful beginning, the Hansons decided to continue the publication and evolve it into an arts magazine.[10] The next two issues were also photocopied with the fourth issue being the first to be offset printed. Wellington art dealer Peter McLeavey was the first to place an advertisement in the publication, beginning in the second issue. McLeavey would continue to place advertisements in White Fungus, which he drew by hand or produced on his typewriter, until his passing in 2015.[3] One of these advertisements was republished in Jill Trevelyan's 2013 biography Peter McLeavey: The Life and Times of a New Zealand Art Dealer.[11]

White Fungus began building an international audience with its fifth issue in 2006. San Francisco bookstore City Lights was the first to stock the publication outside of New Zealand.[12] In 2007, White Fungus signed a distribution deal with Ontario-based company Disticor to distribute the magazine in Canada and the US.[13] White Fungus would subsequently work with several different distributors in Australia, New Zealand, the UK, Europe, South Korea, and Taiwan before signing a global distribution deal with London company WhiteCirc in 2013.[14][15]

A pivotal moment came for the magazine when the Hansons met Taipei artist Yao Jui-Chung who visited Wellington to participate in the exhibition Islanded at Adam Art Gallery in 2006.[16] The Hansons had spent four years living in Taiwan before beginning the magazine. Yao urged the Hansons to return to Taiwan.[17] Meeting Hong Kong artist Lee Kit during his residency in Wellington in 2007 also stimulated the Hansons' interest in returning to Asia.[18]

In 2009, White Fungus relocated to Taichung City, Taiwan. The Hansons have continued publishing White Fungus in Taiwan while becoming immersed in the local arts scene. As well as publishing, they have directed interdisciplinary art events in Taiwan and throughout the world.[19] In 2020, the Hansons served as international monitors of the Taipei Art Awards at Taipei Fine Arts Museum.[20]

Magazine content

White Fungus covers a diverse range of subjects spanning art, music, politics, and history. The magazine has featured interviews with influential cultural figures, such as Carolee Schneemann, Jeff Mills, Chris Kraus, Pavel Pepperstein, and Merzbow. White Fungus editor Ron Hanson's interview with Carolee Schneemann in the magazine's 12th issue was subsequently republished in the 2015 monograph Unforgivable: Carolee Schneemann by Black Dog Publishing.[21] Additionally, the publication offers in-depth explorations into various themes, including:

The magazine features coverage of Taiwan's visual art and experimental music scenes, with a particular focus on the development of experimental music and sound art on the island following the end of martial law in Taiwan in 1987.[27] It has published articles about Wang Fujui, Lin Chi-Wei, Betty Apple, Dawang Yingfan Huang, and Hong-Kai Wang. White Fungus translated into English and published Jeph Lo's history article about the rise of noise music in Taiwan during the tumultuous 1990s. The article is accompanied by photographs of political demonstrations of the period by Leon Tsai and Tsai Ming-Te.[28]

White Fungus has featured articles on a number of significant composers and musicians, such as Annea Lockwood, Robert Ashley, The Art Ensemble of Chicago, Max Richter, Aki Onda, The Residents, Miya Masaoka, Noah Creshevsky, and Pauline Oliveros, as well as visual artists, including Abraham Cruzvillegas, Simon Denny, Melati Suryodarmo, Yao Jui-Chung, Claire Fontaine, Slavs and Tatars, Bárbara Wagner & Benjamin de Burca, and Chen Chieh-Jen. The magazine has included articles by notable New Zealand art writers and artists, including Tao Wells.

