List_of_claims_for_restitution_for_Nazi-looted_art

List of claims for restitution for Nazi-looted art

List of claims for restitution for Nazi-looted art

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The list of restitution claims for art looted by the Nazis or as a result of Nazi persecution is organized by the country in which the paintings were located when the return was requested.

Australia and New Zealand

More information Illustration, Artist and artworks ...

Croatia

More information Illustration, Artist and artworks ...

Sweden

More information Illustration, Artist and artworks ...

Austria

More information Illustration, Artist and artworks ...

Belgium

More information Illustration, Artist and artworks ...

Germany

More information Illustration, Artist and artworks ...

Canada

More information Illustration, Artist and artworks ...

The Netherlands

More information Illustration, Artist and artworks ...

Spain

More information Illustration, Artist and artworks ...

United States

More information Illustration, Artist and artworks ...

France

More information Illustration, Artist and artworks ...

Great Britain

More information Illustration, Artist and artworks ...

Hungary

More information Illustration, Artist and artworks ...

Ireland

More information Illustration, Artist and artworks ...

Israel

More information Illustration, Artist and artworks ...

Italy

More information Illustration, Artist and artworks ...

Japan

More information Illustration, Artist and artworks ...

Liechtenstein

More information Illustration, Artist and artworks ...

Czech Republic

More information Illustration, Artist and artworks ...

Switzerland

More information Illustration, Artist and artworks ...

Poland

Jan van Goyen's 1638 painting "Huts on a Canal," Jacques Goudstikker

Request for information to the Gdansk Museum[323][324]

Poland refuses restitution[324]
"A Boy, in Profile, Singing, in a Feigned Oval" by Pieter de Grebber Abe Gutnajer[325] Anonymous Latvian owner negotiated deal between the current Latvian owner and Gutnajer's descendants in 2008[325]
81 works seized in the Netherlands by the Nazis or their agents most likely ended up in occupied Poland the Origins Unknown Agency, a Dutch organization that investigates cases of looted art, was commissioned by the Conference on Jewish Material Claims Against Germany, to investigate art looted from Dutch Jews that ended up in Poland[323]

Reports Austria (Provenance Research and Restitution in the Austrian Federal Collections

