Adrienne_Dore

Adrienne Dore

Adrienne Dore

American actress

Adrienne Dore (born Elizabeth Himmelsbach; May 22, 1907 – November 26, 1992)[3] was an American actress, model, and beauty pageant winner.[4][5] She was first runner-up in the Miss America 1925 pageant, competing as Miss Los Angeles. Dore went on to have a modest career in motion pictures before retiring in 1934.[6]

Quick Facts Born, Died ...

Early life

Adrienne Dore was born Elizabeth Himmelsbach in Coeur d'Alene, Idaho, to Louis Joseph Himmelsbach and Edith Estelle Kell. The family moved to Yakima and then Seattle, Washington, where she attended school at a convent. She performed in her first musical there at age three. Her education at Forrest Ridge Convent was in general studies but she focused on dancing and the theater.

Career

Dore in Theatre Magazine, January 1921

Dore moved to New York City, and pursued a career in acting under the name Adrienne Doré.[7] She was a singer in the musical revue "Elliott, Comstock, and Gest", performing at the Cocoanut Grove,[8] a nightclub located on the roof of the Century Theatre.[9] She competed in the Miss Los Angeles Beauty contest in 1925, winning, and went on to the Miss America pageant, placing second in the competition.[10] The contestants signed promissory contracts for film appearances with the Famous Players–Lasky Corporation upon winning; Dore's was with Universal Pictures for 5 years.[11]

Dore and Edmund Goulding photographed for a scene in Sally, Irene and Mary (1925)

Dore returned to Los Angeles where she began acting in uncredited roles in silent pictures and two reelers such as Johnny's Week End and Adam's Eve,[12] before moving on to full feature talkies.[13] First receiving top billing in minor pictures like Beyond London Lights (1928),[14][15] then continuing with minor roles alongside such stars as Clara Bow in The Wild Party (1929). In 1931, she obtained a contract with Warner Bros., and had supporting roles in Union Depot (1932) and The Rich Are Always with Us (1932) with Bette Davis.[16] She met and married independent or B film producer Burt Kelly,[17] who, along with Sam Bischoff and William Saal, headed KBS productions.[18][19] Dore's last role was in Undercover Men, a 1934 Kelly film.[20][21]

Later life

Dore and Kelly remained married until his death in 1983. Dore died at the age of 85 in Chippewa Falls, Wisconsin. She is buried without marker in Forest Hill Cemetery in Chippewa Falls, Wisconsin.[3]

Filmography

Dore as maid Kitty Carstairs on a lobby card for Beyond London Lights (1928)
More information Year, Film ...

References

  1. [1]
    Redmond, Jennifer Ann. Silents of the Vamps: Bad Girls You Don't Know - But Should. BearManor Media.
  2. [2]
    "Burt Kelly". Archived from the original on January 8, 2021.
  3. [3]
    Wilson, Scott (2016-08-17). Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed. McFarland. ISBN 9780786479924.
  4. [4]
    Mayne p.199
  5. [5]
    Weir, Hugh C. (Hugh Cosgro) (1932). The New Movie Magazine (Jul-Dec 1932). MBRS Library of Congress. Tower Magazines, inc.
  6. [6]
    "Adrienne Dore". A New Yorker State of Mind.
  7. [7]
    Theatre Magazine. Theatre Magazine Company. 1921.
  8. [8]
    "The Century Roof Opens Its Doors," New York Times (Jan. 20, 1917).
  9. [9]
    Dramatic Mirror of Motion Pictures and the Stage. Dramatic Mirror Company. 1918.
  10. [10]
    "Clipped From Asbury Park Press". Asbury Park Press. 1925-09-12. p. 5. Retrieved 2020-03-18.
  11. [11]
    Mifflin, Margot (2020-08-04). Looking for Miss America: A Pageant's 100-Year Quest to Define Womanhood. Counterpoint Press. ISBN 978-1-64009-224-2.[permanent dead link]
  12. [12]
    Bradley, Edwin M. (2015-06-14). The First Hollywood Sound Shorts, 1926-1931. McFarland. ISBN 978-1-4766-0684-2.
  13. [13]
    Massa, Steve. Slapstick Divas: The Women of Silent Comedy. BearManor Media.
  14. [14]
    Blottner, Gene (2011-09-30). Wild Bill Elliott: A Complete Filmography. McFarland. ISBN 9780786469031.
  15. [15]
    Munden, Kenneth White; Institute, American Film (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States. University of California Press. ISBN 978-0-520-20969-5.
  16. [16]
    Bubbeo, Daniel (2010-06-21). The Women of Warner Brothers: The Lives and Careers of 15 Leading Ladies, with Filmographies for Each. McFarland. ISBN 9780786462360.
  17. [17]
    Pitts, Michael R. (2005-07-25). Poverty Row Studios, 1929-1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland. ISBN 9780786423194.
  18. [18]
    Pitts, Michael R. (2019-04-12). Astor Pictures: A Filmography and History of the Reissue King, 1933-1965. McFarland. ISBN 9781476676494.
  19. [19]
    Soister, John T. (2010-06-28). Up from the Vault: Rare Thrillers of the 1920s and 1930s. McFarland. ISBN 9780786481859.
  20. [20]
    Pitts, Michael R. (2012-12-13). Western Movies: A Guide to 5,105 Feature Films, 2d ed. McFarland. ISBN 978-1-4766-0090-1.
  21. [21]
    "The Films of Sam Newfield". dukefilmography.com. Retrieved 2020-03-18.
  22. [22]
    Munden, Kenneth White; Institute, American Film (1997). The American Film Institute Catalog of Motion Pictures Produced in the United States. University of California Press. ISBN 978-0-520-20969-5.
  23. [23]
    "The Wild Party".
  24. [24]
    Massa, Steve. Slapstick Divas: The Women of Silent Comedy. BearManor Media.
  25. [25]
    International Motion Picture Almanac. Quigley Publications. 1940.
  26. [26]
    "Johnny's Week End (1930)". BFI. Archived from the original on January 8, 2021. Retrieved 2021-01-06.
  27. [27]
    Hall, Mordaunt (1932-01-15). "All Aboard! (Published 1932)". The New York Times. ISSN 0362-4331. Retrieved 2020-10-20.
  28. [28]
    Ness, Richard R. (2020-01-15). Encyclopedia of Journalists on Film. Rowman & Littlefield. ISBN 978-1-5381-0360-9.
  29. [29]
    Hall, Mordaunt (1932-05-16). "A Faithful Ex-Wife. (Published 1932)". The New York Times. ISSN 0362-4331. Retrieved 2020-10-19.

Bibliography

  • Mayne, Judith. Directed by Dorothy Arzner. Indiana University Press, 1994.
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