The Subconscious Restaurant

In 2012, White Fungus began a new publication and event series titled The Subconscious Restaurant, named after a former restaurant in Taipei which is now closed.[29][30]

The first issue of The Subconscious Restaurant was commissioned by the Christchurch art gallery The Physics Room. It focused on experimental music in Taiwan and New Zealand, including an article by Bruce Russell about the history of DIY music in New Zealand. The publication was launched with a series of events in Christchurch, Wellington, Auckland, and Hamilton introducing Taiwanese noise music and sound art pioneer Wang Fujui to New Zealand audiences.[31] There was also a solo exhibition, Sound Dots, by Wang at The Physics Room.[32]

The second issue of The Subconscious Restaurant focused on the underground experimental music and art scenes in Taiwan. This was the first bilingual (English and Chinese) edition of the publication; subsequent issues are also bilingual. It was released in 2014 through events in Beijing, Hong Kong, and Macau.[33] [34]

The Subconscious Restaurant #3 was commissioned in 2014 by curator Kit Hammonds on the occasion of the inaugural edition of Index Art Book Fair in Guadalajara, México. This issue focused on art and music from México and Taiwan, including poetry by Hsia Yu.[35] The publication was released at the fair with a reading in Chinese, English and Spanish of Hsia Yu’s poems, accompanied by a live mariachi band. The event was organized by Hammonds and Nick Yeck-Stauffer.[36]

The Subconscious Restaurant #4 was commissioned in 2015 by the New Zealand Commerce and Industry Office in Taipei on the occasion of New Zealand being the Guest of Honor at the Taipei International Book Exhibition. This issue introduced New Zealand art, literature, and culture to Taiwan. It was released at an event at Huashan 1914 Creative Park in Taipei featuring New Zealand musicians Campbell Kneale, Jeff Henderson, and Greg Malcolm.[37]

Events

White Fungus has directed interdisciplinary art events at galleries and other venues around the world. These events have included music, performance art, poetry, dance, sculpture, and video art. Past events have been held at:

Exhibitions

White Fungus has been featured in several exhibitions, including:


In 2010, White Fungus created work for the exhibition An Imaginary Archive at Enjoy Contemporary Art Space in Wellington, New Zealand. Organized by Gregory Sholette, the exhibition featured an archive of imaginary—“what if”—novels, brochures, catalogs, pamphlets, newsletters, and similar publications. The archive presented an alternative vision of the realities our society might inhabit, had the world been shaped differently. White Fungus created covers for the unrealized third and fourth issues of its zine Blank Canvas.[88] The evolving exhibition was later installed at 126 Artist-run Gallery, Galway, Ireland (2011); Center for Contemporary Art, Graz, Austria (2013); Les Kurbas Center, Kyiv, Ukraine (2014); White Box Project Space, Friedrichshafen, Germany (2013); and Institute of Contemporary Art, Philadelphia (2015).[89]

In 2012, White Fungus had a solo exhibition, The Consumers of the Future, at Te Pātaka Toi Adam Art Gallery in Wellington, New Zealand. The exhibition featured a series of three posters, remixing Wellington City Council publicity materials together with a quote by the New Zealand Prime Minister and former Merrill Lynch currency trader, John Key: “Our children are important... They’re the consumers of the future.” The Consumers of the Future was a commissioned project by White Fungus that accompanied the exhibitions We Will Work With You! Wellington Media Collective 1978-1998, and Martha Rosler, The Bowery in Two Inadequate Descriptive Systems.[90][91][92]


Art Book Fairs

Residencies

In 2013, White Fungus was the magazine in residence at Kadist Art Foundation in San Francisco. During its time in the Bay Area, White Fungus released its 13th issue with events at Kadist and The Lab.[108] This issue includes an article entitled "The First Woman on Mars", written by American writer and independent scholar Ron Drummond. He gave a reading of his article at the Kadist event and engaged in a conversation with Science Fiction author Kim Stanley Robinson about the viability and desirability of humans living on Mars.[109][110]

Awards

In 2016, White Fungus founders Ron Hanson and Mark Hanson received the inaugural Special Achievement for Contribution to the New Zealand-Taiwan Relationship at the ANZCHAM Business Awards in Taipei. The award was presented to the Hansons by Taiwan's then Vice Minister of Economic Affairs Yang Wei-fuu.[17][111]

