Lost_artworks

Lost artworks

Lost artworks

Piece of art that once existed


Lost artworks are original pieces of art that credible sources indicate once existed but that cannot be accounted for in museums or private collections or are known to have been destroyed deliberately or accidentally or neglected through ignorance and lack of connoisseurship.

Research and recovery efforts

The Art Loss Register is a commercial computerized international database which captures information about lost and stolen art, antiques and collectables. It is operated by a commercial company based in London.

In the U.S., the FBI maintains the National Stolen Art File, "a database of stolen art and cultural property. Stolen objects are submitted for entry to the NSAF by law enforcement agencies in the U.S. and abroad."[3]

A number of search and recovery efforts were created in response to major loss events, notably:

Chronology of notable loss events

List of Wikipedia articles on notable missing artworks

More information Artist and work, Creation date(s) (est.) ...

Chronology of notable find events

List of Wikipedia articles on notable finds

More information Artist and work, Creation date(s) (est.) ...

Lists of Wikipedia articles on notable destroyed artworks

More information Artist and work, Creation date(s) (est.) ...

See also

Notes

  1. Possibly
  2. Companion statue Adam survives.
  3. One of a series of five canvases
  4. One of four works commissioned
  5. One of two, the other was The Rape of the Sabine Women
  6. Summer survives, Spring was destroyed, and Winter is also missing.
  7. Summer survives, Spring was destroyed, and Autumn is also missing.
  8. Thought destroyed by the artist until 1999, when studies I and II resurfaced.
  9. Except for the arm found in 1906
  10. Taken to Rome by Fabius Maximus in 209 BCE
  11. May have been removed to the Palace of Lausus, which then burned in 475.
  12. Destroyed as a symbol of monarchy
  13. A replica stands where original once stood
  14. Commissioned by Galla Placidia
  15. Replaced with mosaics by Gaetano
  16. Uncovered in 1860
  17. By the workshop of Giovanni della Robbia
  18. In the Golden Chamber
  19. Executed about 1450 copying the artist's original designs
  20. Frescoes of the Assumption and Body of Saint Christopher detached in 1880 survive
  21. Possibly covered up by Raphael before painting the Stanze
  22. Damaged by damp and finally destroyed by fire in the early 19th century[36]
  23. Companion piece, The Raising of Lazarus (transferred to canvas) is in the V&A

