Adrian (formerly known as Adrian - La serie evento and briefly as Adriano) is a 2019 Italian animated series created and written by singer Adriano Celentano.

Vincenzo Cerami oversaw the screenplay, comic artist Milo Manara developed the character design^[2] and Nicola Piovani wrote the original soundtrack. Along with Celentano, students of Holden School of Alessandro Baricco took part to the series.

It has been produced by Claudia Mori for Clan Celentano and its production lasted more than 10 years:^[3] announced in 2009 and initially destined for Sky, Adrian had been delayed several times due to contrasts between Clan Celentano and the production companies chosen for the realization of the cartoon, forcing Sky to reject the contract with Clan in 2012 because of the continuous delays.^[4][5] The project was then taken by Mediaset in 2015. The budget was about €28 million,^[6][7] and the cartoon was completed for Canale 5 in January 2019.^[8][9][10] Animations were made by thousands of animators in three continents (Asia, Africa and Europe) and they included more than 10,000 scenes.^[3]

26 episodes lasting about 22 minutes had been produced but then they had been edited in 9 episodes lasting about 55–70 minutes each, to be broadcast on prime time.^[11] Each episode had to be preceded by Aspettando Adrian, a live show from Teatro Camploy in Verona, with the presence of Celentano himself along with some famous Italian comedians. The broadcast of the first 4 episodes with that format occurred between 21 January and 4 February 2019; the series was then paused, officially because a sickness of Celentano^[12] but some critics argued also that the interruption was provoked by a severe audience flop,^[13][14] and it has continued since 7 November 2019 with a different live show.

Set in a futuristic and dystopian Milan of 2068, the story tells the adventures of Adrian, a clockmaker of Gluck Street who has a love story with Gilda and fights for the freedom against the homologation imposed by an authoritarian regime. The future Italy is nominally governed by a democracy, but it is actually ruled by a few corrupted politicians and mainly by the mafia member Dranghestein. With the help of some disciples and under various fake identities, Adrian would lead a revolt against the regime.

• Adrian: he is a smart and calm clockmaker who loves Gilda. During the series, he would assume several secret identities, like the Fox ("La Volpe") and Darian. He is voiced by Adriano Celentano.
• Gilda: she is the beautiful, sensual and brave fiancé of Adrian with a mysterious past. She is voiced by Emanuela Rossi.
• Anidride and Carbonica: two old sisters who are called "girls" by Adrian. Carbonica, the one with a purple headband, forgets everything while Anidride, the one with a yellow headband, is almost deaf. Wise but absent-minded, they console Adrian during difficult moments. They are voiced by Giuliana Nanni and Grazia Migneco.
• Orso and Carbone: two qualified police officers. They are respectively voiced by Pasquale Anselmo e Massimo Lodolo.
• Alto commissario: the chief of security whose only goal is to neutralize dissidents. He is voiced by Roberto Pedicini.
• Dranghestein: also known as "Il Dissanguatore" ("The Bleeder"), he is the ruthless owner of Mafia International. In order to achieve his purposes, he destroys the environment and imposes an authoritarian regime. He is voiced by Claudio Moneta.
• Johnny Silver: a narcissistic and whimsical rock-star. Initially envious and hostile to the clockmaker, he later becomes his loyal ally. He is voiced by Ruggero Andreozzi (speech) and Giuliano Sangiorgi (songs).
• Armand Letal: presenter of a popular talk show. He is voiced by Alessandro Maria D'Errico.
• Capo del governo ("The premier"): head of the Consiglio degli Anziani ("Council of the Elders") who is afraid only of Dranghestein. He is voiced by Marco Balzarotti.
• Marco: a 14 years old computer genius and great fan of the clockmaker, he is idealist, stubborn and rebel. He is voiced by Andrea Oldani.
• Oscar: main correspondent of the newspaper Verità Quotidiane, ("Daily Truths"), he is the only journalist who is truly critical of the leadership. He is voiced by Patrizio Prata.
• Narrator: voiced by Augusto Di Bono.

From the first to the fourth episode, the brief pre-show Aspettando Adrian (Waiting Adrian) was aired live from Teatro Camploy in Verona, starring Nino Frassica, Francesco Scali, Natalino Balasso and Giovanni Storti; Celentano was also present but only with his voice and fast appearances. From the fifth episode, aired on 7 November 2019, the show was renamed in Adrian Live - Questa è la storia... (Adrian Live - This is the story...) and partially rewritten, presented directly by Celentano along with various guests.

On 25 January 2019, the soundtrack was published on CD and Vinyl with a total of 23 tracks.

After the fourth episode, aired on 4 February 2019, the other two had to be aired on 12, 19 and 25 February and the last two on the next 4 and 5 March.

On 6 February, Mediaset and Clan Celentano announced that both Aspettando Adrian and the series would be interrupted for at least two weeks due to a "seasonal illness" of Adriano Celentano.^[25] However, after the planned two weeks, the show was not broadcast and it was delayed to autumn of the same year formally due to "health needs" of the singer^[26] but, according to some critics, also for the severe flop of audience.^[13][14] It was then announced that the cartoon would be aired together with an actual show of Celentano, more organized than the original Aspettando Adrian, in order to rise the audience.^[27]

During the presentation of the Mediaset schedules for the 2019–2020 season, CEO Pier Silvio Berlusconi confirmed the airing of the last episodes of Adrian in autumn, inside a live show with a greater participation of Celentano, and the cartoon was temporarily renamed as Adriano.^[28] The beginning of the broadcast was then planned for the 7 November 2019 on Canale 5^[29] with the original name, but the pre-show was renamed as Adrian Live - Questa è la storia....