References

  1. [1]
    Heller, Steven (January 15, 2019). "A Great Magazine With a Revolting Name". Print Magazine. Retrieved April 8, 2024.
  2. [2]
    Lang, Sarah (October 2019). "Ron Hanson: The Ones that Got Away". Retrieved April 8, 2023.
  3. [3]
    Overdahl, Stian (December 13, 2013). "A Crazy Dream to Pursue: White Fungus for the Masses". Retrieved April 8, 2023.
  4. [4]
    O’Neil, Andrea (April 5, 2015). "150 years of news: Protests against inner-city bypass exposed deep rift in Te Aro district heritage". The Dominion Post. Retrieved April 4, 2024.
  5. [5]
    Tripe, David (August 28, 1974). "The End of the Road to Nowhere". The Salient. Retrieved April 4, 2024.
  6. [6]
    Hanson, Ron (2016). "The Survival and Growth of a Grassroots Publication in a Globalized World". In Johnson, Emma; Tiso, Giovanni; Illingworth, Sarah; Bennett, Barnaby (eds.). Don't Dream It's Over: Reimagining Journalism in Aotearoa New Zealand. Wellington: Freerange Press. pp. 113–122. ISBN 978-0-473-364946.
  7. [7]
    Wotherspoon, Ned (October 5, 2004). "The White Fungus is Spreading". The Cook Strait News.
  8. [8]
    "Prendergast Returned as Wellington's Mayor". New Zealand Herald. October 10, 2004. Retrieved April 5, 2024.
  9. [9]
    Fonseka, Dileepa (March 12, 2019). "Wellington's Inner City Bypass: Years on costs and benefits do not stack up, study says". Stuff. Retrieved April 5, 2024.
  10. [10]
    Drake, Kitty (February 2019). "A Can of White Fungus". Stack. Retrieved March 31, 2024.
  11. [11]
    Trevelyan, Jill (2013). Peter McLeavey: The Life and Times of a New Zealand Art Dealer. Wellington: Te Papa Press. p. 410. ISBN 978-0-9876688-4-4.
  12. [12]
    "White Fungus 6 on Sale Around the World". Scoop. July 19, 2006. Retrieved April 2, 2024.
  13. [13]
    "White Fungus Issue 8 to Be Launched Wednesday". Scoop. September 20, 2007. Retrieved April 2, 2024.
  14. [14]
    "White Fungus to Be Launched Globally by WhiteCirc". Scoop. November 20, 2013. Retrieved April 2, 2024.
  15. [15]
    Bajaj, Kriti (November 22, 2013). "Taiwan's White Fungus Art Magazine to Go Global". Art Radar Asia.
  16. [16]
    "Islanded". February 23-May 14, 2006. Te Pātaka Toi Adam Art Gallery, Wellington, curated by Sophie McIntyre.
  17. [17]
    Cheung, Han (June 17, 2023). "Another Serving of White Fungus". Taipei Times. Retrieved April 2, 2024.
  18. [18]
    黃, 玉景 (May 29, 2014). "這兩個老外 把台灣酷藝術報給全球知". 今周刊. Retrieved April 2, 2024.
  19. [19]
    Huang, Julien (March 5, 2018). "12th Year of White Fungus Magazine: New Zealand Brothers' Passion for Art Connects Taiwan with the World". Retrieved April 2, 2024.
  20. [20]
    "Taipei Art Awards". 2020. Taipei Fine Arts Museum. Retrieved April 6, 2024.
  21. [21]
    Hanson, Ron (2015). "In Conversation with Carolee Schneemann". In White, Kenneth (ed.). Carolee Schneemann: Unforgivable. London: Black Dog Publishing. pp. 14–31. ISBN 978-1-908966-51-3.
  22. [22]
    Laird, Tessa. "Batlove Redux: Urgent Praise for our Winged Kin". 2021. White Fungus.
  23. [23]
    Fischer, Tobias. "The Pleasure Principle: The World of Animal Music". 2019. White Fungus.
  24. [24]