Annual Reports Dutch Restitution Committee

Recommendations Dutch Restitution Committee


Notes and references

  1. "Lost Art Internet Database - Jüdische Sammler und Kunsthändler (Opfer nationalsozialistischer Verfolgung und Enteignung) - Gentili di Giuseppe, Frederico". www.lostart.de. Retrieved 13 June 2021.
  2. "Resolved Stolen Art Claims" (PDF). Herrick,Feinstein. 1 January 2015. Retrieved 28 December 2019.
  3. Cuthbertson, Debbie (29 May 2014). "NGV to return painting to heirs of owner threatened by Nazis". The Sydney Morning Herald. Retrieved 17 March 2021.
  4. "Gallery under fire over Nazi loot". www.abc.net.au. 8 July 2007. Retrieved 16 March 2021.
  5. "Claim on gallery's 'Nazi-loot' art". www.lootedart.com. The Australian. Retrieved 19 March 2021.
  6. "The stolen art that found its way home". The Independent. 23 October 2011. Retrieved 9 February 2021.
  7. "The stolen art that found its way home". The Independent. 13 November 1999. Retrieved 24 November 2019.
  8. Chechi, Alessandro (13 March 2014). The Settlement of International Cultural Heritage Disputes. OUP Oxford. p. 400. ISBN 978-0-19-100908-2. Retrieved 24 November 2019.
  9. Hickley, Catherine (22 September 2023). "Croatian Museums Return Art Looted During Holocaust to Jewish Heir". The New York Times. ISSN 0362-4331. Retrieved 14 February 2024.
  10. "In apparent first, Croatia restores looted art to grandson of Holocaust victim". Times of Israel. The artworks returned include paintings by André Derain, "Still Life With a Bottle," and Maurice de Vlaminick's "Landscape by the Water," which were held by the National Museum of Modern Art, and lithographs from the Croatian Academy of Sciences and Arts by Pablo Picasso, Pierre-Auguste Renoir, Paul Cézanne and Pierre Bonnard.
  11. "Nazi Victim's Heirs Urge Sweden to Settle 7-Year Art Dispute". www.lootedart.com. Retrieved 17 August 2023.
  12. "Swedish museum settles dispute on Nazi-looted art". www.lootedart.com. Retrieved 17 August 2023.
  13. "New Restitution Claim Emerges in Sweden". www.lootedart.com. Retrieved 17 August 2023.
  14. "Family given hope over art the Nazis stole". www.thejc.com. Retrieved 11 February 2024. The heirs of Jenny Steiner have been battling for years for the return of Häuser am Meer, by the 20th-century impressionist Egon Schiele. Estimated to be worth £10m, it was taken after Mrs Steiner and her family fled Vienna in 1938.
  15. "Vienna museum settles in looted painting case". Reuters. 14 June 2012. Retrieved 16 November 2021.
  16. "PROVENANCE RESEARCH AT THE LENTOS KUNSTMUSEUM LINZ Interim Report October 2019" (PDF). 2009 Gustav Klimt, Damenbildnis (Portrait Ria Munk III), 1917/18 Oil on canvas, 180.7 x 89.9 cm Restituted to the rightful heirs of Aranka Munk The portrait of the daughter of Viennese industrialists Alexander and Aranka Munk, Ria, who committed suicide at the age of 24 in 1911, was kept by her mother in the Munks' villa in Bad Aussee. In 1941, Aranka Munk was deported to Łódź, where she was subsequently murdered. After Aranka's deportation the portrait was unaccounted for. The circumstances under which it was acquired by Wolfgang Gurlitt, who sold it to the City of Linz in 1956, are likewise unclear. The City of Linz fully acknowledged that Aranka Munk was a victim of Nazi persecution and restituted the painting to her heirs in 2009.
  17. "Rückgabebeirat: "Vier Bäume" von Egon Schiele wird restituiert | kurier.at". 23 January 2021. Archived from the original on 23 January 2021. Retrieved 11 February 2024.
  18. ttrenkler (6 March 2020). "Rückgabebeirat: "Vier Bäume" von Egon Schiele wird restituiert". kurier.at (in German). Retrieved 17 November 2021.[permanent dead link]
  19. "Heirs to Auction Nazi-Looted Art from Albertina". Artnet News. 9 September 2014. Archived from the original on 4 December 2019. Retrieved 18 May 2021. OTS reported in March that Adele Pächter, who was Jewish, was persecuted by the Nazis and was forced to dispose of her deceased husband's collection. Hermann Pächter had died in 1902. She was able to bring the collection to auction in 1940 via her son in law, under extreme pressure. In 1943, she was murdered at the Theresienstadt concentration camp.
  20. "Heirs to Auction Nazi-Looted Art from Albertina". Artnet News. 9 September 2014. Archived from the original on 4 December 2019. Retrieved 18 May 2021. The artwork to be sold at Villa Grisebach is Adolph von Menzel's gouache on paper Stehende Rüstungen (1886). It is estimated to fetch €100,000–150,000 at the auction this fall. The piece had been on display in Vienna's Albertina museum until research conducted by the Austrian government's Art Restitution Advisory Board determined that Adele Pächter "was forced to sell works" during the time of National Socialism in Germany. Florian Illies, a partner at Villa Grisebach, revealed to the Art Newspaper that the research conducted by the Austrian Art Restitution board also discovered other works by von Menzel that the Pächter family had to sell during Nazi regime.
  21. "PROVENANCE RESEARCH AT THE LENTOS KUNSTMUSEUM LINZ Interim Report October 2019" (PDF). Archived (PDF) from the original on 11 May 2021. 2015 Emil Nolde, Maienwiese (Maiwiese), 1915 Oil on canvas, 48 x 79 cm Restituted to the rightful heirs of Otto Siegfried Julius. Until September 1938, the painting was part of the collection of the Hamburg urologist Otto Siegfried Julius, who in 1938 fled from racist persecution first to Switzerland and then, in 1939, to the United States. Julius's Hamburg housekeeper tried to ship the priceless collection to Switzerland, but none of the works actually arrived in that country. In November 1953, the City of Linz acquired Emil Nolde's landscape Maienwiese from the Salzburg gallerist Friedrich Welz. How Welz came by the Nolde is unclear. On the recommendation of Austria's Art Restitution Board the City Council decided in favour of restitution in 2015.
