Main

• Jim Howick as Paul Jessop, Sam and Amy's uncool father, and Rachel's husband
• Katherine Parkinson as Rachel Jessop, Sam and Amy's neurotic mother, Robin's sister, and Paul's wife
• Alison Steadman as Sue Jessop, Paul's jovial mother
• Tom Basden as Robin, Rachel's downtrodden brother
• Tori Allen-Martin as Cherry, Robin's vain fiancée
• Freya Parks as Amy Jessop, Paul and Rachel's sardonic daughter, Sam's sister, and Maya's girlfriend
• Mica Ricketts as Maya, Amy's girlfriend
• Jack Christou (2020) and Jude Collie (2022–) as Sam Jessop, Paul and Rachel's stoic son, Amy's brother and the cameraman

Recurring and guest

• Ed Kear as Dean, Robin's surly mate
• Katy Wix as Kim Sinclair, a classmate of Rachel's from school (season 1 episode 2)
• Mark Williams as Frank, a local painter with a conceited attitude towards his art (season 1 episode 3)
• Tim Key as Ray, a former Olympic teammate of Paul's (season 1 episode 4)
• Vincent Riotta as Alf, Sue's new boyfriend who's unenthusiastic about how she treats their relationship (season 1 episode 5)
• Camille Ucan as Diane, an estate agent suspicious of Paul's undercover activities (season 1 episode 5)
• Ninette Finch as Bren, a reticent friend of Sue's (season 1 episode 5)
• Mark Cox as a policeman (season 1 episode 6)
• Gia Hunter as Leah, a potential love interest of Sam (season 1 episode 6)

Series 1 (2022)

Series 2 (2024)

Series 3

A third series of seven episodes will air from an unknown date.

Pandemonium

The show's pilot, Pandemonium, was confirmed as part of the announcement of the BBC's 2020 Christmas slate of programming in November 2020,^[15][16] having been commissioned earlier that autumn.^[17]

The pilot was shot over six days, and involved finding crew that were experienced in dealing with COVID precautions, which producer Tom Jordan admitted was initially difficult due to the amount of productions that were restarting at the time of filming; he said that a crew "who had worked on Covid-safe sets before was very helpful indeed as the masks and social distancing was second nature to them". Cast and crew were subject to a 'coloured band system', with different colour bands assigned to different members to ascribe how stringent COVID testing and precautions they should be subjected to. Cast and crew "wore masks at all times" and had their temperatures checked each day by COVID supervisors.^[17]

The show being filmed from the perspective of the Jessops' teenage son, Sam, and his handheld camera, meant that the scene at the end of the pilot involving the crashing of the family's car off a cliff onto the beach below would only have one take available, and "required incredibly detailed planning for weeks before". Director Ella Jones said this way of filming was something the crew "wanted to embrace", but had to balance the "home-video look" with ensuring it worked well with "comedic timing", and the expectations of the "broad BBC1 audience" meaning the show needed to be "both distinctive but also accessible". This meant "second camera perspective[s]" were added into the narrative at some points that were not as restrictive to what the audience saw, with the aim overall for "choreographed chaos" to "create something that felt amateur and spontaneous, thus enabling our audience to believe the home video conceit but not be distracted by it".^[17]

Here We Go

The pilot's commission to series was announced in November 2021.^[18] Basden explained that the premise of the series was inspired by his grandfather filming their family holidays as a child, and the "videos were often very funny by accident", and that he "liked the idea of a family talking to the camera and being aware that they were being filmed as it puts them under even more pressure to project positivity while everything is going wrong around them". He said that he had "wanted to write a sitcom about a family going on holiday for some time, as I think there's something really funny and high stakes about people under pressure to have a good time together, and the stress and anger this tends to produce instead".^[18]

The show's production team won an award at the Broadcast Tech Innovation Awards in 2022, with the Excellence in Audio Post-Production (Scripted) being awarded to Joe Cochrane and Elliot Bowell of Splice, who did post-production for Here We Go.^[19]

The second series was due to air in late 2023 but was pushed to early 2024.^[7][8]

Viewership

The first series averaged 1.4 million viewers on the night of broadcast, rising to 1.7 million with on-demand viewership.^[20]

Critical reception

Flora Carr reviewing on behalf of the Radio Times called the pilot episode "a lockdown comedy special with gallows humour" and gave it three stars out of five,^[21] while Ed Cumming for The Independent called it "a valiant effort at exploring our current predicament" and gave it four out of five stars.^[22]

Rachel Sigee, reviewing for the i gave series four out of five stars.^[23] Benji Wilson for The Daily Telegraph rated the series five stars out of five.^[24]

Broadcast's Miriam McHugh said the show was "a criminally underrated gem" that "didn't get the credit due when it was released, but is an entertaining entrant to the mockumentary canon".^[25]