    "Long Read: Strange Days on Lake Rotomahana - From White Fungus #7". The Detail, Radio New Zealand. June 24, 2023. Retrieved April 3, 2024.
  25. [25]
    Brunt, Peter. "Modern Marco Polos: The Global Travels of Nicolaï Michoutouchkine and Aloï Pilioko". 2016. White Fungus.
  26. [26]
    Gottschalk, Kurt. "Dolly Parton: America's Last Sweetheart". 2016. White Fungus.
  27. [27]
    Hanson, Ron; Hanson, Mark (June 1, 2017). "Adjunctive Rhythm: A Record of White Fungus Events in Taiwan". Obieg. Retrieved April 5, 2024.
  28. [28]
    Lo, Jeph. "Wasteland Utopia: The Liberation of Sound in Post–Martial Law Taiwan". 2019. White Fungus.
  29. [29]
    "White Fungus, Wang Fujui and the Subconscious Restaurant". August, 2012. Under the Radar. Retrieved April 5, 2024.
  30. [30]
    "Subconscious Restaurant". Cityseeker. Retrieved April 4, 2024.
  31. [31]
    "White Fungus, Wang Fujui and the Subconscious Restaurant". August, 2012. Under the Radar. Retrieved April 2, 2024.
  32. [32]
    "Sound Dots". August 18–23, 2012. The Physics Room, Christchurch.
  33. [33]
    Liu, Yingfeng (January 2015). "New Zealand Brothers Taking an Experimental Path Through the Arts". Taiwan Panorama. Retrieved April 5, 2024.
  34. [34]
    "The Subconscious Restaurant by White Fungus — Taichung, Taiwan". August 2014. IdN. Retrieved April 5, 2024.
  35. [35]
    "The Subconscious Restaurant 3". 2014. White Fungus. Retrieved April 2, 2024.
  36. [36]
    Hammonds, Kit (May 31, 2017). "I Am Doing Curating Now (and Then)" (PDF). Kingston University. Retrieved April 7, 2024.
  37. [37]
    "New Zealand Publishing and DIY Music to Be Showcased in Taipei". New Zealand Publishers Association of New Zealand. January 23, 2015. Retrieved April 5, 2024.
  38. [38]
    "White Fungus #10 Release Event". March 6, 2009. Te Pātaka Toi Adam Art Gallery, Wellington.
  39. [39]
    "White Fungus #10 Release Event". March 11, 2009. Te Pātaka Toi Artspace, Auckland.
  40. [40]
    "White Fungus Relocation Party". April 29, 2009. Enjoy Contemporary Art Space, Wellington.
  41. [41]
    "Past Event-White Fungus Issue 11 Release Event". P.P.O.W. Gallery, the Hostess Project, New York. February 25, 2010. Archived from the original on 2010-02-25.
  42. [42]
    Bell, Clive (March 2012). "Spores of Knowledge". The Wire. No. 337.
  43. [43]
    "60X60實驗音樂". July 17, 2010. Taipei Contemporary Art Center.
  44. [44]
    "White Fungus Issue 12 Release Event". December 10, 2012. Taipei Contemporary Art Center.
  45. [45]
    "The Subconscious Restaurant". August 27, 2012. Waikato Art Museum, Hamilton.
  46. [46]
    "The Subconscious Restaurant". August 18, 2012. The Physics Room, Christchurch.
  47. [47]
    "Depopulate 01". December 15, 2012. VT Artsalon, Taipei.
  48. [48]
    "Depopulate 02". January 12, 2013. TheCube Project Space, Taipei. January 2013.
  49. [49]
    "White Fungus # 13 Release Event". May 4, 2013. KADIST, San Francisco.
  50. [50]
    "White Fungus # 13 Release Event". May 9, 2013. The Lab, San Francisco.
  51. [51]
    "Merzbow In Taipei". July 6, 2013. The Wall, Taipei.
  52. [52]
    Chien, Julia (September 24, 2013). "Visceral Sound: An Adventure into the Heart of Taipei's Noise Scene". Erenlai. Archived from the original on 2021-01-23.