  22. "PROVENANCE RESEARCH AT THE LENTOS KUNSTMUSEUM LINZ Interim Report 2019" (PDF). Archived (PDF) from the original on 11 May 2021. 1999. Lesser Ury, Die Näherin, 1883. Oil on canvas, 52 x 42.5 cm. Restituted to the rightful heirs of Fritz Loewenthal. Loewenthal's father-in-law William Bennigson was compelled to leave this painting and many other works of art in Berlin prior to his deportation and entrusted them to Wolfgang Gurlitt. In the presence of a witness Gurlitt then gave an undertaking to either return these works of art or to make full payment for them. As early as July 1950, Fritz Loewenthal, who had emigrated to Israel, contacted Wolfgang Gurlitt asking him, among other things, about the whereabouts of the Lesser Ury painting. Gurlitt refused to return the painting. In 1999, the City of Linz formally acknowledged that the Loewenthals had been persecuted and that the sale of the painting had taken place under duress. The painting was restituted
  23. "PROVENANCE RESEARCH AT THE LENTOS KUNSTMUSEUM LINZ Interim Report October 2019" (PDF). Acquired from Wolfgang Gurlitt in 1953–56, all six Romakos were part until 1938/39 of the collection of Oskar Reichel, a medical doctor in Vienna. The fact that as a victim of racist persecution Reichel was forced to sell up under duress after the Anschluss only became known to the City of Linz in the course of systematic provenance research. The paintings were restituted to the Reichels' legal successor. Today they are on display at the LENTOS on permanent loan.
  24. "Austrian gallery ordered to return Nazi-stolen Romako works". www.lootedart.com. Retrieved 11 February 2024. Vienna's Albertina art gallery was told Tuesday to return six works by Anton Romako to the descendants of Jewish art collector Oskar Reichel, whose collection was stolen by the Nazis.
  25. "Decisions » PROVENANCE RESEARCH AND RESTITUTION IN THE AUSTRIAN FEDERAL COLLECTIONS". 16 November 2021. Archived from the original on 16 November 2021. Retrieved 17 November 2021.
  26. Shapreau, Carla J. "Austrian Marshall Plan Foundation Report, 2014 The Vienna Archives: Musical Expropriations During the Nazi Era and 21st Century Ramifications" (PDF). Oscar Bondy was one of Vienna's most important art collectors and he also had a fine musical manuscript and instrument collection. After the Anschluss, the contents of Bondy's home was confiscated and the cultural items were divided up between several institutions.
  27. Austrian Restitution Advisory Committee (5 November 2021). "Oscar Bondy Austrian Restitution Advisory Committee 2021-11-05" (PDF). provenienzforschung.gv.at.
  28. "Decisions » Kommission für Provenienzforschung". 18 January 2021. Archived from the original on 18 January 2021. Retrieved 16 November 2021.
  29. Dobrzynski, Judith H. (23 September 1999). "U.S. Warrant Halts the Return of a Schiele to Austria". The New York Times. ISSN 0362-4331. Retrieved 11 February 2024.
  30. Bohlen, Celestine (27 April 2002). "Judge Revives Case Of Nazi-Looted Art". The New York Times. ISSN 0362-4331. Retrieved 11 February 2024. In an opinion issued two weeks ago, Judge Michael B. Mukasey ruled that the painting, which had come to New York from a private Austrian museum, was stolen property and that a trial should be held to determine which of two competing claimants is the rightful owner.
  31. Kennedy, Randy (20 July 2010). "Leopold Museum to Pay $19 Million for Painting Seized by Nazis". ArtsBeat. Retrieved 11 February 2024.
  32. "8. Beiratssitzung vom 27. Oktober 1999". provenienzforschung.gv.at (in German). Retrieved 16 November 2021.
  33. "Kommission für Provenienzforschung - Ergebnisse | Restitutionsberichte". 11 February 2008. Archived from the original on 11 February 2008. Retrieved 16 November 2021.
  34. Blenkinsop, Philip (10 February 2022). "Belgium museum returns painting to Jewish family after 71 years". Reuters. Retrieved 14 February 2022. BRUSSELS, Feb 10 (Reuters) - Belgium's leading art museum has returned a painting it held for 71 years to the great-grandchildren of a Jewish couple whose property was looted by the Nazis after they fled on the eve of World War Two. The family's Berlin-based law firm approached the Royal Museums of Fine Arts of Belgium in Brussels more than five years ago and on Thursday, after a briefing signing ceremony, workers took down the painting and wheeled it off to be packed. "Altogether the family is looking for 30 artworks," said lawyer Imke Gielen. "This is the first that has been really identified because unfortunately we have no images of the missing paintings."
  35. "Belgium returns painting looted by Nazis to Jewish family". The Brussels Times. Archived from the original on 14 February 2022. Retrieved 14 February 2022.
  36. Selvin, Claire (29 April 2021). "Düsseldorf Committee Votes to Return Franz Marc Painting to Former Owner's Heirs". ARTnews.com. Retrieved 14 February 2022. Kurt Grawi bought the painting in 1928. His businesses and properties were seized by the Nazi Party in 1935, and in 1938, he was imprisoned at the Sachsenhausen concentration camp in Germany for several weeks. He wrote in a 1939 letter that he would use the funds from the sale of the work to flee Germany, via Belgium, for Chile.
  37. "Stadt Düsseldorf gibt 14-Mio-Gemälde zurück an Erben". www.lootedart.com. Retrieved 26 January 2022.
  38. Greenberger, Alex (9 July 2021). "German City's Restitution of Franz Marc Painting Comes to a Standstill". ARTnews.com. Retrieved 26 January 2022.
  39. "(#8) Wilhelm Leibl". Sothebys.com. Retrieved 11 February 2024. Provenance. Deutscher Kunst-Verein (1898). Oscar Rothschild (acquired in the. Deutscher Kunst-Verein tombola on 29 November 1898). Dr Alexander Lewin, Berlin and Guben (co-owner and director of the Berlin-Gubener Hutfabrik AG). Expropriated from the above under the National Socialist regime. Deutsches Reich for the planned Hitler museum in Linz (by 1938). Central Collecting Point, Munich (by 1945). Bundesrepublik Deutschland (on loan to the Kunsthalle Bremen since 1966). Restituted to the heirs of Alexander Lewin (2009)
