Image | Title | Year | Artist | Technique | Dimensions (cm) | Gallery |
| The Storm | 1897 | Walter Withers | oil on canvas on hardboard | 119.8 x 179.5 | Art Gallery of New South Wales |
| The last gleam | 1898 | W. Lister Lister | oil on canvas | 183 x 274.5 | |
| Across the black soil plains | 1899 | George Washington Lambert | oil on canvas | 91.6 x 305.5 | Art Gallery of New South Wales |
| Still Autumn | 1900 | Walter Withers | | | |
| Thunderstorm on the Darling | 1901 | William Piguenit | | | |
| In Defence of the Flat | 1902 | James White | | | |
| Glenora | 1903 | Edward Officer | | | |
| Mystic Morn | 1904 | Hans Heysen | | | |
| A Blaze of Blue Noon | 1905 | Albert J. Hanson | watercolour | | |
| The Golden Splendour of the Bush | 1906 | W. Lister Lister | oil on canvas | 239.8 x 190.5 | Art Gallery of New South Wales |
| Portrait, H. Garlick, Esq. | 1907 | G. W. L. Hirst | | | |
| Noontide, Burnside | 1908 | Will Ashton | | | |
| Summer | 1909 | Hans Heysen | watercolour | | Art Gallery of New South Wales |
| Mid Song of Birds and Insects Murmuring | 1910 | W. Lister Lister | | | |
| Hauling Timber | 1911 | Hans Heysen | oil on canvas | 102.0 x 135.0 | Art Gallery of New South Wales |
| Sydney Harbour, Overlooking Taylors Bay | 1912 | W. Lister Lister | | | |
| Federal Capital Site | 1913 | W. Lister Lister | oil on canvas | 159.0 x 284.0 | Historical Memorials Collection |
| Landscape | 1914 | Penleigh Boyd | | | |
| Knowledge, Fine Art and Commerce | 1915 | John Christie Wright | | | |
| Morning Light | 1916 | Elioth Gruner | oil on canvas on cardboard | 51.7 x 56.9 | Art Gallery of New South Wales |
| The Wind-swept Marsh Lands | 1917 | W. Lister Lister | | | |
| The Grey Road | 1918 | W. B. McInnes | oil on canvas | 123.2 x 154.6 | Art Gallery of New South Wales |
| Spring Frost | 1919 | Elioth Gruner | oil on canvas | 157.5 x 206.3 | Art Gallery of New South Wales |
| The Toilers | 1920 | Hans Heysen | watercolour on paper | 73.0 x 86.0 | Art Gallery of South Australia |
| Valley of the Tweed | 1921 | Elioth Gruner | oil on canvas | 142.2 x 172.7 | Art Gallery of New South Wales |
| The Quarry | 1922 | Hans Heysen | watercolour | 51.0 x 66.7 | Art Gallery of New South Wales |
| Head of an Old Man | 1923 | G. W. L. Hirst | | | |
| An Afternoon in Autumn | 1924 | Hans Heysen | | | |
| A Bush Track | 1925 | W. Lister Lister | | | |
| The Farmyard, Frosty Morning | 1926 | Hans Heysen | | | |
| Head | 1927 | Rayner Hoff | | | |
| Afternoon Light, Goulburn Valley | 1928 | Arthur Streeton | oil on canvas mounted on composition board | 51.0 x 76.0 | National Gallery of Australia |
| On the Murrumbidgee | 1929 | Elioth Gruner | oil on canvas | 101.6 x 123.2 | Art Gallery of New South Wales |
| Kosciusko | 1930 | Will Ashton | | | |
| Red Gums of the Far North | 1931 | Hans Heysen | | | |
| Brachina Gorge | 1932 | Hans Heysen | | | |
| Youth | 1933 | Lyndon Dadswell | sculpture | | Art Gallery of NSW |
| Murrumbidgee Ranges, Canberra | 1934 | Elioth Gruner | oil on canvas | 51.6 x 89.0 | National Gallery of Australia |
| Winter Morning | 1935 | James Muir Auld | oil on canvas on paperboard | 41.3 x 46.3 | Art Gallery of New South Wales |
| Landscape | 1936 | Elioth Gruner | | | |
| Weetangera, Canberra | 1937 | Elioth Gruner | oil on canvas on cardboard | 88 x 100.9 | Art Gallery of New South Wales |
| The Approaching Storm | 1938 | Sydney Long | | | |
| Morning Light, Middle Harbour | 1939 | Will Ashton | | | |
| The Lake, Narrabeen | 1940 | Sydney Long | | | |
| Valley Farms | 1941 | Lorna Muir Nimmo | | | |
| Backyards | 1942 | Douglas Watson | | | |
| The Hilltop | 1943 | Douglas Dundas | | | |
| McElhone Stairs | 1944 | Sali Herman | | | |
| Old Grain Stores, Greenaugh, W. A. | 1945 | Douglas Watson | | | |
| January Weather | 1946 | Lance Solomon | | | |
| Sofala | 1947 | Russell Drysdale | oil on canvas on hardboard | 71.7 × 93.1 | Art Gallery of New South Wales |
| Storm Approaching Wangi | 1948 | William Dobell | oil on cardboard on composition board | 32.5 × 55.5 | |
| Two Rivers | 1949 | George Lawrence | | | |
