The story begins with Odysseas encountering police officers on a train as he returns home, only to be expelled due to his prior incarceration. During his journey back, he encounters a group of homeless individuals, known as Koligoi, seeking passage across a river that demarcates the boundary of his father's property. Hindered by obstacles created by his brother's men and a destroyed bridge, the homeless are prevented from crossing until Odysseas intervenes, facilitating their passage. At a church service atop the Meteora rocks, reminiscent of the biblical tale of the prodigal son, Odysseas reunites with his father amidst celebrations on the estate.
Nevertheless, tensions arise when Rigas, Odysseas' younger brother and manager of the estate, opposes the festivities for the former prisoner. Rigas manipulates the Koligoi into forced labour agreements, drawing objections from the teacher Marinos Antipas. Confrontations escalate, resulting in violence and the establishment of a makeshift refugee camp.
As the narrative unfolds, various secondary storylines emerge, including the evasion of Rigas' men by a Koligo woman and Irini's resistance against Rigas' advances. Amidst these conflicts, Odysseas becomes embroiled in a complex web of betrayal and vengeance, culminating in a dramatic confrontation on the Meteora rocks.
The resolution of the film portrays Odysseas advocating for justice and unity, symbolized by his decision to allocate his land to the homeless, echoing the sentiment expressed by Eleftherios Venizelos that "Slaves could not free slaves."