Winston Foster OD,^[1][2] (1956^[3] or 15 January 1959^[4]) better known by the stage name Yellowman and also known as King Yellowman, is a Jamaican reggae and dancehall deejay. He first became popular in Jamaica in the 1980s, rising to prominence with a series of singles that established his reputation.

Yellowman is considered to be one of the genre's pioneers^[5] and has been credited with "almost single-handedly [creating] the coarse, crude and fearlessly direct sound of today's dancehall."^[6] Spearheading the first generation of dancehall deejays, he brought the genre to an international audience.^[4]

Winston Foster was abandoned by his parents and grew up in the Maxfield Children's Home and the Catholic orphanage Alpha Boys School in Kingston, the latter known for its musical alumni.^[7] He was shunned due to having albinism, which was not typically socially accepted in Jamaica.^[1][8] In the late 1970s Yellowman first gained wide attention when he finished second to Nadine Sutherland in the 1978 Tastee Talent Contest,^[1] a competition he would go on to win in the following year's edition, launching his professional career.^[3] Like many Jamaican deejays, he honed his talents by frequently performing at outdoor sound-system dances, prominently with Aces International.^[1][9] He had success as a recording artist, working with producer Henry "Junjo" Lawes during the early 1980s.^[1] In 1981, after becoming popular throughout Jamaica, Yellowman became the first dancehall artist to be signed to a major American label (Columbia Records).^[10]

His first studio album release was in 1982 entitled Mister Yellowman followed by Zungguzungguguzungguzeng in 1983 earning instant success. Yellowman's sexually explicit lyrics in popular songs such as "Mad Over Me", boasting, like other reggae singers/deejays, of his sexual prowess, earned Yellowman criticism in the mid-1980s.^[11] In response he has proclaimed: "I never know why they call it slackness. I talk about sex, but it's just what happens behind closed doors. What I talk is reality."^[12]

During his time at Aces, Yellowman would often perform at live shows with Vernon "Fathead" Rainford, whom which he would collaborate in some studio releases over the following years. Overall, the 1980s were Yellowman's most productive decade, going on to release around twenty albums under different labels, such as Mister Yellowman, Duppy or Gunman, Bad Boy Skanking, Zungguzungguguzungguzeng, among others.^[3]

Yellowman appeared in Jamaican Dancehall Volcano Hi-power 1983 which featured other major dancehall musicians such as Massive Dread, Josey Wales, Burro Banton and Eek-A-Mouse.^[11] His 1984 release and debut under the Columbia label proper, Mister Yellowman, was met with negative reception and proved a commercial failure. Yellowman was persuaded to incorporate elements from rhythm and blues and disco which did not please international dancehall fans. Ultimately, CBS dropped Yellowman, who returned to his classic riddims and slackness, and his career quickly recovered.^[13]

He had success in 1987 with a version of "Blueberry Hill", that topped the charts for several weeks in Jamaica. Yellowman had met Fats Domino when the American performed on the island earlier in the decade, and Domino had presented him with a copy of his version.^[14]

By the mid-1990s, Yellowman released socially conscious material, rising to international fame along with singers such as Buju Banton. Yellowman became the island's most popular deejay. During the early 1980s, Yellowman had over 40 singles and produced up to five albums per year.^[11]

Foster re-invented himself with his 1994 album Prayer, which stepped away from the slackness that gave him his initial fame in favour of a more religious theme as a way to thank God for his success in music as well as in surviving cancer.^[15] His latest albums are New York (2003), Round 1 (2005), and No More War (2019). Yellowman was also a featured guest vocalist on the Run-DMC track "Roots Rap Reggae".^[16] Yellowman continues to perform internationally with his Sagittarius Band, and has toured through places such as Nigeria where he retains a following of fans, as well as Spain, Peru, Sweden, Italy, Germany, Britain, France, Kenya, the United States and Canada. He also featured on OPM's 2004 album, Forthemasses.^{[citation needed]}

Yellowman was nominated for the Grammy Award for Best Reggae Album in two occasions; in 1985 for King Yellowman, and in 1998 for Freedom of Speech.^[17] He was the first dancehall artist to be nominated for this category.