References

Notes

  1. Houpt, Simon (2006). Museum of the Missing: The High Stakes of Art Crime. Key Porter Books. ISBN 978-1-86189-316-1.
  2. Calvin Tomkins, Duchamp: A Biography, Museum of Modern Art, 2014, p. 186 ISBN 0870708929
  3. "National Stolen Art File". fbi.gov. FBI. Retrieved 30 September 2016.
  4. Stockdale, James (1872). Annales Caermoelenses or Annals of Cartmel. London: Simpkin, Marshall & Company. pp. 425–429. Retrieved 6 June 2014. Annales Caermoelensis.
  5. Simpson, Elizabeth (1997). The Spoils of War--World War II and Its Aftermath: The Loss, Reappearance, and Recovery of Cultural Property. Harry N. Abrams, Inc., and The Bard Graduate Center. ISBN 0-8109-4469-3.
  6. Norris, Christopher (December 1952). "The Disaster at Flakturm Friedrichshain: a Chronicle and List of Paintings". The Burlington Magazine. XCIV (597).
  7. "Replacement of Art in Rio is Uncertain". Reading Eagle. AP. 14 Dec 1978. Retrieved 5 June 2014.
  8. "Tiziano / Rubens. Venus in front of a Mirror". Museo Nacional Thyssen-Bornemisza.
  9. Thompson, James (1992). "Nicolas Poussin". The Metropolitan Museum of Art Bulletin. 50 (3): 25. doi:10.2307/3259008. JSTOR 3259008.
  10. Djordjevic, Marija (13 September 2009). "Čileanski muzej krije odgovore". Retrieved 21 October 2013.
  11. Art Crimes, Art and Antiques Magazine, December 1998, p. 22.
  12. Jones, Jonathan (14 May 2014). "The first world war in German art: Otto Dix's first-hand visions of horror". The Guardian. Retrieved 14 May 2014.
  13. "Equal-Parallel: Guernica-Bengasi". Ministry of Education (Spain). Archived from the original on March 8, 2013. Retrieved February 16, 2012.
  14. Govan, Fiona (July 11, 2006). "Anyone seen our missing 38-ton sculpture?". The Daily Telegraph. Retrieved February 16, 2012.
  15. "Stuart Little leads art historian to long-lost Hungarian masterpiece". Guardian. Agence France-Presse in Budapest. 27 November 2014. Retrieved 27 November 2014.
  16. Kirchgaessner, Stephanie; Darroch, Gordon (2016-09-30). "Italian Camorra inquiry recovers Van Goghs 14 years after infamous heist". The Guardian. Retrieved 30 September 2016.
  17. Stapley-Brown, Victoria; Guillou, Francine (12 April 2016). "Expert claims painting uncovered in a Toulouse attic is by Caravaggio". The Art Newspaper. Archived from the original on 2016-04-28. Retrieved 13 April 2016.
  18. Lichfield, John (12 April 2016). "Caravaggio masterpiece worth £100m found in a sealed attic in Toulouse". Independent. Retrieved 13 April 2016.
  19. Louis Viardot, An Illustrated History of Painters of All Schools (1877), p. 42. Retrieved 8 June 2014.
  20. Sir George Francis Hill, Pisanello, 1905 pp.77-81. Retrieved 31 May 2016.
  21. Louis Viardot,An Illustrated History of Painters of All Schools (1877), p.52. Retrieved 8 June 2014.
  22. David G. Wilkins, "Donatello's Lost Dovizia for the Mercato Vecchio: Wealth and Charity as Florentine Civic Virtues," The Art Bulletin, vol.65, Issue 3 (1983),pp.401-23. Retrieved 21 January 2016.
  23. Laura A.Hibbard, "Erkenbald the Belgian: A Study in Medieval Exempla of Justice," Modern Philology, Vol.17, April 1920, pp. 672-74. Retrieved 17 August 2016.
  24. Giacchino Barbera, et al.,Antonello Da Messina Sicily's Renaissance Master (Metropolitan Museum of Art, 2005), p. 22. Retrieved 18 August 2016.
  25. Howard Jones & Ross Kilpatrick, "Cicero, Plutarch and Vincenzo Foppa. Rethinking the Medici Bank Fresco (London, The Wallace Collection, Inv. P538)," International Journal of the Classical Tradition Vol.13, No.3, Winter 2007, pp. 369-83. Retrieved 17 March 2016.
  26. F. Russell, "Towards a Reassessment of Perugino's Lost Fresco of the 'Adoration of the Magi' at San Giusto alle Mura" Burlington Magazine, Vol. cxvi (Nov. 1974), pp.646-52. Retrieved 17 August 2016.
  27. K. Phillips-Court,The Perfect Genre: Drama and Painting in Renaissance Italy (Ashgate Publishing Co., 2011) p. 158 and n. 51. Retrieved 18 August 2016.
  28. William E. Wallace, "The Bentivoglio Palace Lost and Reconstructed," The Sixteenth Century Journal, Vol.10, No.3 (Autumn 1979), pp.97-114. Retrieved 16 March 2016.
  29. Julia Mary Cartwright Ady,The Life and Art of Sandro Botticelli (London, Duckworth, 1904), pp. 117-20. Retrieved 17 August 2016.
  30. David Ekserdijan, Correggio (Yale University Press 1997), pp. 172, 175 and fig.195. Retrieved 17 August 2016.
  31. John Guy, A Daughter's Love: Thomas More and his Dearest Meg (Houghton Mifflin Harcourt 2009), p.172. Retrieved 18 August 2016.
  32. Gentleman's Magazine, November 1834 pp. 477-83. Retrieved 7 June 2014.
  33. John Pine,The Tapestry Hangings of the House of Lords... (1739). Retrieved 18 January 2016.