  40. "Recommendation of the Advisory Commission for the Return of Cultural Property Seized as a Result of Nazi Persecution" (PDF). Archived from the original (PDF) on 13 April 2021. Retrieved 14 April 2021. This case concerned the painting "Bauernmädchen ohne Hut mit weißem Halstuch" ('Peasant Girl without a Hat and with a White Headcloth') (1897) by Wilhelm Leibl. The Advisory Commission recommended that the German Federal Government return the piece to the heirs of Dr Alexander Lewin. The recommendation is based on the following facts: Dr Alexander Lewin (1879 – 1942) was the Chairman of the Board of Management at the hat manufacturer Berlin-Gubener Hutfabrik AG until 1938. His comprehensive art collection included Leibl's 'Peasant Girl'. In summer 1938, Dr Lewin emigrated to Switzerland as a result of persecution, having been identified as a so-called 'Jewish Mischling (half-breed) of the first degree'. At the beginning of September 1938, Dr Lewin left the Board of Management at Berlin-Gubener Hutfabrik AG and in early March 1939, he gave notification that he would not be returning to Germany, which led to him being denied access to his entire estate as a result of a so-called 'security order' issued on 10th March 1939. On 4th August 1941, the German Reichsminister of the Interior deprived Dr Lewin of his German citizenship. His property was seized from him. The painting 'Peasant Girl' had come into Dr Lewin's possession at 1930 at the latest. In May 1938, the commission agent Litthauer from Berlin tried to sell the piece to Galerie Heinemann in Munich at Lewin's request, but the gallery did not buy the painting. By spring 1939 at the latest, the painting ended up in the hands of the German Reich, namely in the "Fuehrerbau", Adolf Hitler's office building in Munich, where the artwork for the planned "Fuehrer Museum" for Hitler in Linz, Austria, was being gathered.
  41. "HCPO Gallery: Dr. Arthur Feldmann - biography". Department of Financial Services. Archived from the original on 11 May 2021. Retrieved 13 June 2021. The Feldmann Collection included Old Master of the German, Italian, Dutch, Flemish, and French Schools from the 15th to the 18th Centuries. His collection was well known internationally throughout the art world. Drawings from his collection were published in the most important and renowned art periodicals and written about by important and renowned art historians both before and after the war. On the day the Nazis entered Brno, March 15, 1939, the Gestapo confiscated Dr. Feldmann's villa, which contained amongst other possessions his valuable collection of drawings. Dr. Feldmann and his wife had to flee the villa within a couple of hours of the occupation. Shortly afterwards, Feldmann was arrested by the Gestapo, imprisoned and tortured at the infamous Špilberk prison and consequently died of a heart attack in March 1941. He was 64 at the time of his death.
  42. "SMB-digital | Selbstbildnis mit gelbem Hut". www.smb-digital.de. Retrieved 26 January 2022. Provenienz – 5.6.1887 bis 1907 Nachlaß Marées (von Adolf von Hildebrand in San Francesco di Paolo bei Florenz aufgefunden) – Sammlung Adolf von Hildebrand, München/Florenz – bis 1935 Sammlung Max Silberberg, Breslau – 23.3.1935 Kunstauktion Paul Graupe, Berlin – 1935 bis 1999 Nationalgalerie, Berlin (Kauf) – 1999 bis 2002 Greta Silberberg, Erbin von Max Silberberg, Leicester (England) (Restitution)
  43. Berman, Lazar. "Why is a German museum hanging a Nazi-looted painting backward?". The Times of Israel. Retrieved 14 February 2022. The Nazis pressured Silberberg to sell his impressive art collection– which included Monet, Renoir, Degas, and Van Gogh — at an auction in Berlin in 1934. He and his wife were sent to a concentration camp in 1941, and were ultimately murdered in Auschwitz.
  44. "Heirs of Jewish Art Collectors Pursue Works Sold in Nazi Era". www.lootedart.com. Retrieved 11 February 2024.
  45. "Bildnis Max John | Städtische Museen Freiburg". onlinesammlung.freiburg.de (in German). Retrieved 11 February 2024.
  46. "Provenance research on Otto Dix's "Portrait of Max John", 1920 | Kulturgutverluste". kulturgutverluste.de. 31 May 2009. Retrieved 11 February 2024.
  47. "Heirs of Jewish art dealer sue German state for return of Nazi-looted artwork". The Times of Israel. JTA. Archived from the original on 7 December 2016. Retrieved 6 February 2022. Alfred Flechtheim was forced to leave paintings by Max Beckmann, Juan Gris and Paul Klee when he fled Berlin in May 1933
  48. Elbaor, Caroline (7 December 2016). "Bavaria Sued in New York Over Contested Paintings". Artnet News. Archived from the original on 8 December 2016. Retrieved 6 February 2022.
  49. "Nazi looted art cases remain unsolved mysteries | DW | 20.06.2013". Deutsche Welle. Archived from the original on 2 July 2015. Retrieved 6 February 2022. A prominent Oskar Kokoschka painting stolen by the Nazis is now to be returned to its rightful owners.
  50. "Nazi looted art cases remain unsolved mysteries | Arts | DW.COM | 20.06.2013". DW (Deutsche Welle). 2 July 2015. Archived from the original on 2 July 2015. Retrieved 6 February 2022. On Monday June 17, 2013, the city authorities in Cologne announced that the painting would be returned to the family of Jewish art dealer Alfred Flechtheim, the former owner of the work. The return of the painting follows advice issued by a specialist arbitration committee and marks the end of four years of legal wrangling.
  51. Sontheimer, Michael (5 July 2012). "Flechtheim Heirs Wage Restitution Battle with German Museums". Der Spiegel. ISSN 2195-1349. Retrieved 11 February 2024.
  52. "KVDB - Startseite - Vorbereitung zum Weinlesefest". kunstverwaltung.bund.de. Retrieved 9 June 2021.
  53. "Lost Art Internet Database - Search". www.lostart.de. Retrieved 9 June 2021.
  54. "Three paintings seized by Nazis to be reclaimed for London eyesight charity". jewishnews.timesofisrael.com. Retrieved 9 June 2021.
  55. "KVDB - Startseite - Das gutmütige Kind [Der Bettler]". kunstverwaltung.bund.de. Retrieved 9 June 2021.