In 2018, it was announced that he would be awarded the Order of Distinction (Officer Class) by the Jamaican government.^[1]

Yellowman and his wife Rosie have been together since the very beginning of his musical career. Together, they have raised multiple children.^[4]

Yellowman is a fan of the NBA and attended some games in the mid-1980s. He named one of his sons after Kareem Abdul-Jabbar.^[18]

Foster's daughter Kareema followed him into a career in music,^[19] and has collaborated with her father in live shows and studio productions.^[20]

The instrumental for Yellowman's 1982 "Zungguzungguguzungguzeng", the "Diseases" riddim by "Junjo" Lawes, has been sampled and imitated repeatedly since its original release. The original version of this riddim was performed by Alton Ellis for a song called "Mad, Mad, Mad" produced by Coxsone Dodd in 1967. Coxsone Dodd had already released two dub cuts, "Talking Dub" and "Lusaka", plus a 1980 cut by Jennifer Lara, "Hurt So Good." This riddim came to be known as the 'Diseases' riddim after Michigan and Smiley recorded their song, Diseases, with Henry Junjo Lawes in 1981.

"Zungguzungguguzungguzeng" was remade by Beenie Man and released on 3 July 2020. Yellowman said of the release, "I wish somebody else did do Zungguzungguguzungguzeng, maybe Shaggy or Sean Paul….Me nuh even hear it."^[24]

The vocal melody of "Zungguzungguguzungguzeng" has also been sampled heavily in various reggae and hip hop songs.

Timeline:^[25]

• Bonehead, "Zungguzungguguzungguzeng" (see also, Live at Aces version, w/ Fathead) (1982)
• Sister Nancy, "Coward of the Country" (1982)
• Frankie Paul, "Alesha" (1984)
• Toyan, "Hot Bubble Gum" (1984)
• Cocoa Tea, "I Lost My Sonia" (1985)
• Super Cat, "Boops" (1985)
• BDP, "Remix For P Is Free" (1987)
• BDP, "Tcha Tcha" (1988)
• Nice & Smooth, "Nice & Smooth" (1989)
• Nice & Smooth, "Dope on a Rope" (1989)
• K7, "Zunga Zeng" (1993)
• KRS-One, "P Is Still Free" (1993)
• Us3, "I Got It Goin' On" (1993)
• Buju Banton, "Big It Up" (1993)
• Ninjaman, "Funeral Again" (1994)
• Bounty Killer, "Kill Or Be Killed" (1994)
• Sublime, "Greatest Hits" (1994)
• Just My Imagination w/Sista Sensi (2013)
• Frosty the Dopeman w/Sista Sensi
• Buju Banton, "Man a Look Yu" (1995)
• Junior M.A.F.I.A. (feat. The Notorious B.I.G.), "Player's Anthem" (1995)
• Sublime, "Roots of Creation" (1995)
• 2Pac, "Hit 'Em Up" (1996)
• Black Star, "Definition" (1998)
• Mr. Notty, "Sentencia de Muerte" (1998)
• Dead Prez, "It's Bigger than Hip-Hop" (2000)
• Beenie Man, featuring Wyclef Jean, "Love Me Now" (2000)
• Nejo, track 14 (DJ Joe's Fatal Fantasy 1)(2001)
• Joe Budden, "Pump It Up" (2003)
• Tego Calderón, "Bonsai" (2003)
• Jin, "Learn Chinese" (2004)
• Vybz Kartel, "Tight Pussy Gyal" (2004)
• Josey Wales, "Leggo Mi Hand" (2005)
• P.O.D., featuring Matisyahu, "Roots in Stereo" (2006)
• White Rappers, "One Night Stand" (2007)