The Prisoner is a 2009 six-part television miniseries based on the 1960s series. The series concerns a man who awakens in a mysterious, picturesque, but escape-proof village, and stars Jim Caviezel, Sir Ian McKellen, Ruth Wilson, and Hayley Atwell. It was co-produced by American cable channel AMC with British channel ITV, whose parent company holds the rights to the original series through ITV Studios. It received mixed reviews, with critics feeling that the remake was not as compelling as the original series.

The series begins with an unidentified man waking up in the middle of a desert and finding himself witness to the pursuit of an elderly man by mysterious guards. The old man dies soon after, but not before asking the younger man to "tell 'them' I got out."

Soon, he arrives in an enigmatic community, referred to by its many residents as simply "The Village". Everyone he meets is nameless, but known instead by a number; he is disconcertingly familiar to them, and learns his own number is "6". Everybody he meets appears ignorant of the outside world, and the contradictions this creates in some of their thoughts.

Number 6 also appears unable to remember his real name, and recalls only brief flashes of his former life in New York City. One recurring proto-memory is having met and seduced a mysterious woman in a diner - implicitly this happened very shortly before his awakening in The Village. He finds himself locked in a battle of wills against an individual called Number 2, who appears to be the Village's leader and who goes to great lengths to make Number 6 assimilate.

Number 6, meanwhile, tries to connect with "dreamers" — Village residents who, like him, have been experiencing dreamlike memories of their lives outside of the Village. Although distrusting of all villagers, he does befriend Number 147, a Village taxi driver, and Number 313, a doctor with whom he develops a romantic connection.

Number 2 invites Number 6 to spy on his fellow villagers under the tutelage of Number 909. Each man investigates the other and 2 investigates both - it appears as if all the villagers are spying on each other and privy to one another's foibles. Number 2's son, Number 11-12, is meeting secretly with 909, and feels compelled to cover up these interactions by literally stabbing him in the back.

As Number 6's memories return piecemeal, his former name (Michael) is revealed in apparent flashback, as are a series of encounters between him in New York and many of the villagers. It appears that Michael used to work for a secretive surveillance company, Summakor, from which he (like McGoohan's spy in the original series) had recently resigned.

Number 2 has a heavily-medicated wife, and a son - Number 11-12. His son also feels like a prisoner, and Number 6's influence leads him to question his own identity, sexuality and - prompted by 6's unwillingness to conform - even the reality of his existence. Michael's feelings about his casual liaison with the now-better-recalled Lucy prior to his awakening in the Village resurfaces when he is matched by a Village agency with his onsite soulmate, and she turns out to be the same woman. Lucy now calls herself Number 4-15, is blind and initially claims no memory of their previous encounter. Number 2 manipulates 313 into betraying 6's relationship by making her own feelings for him clear, even as mysterious sinkholes open up throughout the Village into which several inhabitants fall.

Number 6 and Number 2 engage in a psychological battle involving their doppelgangers, but their final showdown reveals their doubles to be unreal - either imagined or hallucinated, bringing 11-12's concerns about the very fabric of reality to the fore, and further his existential crisis.

The final episode sees Number 2 discuss Number 313's returning memories of being Sarah, an alleged mentally disturbed woman in Michael's reality. Heavy flashbacks detail Michael's meeting with his presumed superior, Mr. Curtis; Number 147 is his driver, and the two discuss brainwashing en route to Mr Curtis, the 'real' identity of Number 2. The time relationship of the memories is questioned - Number 6 tells Number 147 that their minds are being trapped while their bodies are elsewhere, suggesting myriad interpretations of the layers of reality.

Mr. Curtis introduces Michael to his wife, Helen Blake, who has been theorising about different levels of consciousness and whether it is possible to visit them, "tak[ing] with us all these broken people and let[ting] them fix themselves" in a situation focusing on the fundamentals of life. The Villagers are revealed to have been subjects of Michael, identified by his surveillance work.

The Village exists in Helen's mind, a precarious existence threatened when Number 11-12 - having previously adjusted his mother's medication - assists in her suicide-death. Number 6 appears to be dying, sealing his fate and inability to escape. His planned funeral, however, is replaced with that of 11-12, who takes his own life. As Number 2's fictional perfect family life - and Village - crumble, he expresses a desire to cede control to Number 6-Michael, inviting Number 147 to support 6 as 'the One' capable of bringing clarity and morality to the Village - "freedom within the prison."

Mr. Curtis praises Michael's integrity, as he identifies people - including 909 and 554 - who have been 'fixed' by the Village, further confusing the time frame of interactions and overlap between the parallel narratives. Number 2 explains to 6 that it is his fear of leaving that manifests as Rover (the odd white ball that acts as boundary-keeper to the Village environs).

Number 6 pleads with Number 2 to release the villagers before they succumb to the holes tearing apart the Village; instead, he reveals a version of the truth - that they are all prisoners - as Michael learns about Sarah, who also resisted the Village and sacrificed her sanity.

In New York, Michael agrees to help Curtis save Sarah; in the Village Number 147 leads the villagers to anoint Michael-6 as 'the one' to save it alongside Sarah-313, the dreamer capable of making the sacrifice to help him sustain the unreality and try to make a 'good Village'.

Each episode title in the series is one word taken from an episode title from the original programme.