  53. [53]
    Pescovitz, David (May 30, 2020). "Fellow brushes his teeth during Japanese noise music concert by Merzbow". Retrieved April 8, 2023.
  54. [54]
    "Depopulate 03". January 17, 2014. Treasure Hill, Taipei.
  55. [55]
    Lee, Alex. "Review:Depopulate 03". GigGuide.tw. Retrieved April 10, 2024.
  56. [56]
    "Depopulate 04". February 1, 2014. NK Projekt, Berlin.
  57. [57]
    "The Subconscious Restaurant". August 16, 2014. Zajia Lab, Beijing.
  58. [58]
    Feola, Josh (August 13, 2014). "Interview: Ron Hanson, White Fungus". Smart Beijing. Archived from the original on 2014-08-22.
  59. [59]
    "The Subconscious Restaurant". August 23, 2014. XXX, Hong Kong.
  60. [60]
    "The Subconscious Restaurant". August 24, 2014. Live Music Association, Macau.
  61. [61]
    "Depopulate 05". July 12, 2014. 435 Artzone, Banqiou.
  62. [62]
    "Uncover Festival". September 6, 2014. Tiger Mountain, Taipei.
  63. [63]
    "The Subconscious Restaurant". February 14, 2015. Huashan 1914 Creative Park, Taipei. February 14, 2015.
  64. [64]
    "White Fungus # 14 Release Event". March 14, 2015. SOUP, Tokyo.
  65. [65]
    "The Subconscious Restaurant". January 24, 2015. The Red Rattler, Sydney.
  66. [66]
    "Depopulate 06". July 30, 2016. Korner, Taipei.
  67. [67]
    "White Fungus #15 Release Event". Korner, Taipei. July 30, 2016.
  68. [68]
    "Depopulate 07". June 24, 2017. The Venue, Taipei.
  69. [69]
    "SUBLATE, in collaboration with Liquid Architecture". December 2, 2017. Korner, Taipei.
  70. [70]
    "Kiosk: Modes of Multiplication" (PDF). March 30-May 12, 2007. Artists Space, New York, curated by Christoph Keller.
  71. [71]
    "Motto Storefront" (PDF). May 15-July 22, 2010. Artspeak, Vancouver, organized by Artspeak and Fillip with Motto, Berlin.
  72. [72]
    "De Zines". June 29-end of summer, 2010. La Casa Encendida, Madrid, curated by Roberto Vidal and Oscar Martín.
  73. [73]
    "Millennium Magazines". February 20-May 14, 2012. MoMA, New York, curated by Rachael Morrison and David Senior.
  74. [74]
    "Facing Pages". April 20–22, 2012. Dutch Art Institute, Arnhem, initiated by Joost van der Steen and William van Giessen.
  75. [75]
    "Zines aus Neuseeland" (PDF). October 3–28, 2012. Weltkulturen Museum, Frankfurt, curated by Bryce Galloway.
  76. [76]
    "Mag Is In". November 6–10, 2012. Casa del Pingone, Turin, curated by Vanessa Poli and Francesca Oddenino.
  77. [77]
    "Image of the day: Mag Is In by Francesca Oddenin and Vanessa Poli". Creative Bloq. June 26, 2013. Retrieved April 7, 2024.
  78. [78]
    "The Light of Independence". November 17-December 25, 2012. Guangdong Times Museum, Guangzhou, curated by Yuling Zhong and Lizzy Meng.
  79. [79]
    "White Fungus Talk at Guangdong Times Museum, Guangzhou". November 24, 2012. Guangdong Times Museum, Guangzhou.
  80. [80]
    "Mag Dossier 01". December 20, 2012-January 26, 2013. Visual Artists Association (Cyprus), Municipal Garden of Nicosia, curated by Peter Eramian.
  81. [81]
    "TAMIZDAT". 2013. Family Business, Saint Petersburg, curated by Victoria Yee Howe.
