William_Butterfield

William Butterfield

William Butterfield

British architect


William Butterfield (7 September 1814 – 23 February 1900) was a British Gothic Revival architect and associated with the Oxford Movement (or Tractarian Movement). He is noted for his use of polychromy.

Quick Facts Born, Died ...

Biography

William Butterfield was born in London in 1814. His parents were strict non-conformists who ran a chemist's shop in the Strand. He was one of nine children and was educated at a local school. At the age of 16, he was apprenticed to Thomas Arber, a builder in Pimlico, who later became bankrupt. He studied architecture under E. L. Blackburne (1833–1836). From 1838 to 1839, he was an assistant to Harvey Eginton, an architect in Worcester, where he became articled. He established his own architectural practice at Lincoln's Inn Fields in 1840.

From 1842 Butterfield was involved with the Cambridge Camden Society, later The Ecclesiological Society. He contributed designs to the Society's journal, The Ecclesiologist. His involvement influenced his architectural style. He also drew religious inspiration from the Oxford Movement and as such, he was very high church despite his non-conformist upbringing. He was a Gothic revival architect, and as such he reinterpreted the original Gothic style in Victorian terms. Many of his buildings were for religious use, although he also designed for colleges and schools.

Butterfield's church of All Saints, Margaret Street, London, was, in the view of Henry-Russell Hitchcock, the building that initiated the High Victorian Gothic era. It was designed in 1850, completed externally by 1853 and consecrated in 1859.[1] Flanked by a clergy house and school, it was intended as a "model" church by its sponsors, the Ecclesiological Society. The church was built of red-brick, a material long out of use in London, patterned with bands of black brick, the first use of polychrome brick in the city, with bands of stone on the spire. The interior was even more richly decorated, with marble and tile marquetry.[1]

In 1849, just before Butterfield designed the church, John Ruskin had published his Seven Lamps of Architecture, in which he had urged the study of Italian Gothic and the use of polychromy. Many contemporaries perceived All Saints' as Italian in character, though in fact it combines fourteenth century English details, with a German-style spire.[1]

Also in 1850 he designed, without polychromy, St Matthias' in Stoke Newington, with a bold gable-roofed tower. At St Bartholomew's, Yealmpton in the same year, Butterfield used a considerable amount of marquetry work for the interior, and built striped piers, using two colours of marble.[1]

Blue plaque, 42 Bedford Square, London

At Oxford, Butterfield designed Keble College, in a style radically divergent from the university's existing traditions of Gothic architecture, its walls boldly striped with various colours of brick. Intended for clerical students, it was largely built in 1868–70, on a fairly domestic scale, with a more monumental chapel of 1873–6. In his buildings of 1868–72 at Rugby School, the polychromy is even more brash.[2]

Butterfield received the RIBA Gold Medal in 1884. He died in London in 1900, and was buried in a simple Gothic tomb (designed by himself) in Tottenham Cemetery, Haringey, North London.[3] The grave can be easily seen from the public path through the cemetery, close to the gate from Tottenham Churchyard. There is a blue plaque on his house in Bedford Square, London.

Works

Keble College Chapel, Oxford
St Paul's Cathedral, Melbourne, Australia
St Ninian's Cathedral, Perth, Scotland
William Butterfield's original design for the new Anglican cathedral (St Paul's) in Melbourne, Australia
All Saints, Margaret Street, London (detail of interior)
St Mary's church, Brookfield
St Andrew's Church, Rugby
St Barnabas's Church, Horton-cum-Studley
St Mark's Church, Dundela, Belfast
Font of Ottery St Mary Parish Church, Devon
Chalice designed by William Butterfield, 1856–1857 (hallmarked) V&A Museum no. CIRC.521–1962
Chapel, Rugby School

Butterfield's buildings include:

Publications

Instrumenta Ecclesiastica, 1847
  • Ecclesiological late Cambridge Camden Society, ed. (1847). Instrumenta Ecclesiastica (in Latin). with etchings from drawings by William Butterfield. London: Ecclesiological late Cambridge Camden Society. {{cite book}}: Unknown parameter |agency= ignored (help)