  34. James Hutton,A Hundred Years Ago, An Historical Sketch, 1755-56 (1857) p. 142. Retrieved 31 May 2016.
  35. John Smith, A catalogue raisonne of the works of the most eminent... (1830), p. 153. Retrieved 8 June 2014.
  36. The Annual Register, Or, A View of the History and Politics of the Year, 1861, pp. 18-19. Retrieved 7 June 2014.
  37. Albert J. Loomie, "A Lost Crucifixion by Rubens," The Burlington Magazine Vol. 138, No. 1124 (Nov. 1996). Retrieved 8 June 2014.
  38. "Rubens Work Is Burned," The New York Times (AP), June 14, 1985. Retrieved 31 May 2016.
  39. W. Pickering,The Gentleman's Magazine vol. 5 (1836), p.590. Retrieved 7 June 2014.
  40. Barnes, An Examination of Hunting Scenes by Peter Paul Rubens (2009), p.34. Retrieved 7 June 2014.
  41. Peter C. Sutton, et al., Drawn by the Brush: Oil Sketches by Peter Paul Rubens (Yale University Press,2004), p.144 and Fig.1. Retrieved 18 August 2016.
  42. Helmut Wohl, ed.,"Notes to Life of Peter Paul Rubens" p. 207 n. 25 in Giovan Pietro Bellori: The Lives of the Modern Painters ... Cambridge Univ. Press 2005. Retrieved 17 August 2016.
  43. Anne T. Woollett and Ariane Suchtelen,Rubens & Brueghel: A Working Friendship, (2006), p.94 and n.12. Retrieved 9 September 2016.
  44. Arthur K. Wheelock and Adele F. Seeff,The Public and Private in Dutch Culture of the Golden Age, University of Delaware Press (2000), p.224. Retrieved 9 September 2016.
  45. Edmund Burke, ed.,The Annual Register, (Rivington 1872), pp. 25-27. Retrieved 9 September 2016.
  46. C. P. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch ..., 1908, Vol. 1, p.14
  47. Susan Jaques,The Empress of Art: Catherine the Great and the Transformation of Russia, pp.89-90. Retrieved 11 May 2016.
  48. Charles-Nicolas Cochin, Voyage d'Italie... (Paris, 1758) v.1, pp.171-2. Retrieved 7 June 2014.
  49. R. Ward Bissell,Artemisia Gentileschi and the Authority of Art: Critical Reading and Catalogue Raisonne (Penn State Press 2000), pp.296-97. Retrieved 9 September 2016.
  50. "Guido Reni's Ariadne / Exhibitions – Musei Capitolini". museicapitolini.org. Retrieved June 7, 2014.
  51. Weinreb, Ben; Hibbert, Christopher (1992). The London Encyclopaedia (reprint ed.). Macmillan. p. 840.
  52. Louis Viardot, An Illustrated History of Painters of All Schools (1877), p. 404. Retrieved 27 July 2014.
  53. Tipping, H. Avray (1929). "Description of Coleshill House". David Nash Ford's Royal Berkshire History. Retrieved 8 October 2018.
  54. "Giambattista Tiepolo (Venice 1696–1770 Madrid)". Invaluable.com. Retrieved June 8, 2014.
  55. Michael Levey, Giambattista Tiepolo: His Life and Art (Yale University Press, 1994), pp. 55-56. Retrieved 4 August 2016.
  56. Irvin Eller, The history of Belvoir Castle, from the Norman Conquest ...(1841), pp.126-33. Retrieved 8 June 2014.
  57. "Davd Garrick". richmond.gov.uk. Archived from the original on 2016-02-05. Retrieved January 20, 2016.
  58. William Thomas Whitley, Thomas Gainsborough (1915), pp.331-32. Retrieved 7 June 2014.
  59. The London Illustrated News for March 7, 1874, p. 223. Retrieved 7 June 2014.
  60. A.T. Perkins, A sketch of the life and list of some of the works of John Singleton Copley(1873),p.44. Retrieved 7 June 2014.
  61. The Free Thought Magazine (1898) vol.16., p.30 (footnote). Retrieved 24 June 2014.
  62. Tinson, Emma (August 11, 2021). "Fiona Bruce 'gutted' over Fake or Fortune verdict 'That's a bit harsh!'". Express. Retrieved July 19, 2022.
  63. Andrew Carrington Shelton, Ingres and His Critics (2005), p.205. Retrieved 7 June 2014.
  64. F.A. Trapp, "An Early Photograph of a Lost Delacroix," Burlington Magazine, CVI, June 1964, pp. 266-69. Retrieved 7 June 2014.
  65. Charlotte Higgins, "Van Gogh expert sheds new light on lost sunflowers paintings," The Guardian, 4 September 2013. Retrieved 7 June 2014.
  66. "The Valley of the Olives". Retrieved January 28, 2016.
  67. Clarke, Basil F. L. (1966). Parish Churches of London. Batsford. p. 17.
  68. Betjeman, John. Kerr, Nigel (ed.). Sir John Betjeman's Guide to English Parish Churches (1993 ed.). HarperCollins. p. 359.
  69. "Fiery Peril in a Showcase of Modern Art". Life. 28 Apr 1958. pp. 53–56. Retrieved 14 May 2014.
  70. Quay, Sara E.; Damico, Amy M. (2010). September 11 in Popular Culture: A Guide: A Guide. United States of America: ABC-CLIO. p. 265. ISBN 978-0-313-35505-9.

Bibliography

Books

Journals

  • Norris, Christopher (December 1952). "The Disaster at Flakturm Friedrichshain: a Chronicle and List of Paintings". The Burlington Magazine. XCIV (597).

News


Share this article:

This article uses material from the Wikipedia article Lost_artworks, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.