The Yevsektsiya remained fairly isolated from both the Jewish intelligentsia and working class.[4] The sections were staffed mostly by Jewish ex-members of the Bund, which eventually joined the Soviet Communist Party as the Kombund in 1921,[3] and the United Jewish Socialist Workers Party.[6]
Former elements of the Bund and Faraynigte were historically hostile to Zionism. As they later joined Yevsektsiya, they deemed Russian Zionist organisations to be counter-revolutionary, and critiqued them. Delegates to a Zionist congress in March 1919 complained about administrative harassment of their activities - not from government agencies, but from Jewish communists.[6] At the Yevsektsiya's second conference in July 1919, it demanded that the Zionist organizations be dissolved.[6] After an appeal from the Zionists, the All-Russian Central Executive Committee issued a decree in that the Zionist organisation was not counter-revolutionary and its activities should not be disrupted.[4] The campaign continued, however. In 1920, the first All-Russian Zionist Congress was disrupted by members of the Cheka and a female representative of the Yevsektsiya.[7] At its third conference in July 1921, the Yevsektsiya demanded the "total liquidation" of Zionism.[6]
According to Richard Pipes, "in time, every Jewish cultural and social organization came under assault".[3] The section in Rostov-on-Don persecuted local Jewish leaders, both Zionist and religious, and especially the sixth Chabad rebbe Yosef Yitzchak Schneersohn[8]
The Yevsektsiya attempted to use its influence to cut off state funds to Habima Theatre, branding it counter-revolutionary.[4] The theatre left Russia to go on tour in 1926, before settling in Mandatory Palestine in 1928 to become Israel's national theatre.