  56. "Ferdinand Georg Waldmüller - 19th Century Paintings 2021/06/07 - Realized price: EUR 296,100 - Dorotheum". www.dorotheum.com. Retrieved 11 February 2024. Provenance: Oscar Löwenstein Collection (1868–1942), Vienna/London; Thence by descent to his widow Irma Löwenstein (1890–1975), Vienna/London; 1938 Forced sale to Maria Almas Dietrich, Munich; Führermuseum Linz, inv. no. 100; 1945 Central Collecting Point, Munich, inv. no. 8593; 1949 Regional Finance Office, Berlin; On loan from the Federal Republic of Germany to the German Historical Museum, Berlin and the Von der Heydt Museum, Wuppertal.2019 Restitution to the heirs of Oscar and Irma Löwenstein. The painting is being sold for the benefit of the "sight loss charity" of the Vision Foundation, UK.
  57. "KVDB - Startseite - Besuch der Großeltern". kunstverwaltung.bund.de. Retrieved 9 June 2021. Bis zum Jahre 1938 befand sich das Gemälde im Eigentum von Irma Löwenstein (1892–?), geb. Samec, Wien.[2] Sie erwarb es höchstwahrscheinlich im Jahre 1934 als Schenkung ihres Ehemannes Oscar Löwenstein (1868–vermutlich 1955),[3] dem Gründer und Herausgeber der Tageszeitung „Neues Wiener Journal".[4]
  58. "Art treasure looted by Nazis finally returned to family". The Guardian. 14 March 2000. Archived from the original on 24 August 2013. Retrieved 9 June 2021. After decades of the family being told by the German authorities that they had no case in law, because their claim was lodged too late, it took just 10 weeks to resolve the case.
  59. "Looted Art Commission - The Glanville Case". www.lootedartcommission.com. Archived from the original on 9 June 2021. Retrieved 9 June 2021.
  60. "Staatsgalerie Stuttgart (State Gallery Stuttgart)". www.lootedart.com. Archived from the original on 25 November 2010. Retrieved 22 May 2021. Museum Staatsgalerie Stuttgart (State Gallery Stuttgart). Research into Nazi-confiscated works of art in the museum's collection. In 2000 the painting Marchesa Imperiale mit Tochter (Marchesa Imperiale with her daughter) by Rubens in the museum's collection was claimed by a French legal firm on behalf of the community of heirs of Jacob and Rosa Oppenheimer. The museum had purchased the painting in 1964 from a private collector. Research by the museum confirmed that the collector had bought it at an auction at Berlin dealer Paul Graupe on 26/27 April 1935. The auction was a forced sale of the works of Berlin art firms Galerie Van Diemen & Co./GmbH, Altkunst und Antiquitäten/GmbH and Dr. Otto Burchard & Co GmbH.
  61. "PROPERTY FROM THE HEIRS OF HEINRICH RIEGER. Egon Schiele. Kauernder weiblicher Akt (Crouching Female Nude)". sothebys. Heinrich Rieger, Vienna (acquired before 1938) . Walter Geyerhahn, Rio de Janeiro (until 1965). Marianne Feilchenfeldt, Zurich (acquired from the above through Christian M. Nebehay, Vienna). Wallraf-Richartz Museum, Cologne (acquired from the above through the Freunde des Wallraf-Richartz-Museums in July 1966). Museum Ludwig, Cologne (transferred from the above in 1976). Restituted to the present owner in 2021
  62. "The art of restitution". The Jerusalem Post. 14 February 2008. Retrieved 16 March 2021.
  63. Voss, Julia. "Rechtsstreit um Picasso: Der längere Hebel". FAZ.NET (in German). ISSN 0174-4909. Retrieved 29 March 2021.
  64. "Pablo Picasso painting sought by descendants of Jewish banker". Los Angeles Times. 1 April 2013. Retrieved 29 March 2021.
  65. Hickley, Catherine (8 June 2021). "Was This Picasso Lost Because of the Nazis? Heirs and Bavaria Disagree". The New York Times. ISSN 0362-4331. Archived from the original on 9 June 2021. Retrieved 9 June 2021.
  66. "Mahler-Werfel restitution case revived, and put on hold". www.theartnewspaper.com. 30 September 1999. Retrieved 30 March 2021.
  67. Riding, Alan (9 November 2006). "After 60 Years, Austria Will Return a Munch Work to a Mahler Heir". The New York Times. ISSN 0362-4331. Retrieved 30 March 2021.
  68. Collett-White, Mike (9 November 2006). "Mahler heir celebrates return of Munch painting". Reuters. Archived from the original on 30 March 2021. Retrieved 30 March 2021.
  69. "Family gets back looted Munch masterpiece after 53-year battle". The Guardian. 9 November 2006. Archived from the original on 30 August 2013. Retrieved 30 March 2021.
  70. "Panel urges return of Hitler's Bellotto paintings to heirs of Jewish retail magnate". www.theartnewspaper.com. 27 March 2019. Retrieved 17 March 2021.
  71. Baier, Uta (22 December 2005). "Restitution: Wem gehört der Zwingergraben?". Die Welt (in German). Retrieved 24 November 2019.
  72. "National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs". www.nga.gov. Retrieved 17 January 2022. The National Gallery of Art has returned a drawing in its collection, A Branch with Shriveled Leaves (1817) by 19th-century German artist Julius Schnorr von Carolsfeld, to the heirs of Dr. Marianne Schmidl (1890–1942). As a result of compelling new biographical information on Dr. Schmidl and documentation provided by her heirs, the Gallery has concluded the known 1939 sale of the drawing was a direct result of the persecution by the Nazis of Dr. Schmidl, the owner of the drawing
  73. [dead link], 27 November 2010
  74. SPIEGEL, Erich Wiedemann, DER (11 April 2006). "Nazi-Era Profiteering: Holland Returns Art Stolen from a Jewish Collector". Der Spiegel. Retrieved 30 January 2021.{{cite news}}: CS1 maint: multiple names: authors list (link)
  75. Homola, Victor (17 January 2005). "Arts, Briefly; German Panel Recommends Return of Looted Art (Published 2005)". The New York Times. ISSN 0362-4331. Retrieved 30 January 2021.
  76. "HCPO Gallery: The Ismar Littman Collection". Department of Financial Services. Archived from the original on 7 April 2016. Retrieved 17 March 2021.