The first episode of Aspettando Adrian had almost 6 millions of viewers and the 21,9% of share, while the cartoon had about 4,5 millions of viewers and the 19,1% of share,^[30] however destined to decrease in the following episodes.^[27] The series was criticized for various aspects, in particular for the poor pace of the show: Giorgio Simonelli on Il Fatto Quotidiano wrote:^[31]

It is a science-fiction story with the usual fight between good/beautiful and bad, dirty and ugly power. Despite a well drawn explicit erotism harmonious runs on bicycles, echoes of Metropolis and Blade Runner, frankly I did not give a damn of what was happening, just to mention him citing another.

— Giorgio Simonelli, Il Fatto Quotidiano

On la Repubblica, Alessandra Vitali wrote:^[32]

Much ado about nothing, it comes to say after Aspettando Adrian, perhaps then the audience enjoys the cartoon (Adrian) that a sense would have it too, if it was only for those signatures which appear on the headlines, from Manara to Piovani to Cerami, while portraits of a young Celentano with pectorals and lean mass and of a young Claudia Mori with enviable buttocks in the wind.

— Alessandra Vitali, la Repubblica

TV critic Aldo Grasso wrote on Corriere della Sera:^[33]

Celentano is too wallowed around himself to imagine a future. Also if in Adrian we are in 2068, also if a corrupted Power governs with deceit and homologation, also if the architecture is the classic one of each dystopian representation, the story is circular like a clock, self-referential: the clockmaker who saves the world.[...] As for the live prologue, before saving the world, appearances should be saved at least.

— Aldo Grasso, Corriere della Sera

Milo Manara himself, on a Facebook post, took distances from the cartoon, specifying that:^[34][35]

As all the people working in cinema and animation know, these drawings had to be used as a reference for the realization of the actual animations. I realize that some drawings of my storyboards had been included also in the final animation, despite they were not realized for this purpose, creating more confusion. Unfortunately, the decision to use them has not been mine and at the time I could not point out my strong perplexity about it.

— Milo Manara, Official Facebook Page

After first episodes, critics became more harsh: journalist Maurizio Costanzo firmly attacked the idea of Celentano stating that:^[36]

When you decide to create a programme based on an own work, you should be humble and not conceited and you should realize it in a correct way for TV, like Al Bano did and Celentano did not.

— Maurizio Costanzo, Libero Quotidiano

After the new broadcast of the programme in November 2019, critics has continued despite the struggles of Mediaset to rise the audience. On the Italian edition of Huffington Post, Luigi Crespi wrote:^[37]

This time, the anxiety of renewal has made him [Adriano] fall in error. The will to change at all costs, has made him lost his identity, his recognizability, his uniqueness. He has inflated himself, I hope for an error and not for choice, with a product so ballyhooed as repetitively rejected by the viewers. Despite he has involved the heavyweight of the nowadays TV, despite he has reduced the role of comic books and provided other modifications of the original format that has been a real flop.

— Luigi Crespi, Huffington Post

On the pages of Oggi, Don Backy was heavier in his affirmations:^[38]

Adrian's flop? I've been waiting for 50 years this moment. I was sure that he couldn't find some space in the audience. It perfectly follows the movie Joan Lui, of the ’80s. Even that was a bomb.

— Don Backy, Oggi

During its broadcast, the series had been the object of several controversies about some themes and the production in general:

• The series was criticized for the numerous erotic scenes showed in the first episode which was broadcast in prime time: the frequency of that kind of scenes was reduced in the following episodes.
• Numerous negative criticisms were provoked by the choice to include in the representation of the 2068 Naples, an enormous skyscraper identified as the headquarter of a company called "Mafia International", headed by the ruthless "Dranghestein" (a union of 'Ndrangheta and Frankenstein).^[39][40] That had been seen by various citizens as a stereotypical association of the Neapolitan city with clichés, reducing Naples to the "capital of organized crime".^[41] For that comparison, the association Noi Consumatori had announced a complaint against the broadcaster and Celentano.^[42] Moreover, the first episode ended about an hour before the planned end, forcing Mediaset to a rapid change of schedule.
• Other general criticisms were about a possible involving of the North Korean SEK Studio in the production of a series with a heavy libertarian nature:^[43] although the studio is not mentioned in the credits, it was evidenced that one of the reported production companies (the China Beijing New Century Wit Technologies^[44]) could have some links with North Korea.
• Various newspapers and journals had reported the audience outrage about the victim blaming showed in the second episode, where Adrian, dressed up as La Volpe, tells to two girls saved from a rape attempt that they should have drunk less in order to avoid an approach with disreputable guys.^[45][46] On 18 February 2019, showgirl Michelle Hunziker, in an interview on Leggo, explained why she had left the show due to a severe disorganization of the production, despite her admiration for Celentano, and she had united to the criticisms of victim blaming of the second episode.^[47][48]