Inspiration from Philidor's show

Robert probably attended one of Paul Philidor's Phantasmagorie shows in Paris in 1792 or 1793. In 1790 in Vienna, Philidor had turned the fake séance ghost projections of charlatans into his pioneering phantasmagoria spectacle that allowed larger audiences to watch a safe but scary show. He probably profited from a strong light source, but especially revolutionized the concept of ghost-raising by claiming he used scientific and optical art to reveal how charlatans duped gullible audiences. After performing in Paris for about half a year, Philidor left and was not heard of again in France (although he took his show to other European cities).

With his understanding of optics, Robert would have had relatively little problem figuring out how Philidor's ghosts were created with the magic lantern. Years later, his further technological prowess was combined with his skills in painting and showmanship, in developing his own pre-cinema horror show.^[1] He evidently felt safe from any possible claims from Philidor and only slightly altered the spelling of the title that Philidor had introduced in Paris.

Fantoscope

Robert read the works of 17th-century scholar Athanasius Kircher and was particularly interested in the magic lantern. He created his own version of the device with several improvements, adding adjustable lenses and a moveable carriage system that would allow the operator to change the size of the projected image. He also made it possible to project several different images at once using more than one painted glass slider. The resultant display had a very ghostly effect, especially when in a smoky atmosphere. Through this the operator had the ability to manipulate images projected from an unseen location.^[4] In 1799, after further refining the system, he received a patent for his "magic lantern on wheels", naming it the Fantoscope.

Shows

I am only satisfied if my spectators, shivering and shuddering, raise their hands or cover their eyes out of fear of ghosts and devils dashing towards them

— Étienne-Gaspard Robert^[3]

Robert developed a phantasmagoria show based around his projection system and the use of other effects and techniques. Robert scripted scenes that involved actors and ventriloquism alongside his projections, creating a convincing impression of the appearance of ghosts.^[5] Robert used several projection devices in a variety of ways, including rear projection and projection onto large pieces of wax-coated gauze (giving the image a more translucent appearance).^[2] He also used smoke and mirrors to further disguise the mechanisms behind his show. His painting skills allowed him to create accurate depictions of famous French heroes such as Jean-Paul Marat, Voltaire, and Jean-Jacques Rousseau.^[1][3]

Robert appeared at the Pavillon de l'Echiquier on 23 January 1798 and performed his first show.^[1] His charisma and the never-before-seen visual effects left the audience convinced that they had seen real ghosts, with many left terrified by the performance.

After being investigated by the authorities, Robert's show was shut down in Paris. He moved to Bordeaux and continued to perform, before returning to Paris a few weeks later. It was during this trip to Bordeaux that Robert first experience balloon flight as a passenger – an experience that would have a massive influence on his life. On his return to Paris Robert discovered that two of his former assistants had continued the performances without him. He refined his show, making it more elaborate and inventive and started performing in a more permanent location from 3 January 1799.^[1] The Gothic surroundings of the crumbling Convent des Capucines near the Place Vendôme gave Robert the ideal eerie home for his show.^[5]

The shows began with the audience being shown optical illusions and trompe-l'œil effects on their way to the showroom. Inside the candlelit room the audience would be seated as audio effects emulate the sound of wind and thunder and an unseen glass harmonica plays unsettling music. Robert would then enter the room and start a monologue about death and the afterlife. He then began the show in earnest, creating smoky mix of sulphuric acid and aqua fortis before projecting his ghostly apparitions.^[3][4]

The shows were performed at the Convent des Capucines for four years,^[1] and Robert went on to take the show around the world, visiting Russia, Spain, and the United States among others.^[5] During his travels he dedicated a lot of his time to ballooning.^[1]