  82. [82]
    "Small Press" (PDF). May 8–23, 2014. Ramp Gallery, Hamilton, curated by Bryce Galloway and Kim Paton.
  83. [83]
    "Édition Florale". September 21, 2014. Collectif Blanc, Nomad Nation, Montreal, curated by Catherine Métayer and Marie-Ève Tourigny.
  84. [84]
    "Photobookshow Malmö, organized by Photobookshow, Brighton". January 17-February 9, 2014. Vasli Souza.
  85. [85]
    "The Editorial, initiated by Kit Hammonds and Ingrid Chu" (PDF). 2016. Taipei Biennial.
  86. [86]
    "Publishing Against the Grain". 2017-ongoing. Independent Curators International.
  87. [87]
    "The Novembre Lounge". September 6-10, 2023. Low Classic, Yaksu, Seoul, concept: Jeanne-Salomé Rochat.
  88. [88]
    Corballis, Tim (November 2011). "An Imaginary Archive Before Prelude And Suite" (PDF). Over Under And Around.
  89. [89]
    "IMAGINARY ARCHIVE INSTALLATION VARIATIONS: 2010-2014" (PDF). Artist-led Research Group. Retrieved April 8, 2023.
  90. [90]
    "The Consumers of the Future". October 23-December 21, 2012. Te Pātaka Toi Adam Art Gallery, Wellington.
  91. [91]
    Amery, Mark (November 28, 2012). "The Arts with Mark Amery". Radio New Zealand. Retrieved April 3, 2024.
  92. [92]
    "Exhibition Photos: The Consumers of the Future". October 23-December 21, 2012, Adam Art Gallery, Wellington. White Fungus. Retrieved April 10, 2024.
  93. [93]
    "Friends with Books, Hamburger Bahnhof". 2015, 2016, 2017, 2019.
  94. [94]
    "Publish and Be Damned, London". ICA, London. 2012.
  95. [95]
    "Taipei Art Book Fair". 2017, 2018, 2020, 2022, 2023.
  96. [96]
    "Index Art Book Fair". 2014, 2015, 2016, 2017, 2019, 2020, 2023.
  97. [97]
    "London Art Book Fair". Whitechapel Gallery. 2012.
  98. [98]
    "Tokyo Art Book Fair". Warehouse TERRADA. 2017.
  99. [99]
    "Singapore Art Book Fair". Gillman Barracks. 2017.
  100. [100]
    "Sprint Milano". Italy. 2015.
  101. [101]
    Reboli, Francesca (November 26, 2015). "Sprint, the Best of Indie Publishing". Vogue Italia. Retrieved April 5, 2024.
  102. [102]
    "Miss Read, Berlin Art Book Fair". 2015, 2016, 2023.
  103. [103]
    "Dublin Art Book Fair". 2014, 2015, 2016.
  104. [104]
    "Booked: Tai Kwun Contemporary's Hong Kong Art Book Fair". January 16–19, 2020.
  105. [105]
    "Chicago Art Book Fair". 2018, 2019. Chicago Athletic Association Hotel.
  106. [106]
    "Tsundoku Art Book Fair, Dublin". 2023. The Printworks – Dublin Castle.
  107. [107]
    "Vancouver Art Book Fair". 2012, 2014.
  108. [108]
    "White Fungus at KADIST — Magazine Release Event". May 4, 2013. KADIST, San Francisco.
  109. [109]
    ""The First Woman on Mars" by Ron Drummond as part of White Fungus 13th Issue Release". May 4, 2013. KADIST, San Francisco.
  110. [110]
    "Kim Stanley Robinson, on the idea of living on Mars… for the White Fungus Issue 13 release — Magazine Release Event". May 4, 2013. KADIST, San Francisco.
  111. [111]
    周, 伶繁 (November 25, 2016). "2016澳紐商會第11屆商業傑出貢獻獎出爐". Trade Mag. Retrieved March 31, 2024.
Share this article:

This article uses material from the Wikipedia article White_Fungus_(magazine), and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.