  77. "German Lost Art Foundation - News - Oetker art collection restitutes Nazi-confiscated property". www.kulturgutverluste.de. Retrieved 3 April 2021. Leo Bendel, a Polish tobacco dealer, lived with his wife Else Bendel (née Golze) in Berlin and Vienna until he lost his job in 1935 due to his Jewish faith and shortly thereafter gave up his residence in Berlin. He sold the painting to Galerie Heinemann in Munich in 1937. In 1938, Leo Bendel gave up his Polish citizenship and he and his wife converted to Catholicism. Nevertheless, in September 1939 he was arrested by the Nazis in Vienna and deported to Buchenwald concentration camp, where he was murdered in March 1940. His non-Jewish wife survived.
  78. "FBI New York Art Crime Team Returns Vases Stolen During Nazi Rule in Germany — FBI". www.fbi.gov. FBI. Retrieved 17 March 2021. Harry and Lucie Mayer Fuld lived in Germany in the 1930s. Mr. Fuld died in 1932. The Nazis took power in 1933, seizing Lucie's bank accounts and placing an exit tax on her if she left the country. She fled Germany in 1939 with only a few of her possessions, leaving behind her home and much of the artwork in it. In July 1940, an auction house in Berlin listed for sale items from the Fuld's estate. The Nazi government determined proceeds from the auction satisfied the exit tax they put on Lucie
  79. "Rosenberg Heirs' Claim to Gurlitt Matisse Stalled". Artnet News. 24 February 2015. Retrieved 17 March 2021.
  80. "FERDINAND GEORG WALDMÜLLER (VIENNA 1793-1865 HINTERBRÜHL)". www.christies.com. Archived from the original on 1 May 2021. Retrieved 1 May 2021. Dr. Hermann Eissler (1860-1953), Vienna, by 1930. Banned from export under the Nazi regime and held in the apartment of the above, 29 October 1938. Berta Morelli (1893 – 1975), Vienna, by December 1938, acquired as a gift from her father, Dr Hermann Eissler. Purchased by Maria Almas Dietrich, Munich, together with two other paintings by Waldmüller from the above and Hortense Eissler for Reich Chancellery in May 1939. Reich Chancellery, by whom acquired from the above as part of the collection for the planned Linz Museum (Linz no. 734). Recovered by the Monuments, Fine Arts and Archives Section for the Salt Mines, Alt Aussee (no. 6442), and transferred to the Central Collecting Point, Munich, 22 October 1945 (MCCP no. 11228). with Galerie Nathan, Zurich. Transferred into the custody of the Bavarian Ministerpräsident, December 1948, thereafter into the custody of the German federal government, June 1949. On loan from the above to the Staatliche Kunsthalle Karlsruhe, 1966 (inv. no. Lg 755). Restituted to the heirs of Dr Herman Eissler in 2020.
  81. "KVDB - Startseite - Der Altausseer See gegen den Dachstein [Der Dachstein von Alt-Aussee gesehen]". kunstverwaltung.bund.de. Archived from the original on 18 May 2021. Retrieved 18 May 2021.
  82. "Emmanuelle Polack". www.lhistoire.fr (in French). Retrieved 12 December 2020.[permanent dead link]
  83. Gunnar Schnabel, Monika Tatzkow : Nazi Looted Art. Handbuch. Kunstrestitution weltweit, page 441 et suivantes.
  84. Gunnar Schnabel, Monika Tatzkow : Nazi Looted Art. Handbuch. Kunstrestitution weltweit, page 439 et suivantes.
  85. "Paintings stolen by Nazis still hang in Canadian galleries. Paltry government funding is hampering efforts to identify and return them". www.lootedart.com. Archived from the original on 24 November 2015. Retrieved 25 April 2021. In the late 1990s, the National Gallery of Canada discovered that Édouard Vuillard's The Salon of Madame Aron (1904, reworked in 1934), which it had purchased in 1956, belonged to the Lindon family in France. The gallery contacted the descendant who, surprisingly, insisted that the artwork had never belonged to his family. The NGC maintained that the evidence was incontrovertible and encouraged the Lindon family to make a claim, which it finally did in 2003. The gallery returned the work in 2006.
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  206. GAUTHIER, Nicole. "Strasbourg tient à "son Klimt"". Libération (in French). Retrieved 20 March 2021.
  207. Gunnar Schnabel, Monika Tatzkow : Nazi Looted Art. Handbuch. Kunstrestitution weltweit, page 351 et suivantes.
  208. Gunnar Schnabel, Monika Tatzkow : Nazi Looted Art. Handbuch. Kunstrestitution weltweit, S. 343 ff.
  209. Gunnar Schnabel, Monika Tatzkow : Nazi Looted Art. Handbuch. Kunstrestitution weltweit, page 398 et suivantes.
  210. "REDISCOVERED MASTERPIECE" (PDF). Christies. the Grünwald collection, including Wilted Sunflowers (Autumn Sun II), was confiscated in Strasbourg, where it had been placed in storage by Grünwald and sold at auction in 1942. Karl Grünwald escaped the war, but spent most of his life searching relentlessly for his collection. He only had limited success until he passed away in November 1964, when his family continued this pursuit. Karl Grünwald had four children, Hannah, Frederic, Lena and François Grünwald. Tragically Karl's wife Steffany and their daughter Lena died in a concentration camp.
  211. Gunnar Schnabel, Monika Tatzkow : Nazi Looted Art. Handbuch. Kunstrestitution weltweit, page 496
  212. "Family reunited with Schiele masterpiece stolen 60 years ago by Nazis". The Independent. 20 October 2011. Archived from the original on 18 September 2009. Retrieved 20 March 2021.
  213. Art Cult: Italian Paintings in the Louvre Museum claimed back 26 November 2010; Gunnar Schnabel, Monika Tatzkow : Nazi Looted Art. Handbuch. Kunstrestitution weltweit, page 350 et suivantes.
  214. "Spoliation nazie : 7 œuvres d'art volées à Paris sous l'Occupation restituées aux ayants droit". Connaissance des Arts (in French). 2 December 2020. Retrieved 17 March 2021.
  215. "Trois tableaux d'André Derain restitués à une famille juive spoliée". La Croix (in French). 30 September 2020. ISSN 0242-6056. Retrieved 3 December 2020.
  216. "de Csepel v. Republic of Hungary". harvardlawreview.org. Retrieved 16 March 2021.
  217. Gibbons, Erin. "The Hunt Controversy: A Shadow Report" (PDF). Centre Simon Wiesenthal. Archived (PDF) from the original on 9 November 2013.
  218. "Sotheby's to auction a masterpiece by Camille Pissarro". www.theartwolf.com. Retrieved 17 March 2021. Max Silberberg, a Jewish industrialist based in Breslau, who assembled one of the finest pre-war collections of 19th and 20th Century art in Germany. Forced by the Nazis to sell his entire collection, he later died in the Holocaust.