| The Harbour from McMahon's Point | 1950 | Lloyd Rees | | | |
| Never Never Creek, Gleniffer | 1951 | Charles Meere | | | |
| Summer at Kanmantoo | 1952 | Charles Bush | | | |
| The River Bend | 1953 | Lance Solomon | | | |
| Cooktown | 1954 | Arthur Evan Reed | | | |
| Townsville Waterfront | 1955 | Charles Bush | | | |
| The Chicory Kiln, Phillip Island | 1956 | L. Scott Pendlebury | | | |
| Constitution Dock, Hobart | 1957 | L. Scott Pendlebury | | | |
| The Cliff | 1958 | Ronald Steuart | | | |
| Harbour Cruise | 1959 | Reinis Zusters | | | |
| Dairy Farm, Victoria | 1960 | John Perceval | | | |
| Landscape, Hill End | 1961 | David Strachan | | | |
| The Devil's Bridge, Rottnest | 1962 | Sali Herman | | | |
| Sandhills on the Darling | 1963 | Sam Fullbrook | | | |
| Trees in a Landscape | 1964 | Sam Fullbrook (joint winner) | | | |
| Landscape | 1964 | David Strachan (joint winner) | | | |
| The Red House | 1965 | Sali Herman | | | |
| Upwey Landscape V | 1966 | Fred Williams | | | |
| Ravenswood I | 1967 | Sali Herman | | | |
| Road to Whistlewood | 1968 | L. Scott Pendlebury | | | |
| The Chasing Bird Landscape | 1969 | John Olsen | | | |
| Redfern, Southern Portal | 1970 | Frederic Henry Bates | | | |
| Karri Country | 1971 | Margaret Woodward | | | |
| Falling Bark | 1972 | Eric Smith | | | |
| Dry Landscape | 1973 | Clem Millward | | | |
| Redfern Landscape | 1974 | Eric Smith | | | |
| Murchison Sand Plain | 1975 | Robert Juniper | | | |
| Mt Kosciusko | 1976 | Fred Williams | | | |
| The Jacaranda Tree (On Sydney Harbour) | 1977 | Brett Whiteley | | | |
| Summer at Carcoar | 1978 | Brett Whiteley | | | |
| Flood Creek | 1979 | Robert Juniper | | | |
| A Waterfall (Strath Creek) | 1980 | William Delafield Cook | | | |
| Hills of Ravensdale | 1981 | David Voight | | | |
| Morning on the Derwent | 1982 | Lloyd Rees | | | |
| Life Along the Coast | 1983 | David Rankin | | | |
| The South Coast After Rain | 1984 | Brett Whiteley | | | |
| The Road to Clarendon, Autumn | 1985 | John Olsen | | | |
| Torso | 1986 | Rosemary Madigan | | | |
| Landscape Painting II | 1987 | Ian Bettinson | | | |
| Fire and Drought near Old Junee | 1988 | Elwyn Lynn | | | |
| Landscape Painting IV | 1989 | Ian Bettinson | | | |
| The Rainforest | 1990 | William Robinson | | | |
| Maschera Femina | 1991–92 | Peter Schipperheyn | | | |
| Open Cut | 1993 | George Gittoes | | | |
| Waratahs Wedderburn Series | 1994 | Suzanne Archer | | | |
| Season of Drought | 1995 | David Aspden | | | |
| Creation Landscape Earth and Sea | 1996 | William Robinson | | | |
| Nandi Moon | 1997 | John Peart | | | |
| Yellow Sound | 1998 | Ann Thomson | | | |
| Leaves | 1999 | Gloria Tammere Petyarre | | | |
| Thong Totems | 2000 | John Dahlsen | | | |
| Piatra | 2001 | Aida Tomescu | | | |
| Remembering Rain | 2002 | Angus Nivison | | | |
| Seated Figure | 2003 | Tim Kyle | | | |
| Untitled | 2004 | George Ward Tjungurrayi | | | |
| The Road to Utopia | 2005 | Jenny Sages | | | |
| The Gap | 2006 | John Beard | | | |
| Winter Nocturne IV | 2007 | Philip Wolfhagen | | | |
| The River is Calm | 2008 | Joanne Currie Nalingu | | | |
| The Amorphous Ones (The Vast Colony of Our Being) | 2009 | Lionel Bawden | | | |
| Proposal for Landscaped Cosmos | 2010 | Sam Leach | oil and resin on wood | 30 × 30 | |
| Co-Isolated Slave | 2011 | Richard J. Goodwin | | | |
| Waterfall (After Williams) | 2012 | Imants Tillers | | | |
| Namatjira | 2013 | Imants Tillers | | | |
| Oceania High Low | 2014 | Michael Johnson | | | |
| Biophilia | 2015 | Natasha Bieniek | | | |
| Seven Sisters | 2016 | Ken Family Collaborative | | | |
| Antara | 2017 | Betty Kuntiwa Pumani | acrylic on linen |
250 x 200 |
|
| Untitled | 2018 | Yukultji Napangati | acrylic on linen | 244.5 x 183 | |
| Seven sisters | 2019 | Sylvia Ken | acrylic on linen | 200 x 240 | |
| Tjoritja | 2020 | Hubert Pareroultja | acrylic on canvas | 183 x 244 | |
|
Garak – night sky |
2021 |
Nyapanyapa Yunupingu |
earth pigments on board |
244.2 x 244.2 |
|
|
Eora |
2022 |
Nicholas Hardling |
oil on linen |
196.5 x 374.8 |
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