References

  1. Hitchcock 1977, pages 247–8
  2. Hitchock 1977, page 264
  3. "Beginnings". Coalpit Heath: St Saviour's Church. August 2008. Retrieved 20 December 2016.
  4. Homan 1984, page 106
  5. Pevsner & Cherry, 1973, page 252
  6. Sherwood & Pevsner, 1974, page 579–583
  7. Pevsner & Cherry, 1975, page 365
  8. Pevsner & Cherry, 1975, page 366
  9. "Ottery St Mary". Exeter and Plymouth Gazette. Exeter. 30 March 1850. Retrieved 14 September 2015.
  10. Pevsner, 1966, page 253
  11. Pevsner & Cherry, 1975, page 90
  12. Rhea, Nicholas (1985). Portrait of the North Yorkshire Moors.
  13. Pevsner & Cherry, 1975, page 458
  14. Pevsner, 1966, page 177
  15. O’Brien, Charles; Bailey, Bruce; Pevsner, Nikolaus; Lloyd, David W. (2018). The Buildings of England Hampshire: South. Yale University Press. p. 176. ISBN 9780300225037.
  16. Sherwood & Pevsner, 1974, page705
  17. Sherwood & Pevsner, 1974, page 101
  18. Pevsner & Cherry, 1975, page 162
  19. Pevsner & Cherry, 1975, page 291
  20. "St John the Evangelist Churchyard". London Gardens Online. 1 November 2011. Retrieved 25 January 2015.
  21. Pevsner & Cherry, 1975, page 293
  22. "History & architecture". All Saints Margaret Street website. Retrieved 26 May 2012.
  23. Pevsner, 1966, page 182
  24. Pevsner & Cherry, 1975, page 531
  25. Pevsner & Cherry, 1975, page 82
  26. Historic England. "St Alban's Clergy House and attached railings with lamp-holder (1272352)". National Heritage List for England.
  27. Pevsner, 1966, page 166
  28. Pevsner & Cherry, 1975, page 160
  29. Pevsner & Cherry, 1975, page 140
  30. Pevsner & Cherry, 1975, page 319
  31. The Buildings of England: Lancashire – Manchester and the South East, 2004
  32. Sherwood & Pevsner, 1974, page 693
  33. Heywood, Joy. "William Butterfield (1814–1900)". Enfield: Saint Mary Magdalene. Retrieved 20 December 2016.
  34. Pevsner, 1966, page 154
  35. Sherwood & Pevsner, 1974, page 164
  36. Pevsner & Cherry, 1975, page 118
  37. "Parishes: Lyndhurst | British History Online". British History Online. 10 June 1908. Retrieved 5 November 2019.
  38. Pevsner & Cherry, 1973, page 470
  39. Pevsner & Cherry, 1975, page 266
  40. "Home". Holy Saviour Church Hitchin.
  41. Pevsner, 1960, page 112
  42. Pevsner & Cherry, 1975, page 268
  43. Sherwood & Pevsner, 1974, page 656
  44. Pevsner, 1966, page 84
  45. Sherwood & Pevsner, 1974, page 685
  46. Marsden, Susan, Paul Stark and Patricia Sumerling, Heritage of the City of Adelaide, Adelaide 1990, pp. 347-349
  47. Pevsner & Cherry, 1975, page 571
  48. Pevsner & Cherry, 1975, page 144
  49. Birtchnell, Percy (1960). A Short History of Berkhamsted. The Bookstack. p. 30. ISBN 978-1-871372-00-7.
  50. Sheppard, F.H.W., ed. (1970). "St. Paul's Church". Survey of London: volume 36: Covent Garden. pp. 98–128.
  51. Pevsner & Cherry, 1975, page 374
  52. Verey, 1970, pages 370–371
  53. Pevsner & Cherry, 1975, page 182
  54. Pevsner & Cherry, 1973, page 120
  55. "St Denis' East Hatley". Hatley. Retrieved 8 February 2020.
  56. Pevsner & Cherry, 1975, page 563
  57. Pevsner, 1966, page 254
  58. Pevsner & Cherry, 1975, page 283
  59. Pevsner, 1966, page 357
  60. Sherwood & Pevsner, 1974, pages 225–229
  61. Pevsner & Cherry, 1975, page 95
  62. Pevsner & Cherry, 1975, page 354
  63. Pevsner, 1966, page 68
  64. Pevsner & Cherry, 1975, page 591
  65. Pevsner & Cherry, 1975, page 251
  66. "A Community of Faith". stjohnsclevedon.org.uk.
  67. Pevsner, 1966, page 213
  68. Pevsner & Cherry, 1973, page 188
  69. Pevsner & Cherry, 1975, page 105
  70. Pevsner & Cherry, 1975, page 427

Bibliography


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