  219. "After Circuitous Journey, Painting Lost to Nazis Finds a Home in Isra…". archive.is. 17 March 2021. Archived from the original on 17 March 2021. Retrieved 17 March 2021.
  220. Lawless, Jill. "Restituted Pissarro painting sells for $32m in London". The Times of Israel. Retrieved 17 March 2021.
  221. "A Renaissance Painting Seized by the Nazis Is Rediscovered | Barnebys Magazine". Barnebys.com. 26 August 2020. Retrieved 23 December 2021. when Arens passed away, the painting was inherited by his eldest daughter Ann and her husband Friedrich Unger. And from here begins the mystery. Two years later, the entire collection of the Arens family was seized by the Nazi authorities and then returned under the payment of a ransom.
  222. Gyr, Marcel (31 October 2012). "Bührle-Stiftung mit neuer Forderung konfrontiert". Neue Zürcher Zeitung (in Swiss High German). ISSN 0376-6829. Retrieved 12 February 2024.
  223. Hickley, Catherine (11 October 2021). "A Nazi Legacy Haunts a Museum's New Galleries". The New York Times. ISSN 0362-4331. Retrieved 12 February 2024. According to Gloor, the foundation faces no "substantive" outstanding restitution claims. But Juan Carlos Emden would beg to differ. He has been trying for almost a decade to recover Monet's Poppy Field Near Vétheuil (around 1879), which once belonged to his grandfather, Max Emden, a Jewish department-store owner who lost much of his wealth as a result of Nazi persecution.
  224. "Un Monet met la Fondation Bührle sous pression - Le Temps" (in French). 1 November 2012. ISSN 1423-3967. Retrieved 12 February 2024.
  225. "An arms dealer casts a shadow over Kunsthaus Zurich". The Art Newspaper - International art news and events. 27 January 2021. Retrieved 12 February 2024.
  226. "Nazi art: righting the wrongs. - Free Online Library". www.thefreelibrary.com. Archived from the original on 14 January 2022. Retrieved 14 January 2022.
  227. "St. Gallens verschämter "Hodler"". NZZ. Simon Frick wollte nie auf das Ansinnen der Erbin Gerta Silberberg eintreten, vermögensrechtliche Fragen zu klären. Heute stehen sich die Frick-Stiftung und der Gerta Silberberg Discretionary Trust, vertreten durch das Berliner Anwaltsbüro «von Trott zu Solz Lammek», gegenüber.
  228. "Masterpiece to Stay in St. Gallen: An Agreement is Reached on Ferdinand Hodler's "Thunersee mit Stockhornkette"". www.lootedart.com. Retrieved 11 February 2024. Ferdinand Hodler's famous painting "Thunersee mit Stockhornkette" (Lake Thun with Stockhorn Chain) (around 1913) will remain on public display at Kunstmuseum St. Gallen thanks to a long-anticipated agreement with the Simon und Charlotte Frick Foundation. Frick, the former State Councillor of St. Gallen, and his wife acquired the painting at auction at Galerie Kornfeld in Bern in 1985. At the time, the auction catalog erroneously documented a flawless Swiss provenance. Later, contrary to these claims, it was revealed that a previous owner of the painting had been the German Jewish collector Max Silberberg who, along with his wife Johanna, was murdered by the Nazis in 1942.
  229. "La Chaux-de-Fonds restitue une œuvre spoliée par le régime de Vichy". Le Temps (in French). 12 March 2018. ISSN 1423-3967. Archived from the original on 12 March 2018. Retrieved 14 January 2022.
  230. "'I've Regained a Part of My Family': Unusual Swiss Restitution Case Brings John Constable Painting Home to Heirs in France". www.lootedart.com. Retrieved 12 February 2024. On March 12, after a grueling decade-plus struggle from his home base outside Paris, Alain Monteagle recovered a painting by John Constable, Dedham from Langham (1813), that had been stolen in 1942 from his grandfather's aunt. "I've regained a part of my family," Monteagle said at an emotional ceremony at the Musée des Beaux-Arts in La Chaux-de-Fonds, Switzerland.
  231. "Son of El Lissitzky files for return of another war loot Kandinsky". The Art Newspaper - International art news and events. 31 August 2001. Retrieved 14 January 2022.
  232. swissinfo.ch, Michèle Laird, Traduction de l'anglais: Frédéric Burnand. "Les musées suisses face au pillage nazi". SWI swissinfo.ch (in French). Archived from the original on 5 August 2015. Retrieved 21 March 2021. Autre cas avec un tableau de Max Lieberman vendu par le collectionneur d'art Max Silberberg en 1934. Il a été établi que la vente a eu lieu sous la contrainte des nazis. Le Musée d'art de Coire, qui avait reçu en donation la peinture en 1992, a décidé en 2000 de la retourner à l'héritier de Max Silberberg.{{cite web}}: CS1 maint: multiple names: authors list (link)
  233. Certic, Miodrag Certic,Mia (17 May 2015). "A Swiss Merchant of Death's Nazi Friends and Suspicious Masterpieces". The Daily Beast. Retrieved 13 November 2021.{{cite news}}: CS1 maint: multiple names: authors list (link)
  234. "Kunsthaus-Eröffnung: Jüdische Vorbesitzer von Bührles Bildern - Künste im Gespräch - SRF". Schweizer Radio und Fernsehen (SRF) (in German). Retrieved 13 November 2021.
  235. Knöfel, Ulrike (17 September 2021). "Emil Bührle und seine Kunstsammlung: Das Erbe des Kanonenkönigs (S+)". Der Spiegel (in German). ISSN 2195-1349. Retrieved 13 November 2021.
  236. "Masterpieces marred by dubious past". nationthailand. 26 August 2015. Retrieved 13 November 2021.
  237. Knöfel, Ulrike (9 April 2009). "A Question of Morality: An End to Restitution of Nazi Looted Art?". Der Spiegel. ISSN 2195-1349. Retrieved 13 November 2021.
  238. Siegal, Nina (12 January 2020). "Poland Urged to Look for Nazi-Looted Art Still Held in Its Museums (Published 2020)". The New York Times. ISSN 0362-4331. Retrieved 17 March 2021.
  239. Grimsted, Patricia Kennedy (February 2020). "A Goudstikker van Goyen in Gdańsk: A Case Study of Nazi-Looted Art in Poland". International Journal of Cultural Property. 27 (1): 53–96. doi:10.1017/S0940739120000016. ISSN 0940-7391. S2CID 226132418.

Annexes

See also

Bibliography

  • Nazi looting : the plunder of Dutch Jewry during the Second World War, Gerard Aalders Oxford ; New York : Berg, ©2004.[1]
  • Robbing the Jews : the confiscation of Jewish property in the Holocaust, 1933-1945, Martin Dean, Cambridge : Cambridge University Press, dr. 2011.[2]
  • Le marche de l'art sous l'Occupation : 1940–1944, Emmanuelle Polack; Laurence Bertrand Dorleac, Paris : Tallandier, 2020[3]
  • Göring's man in Paris : the story of a Nazi art plunderer and his world, Jonathan Petropoulos, New Haven : Yale University Press, [2021][4]
  • (de)Thomas Armbruster, Rückerstattung der Nazi-Beute, die Suche, Bergung und Restitution von Kulturgütern durch die westlichen Alliierten nach dem Zweiten Weltkrieg, Zurich, de Gruyter, Berlin 2007, ISBN 978-3-89949-542-3, (Schriften zum Kulturgüterschutz), (et aussi Zurich, université, Dissertation, 2007)
  • (de)Ulf Häder, Beiträge öffentlicher Einrichtungen der Bundesrepublik Deutschland zum Umgang mit Kulturgütern aus ehemaligem jüdischen Besitz. Koordinierungsstelle für Kulturgutverluste, Magdebourg 2001, ISBN 3-00-008868-7, (Veröffentlichungen der Koordinierungsstelle für Kulturgutverluste 1).
  • (de)Jonathan Petropoulos, Kunstraub und Sammelwahn. Kunst und Politik im Dritten Reich. Propyläen, Berlin 1999, ISBN 3-549-05594-3.
  • (de)Alexandra Reininghaus, Recollecting. Raub und Restitution. Passagen-Verlag, Vienne 2008, ISBN 978-3-85165-887-3.
  • (de)Gunnar Schnabel, Monika Tatzkow, Nazi Looted Art. Handbuch Kunstrestitution weltweit. Proprietas-Verlag, Berlin 2007, ISBN 978-3-00-019368-2.

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