Allen v. Farrow is an American documentary television miniseries directed by Kirby Dick and Amy Ziering that explores an allegation of sexual abuse made against Woody Allen in 1992. It consists of four episodes and premiered on February 21, 2021, on HBO.^[1][2]

The series features home videos and interviews with family members, including Allen's accuser, Dylan Farrow. Produced over a three-year period by Kirby Dick, Amy Ziering, and Amy Herdy, it involves extensive research into court documents and police reports, with some witnesses granting their first public interviews. Referred to as the "Eliza Project" to maintain secrecy, the series garnered the participation of Dylan and Mia Farrow after significant persuasion. Notably, Allen and Soon-Yi Previn did not respond to the request to participate in the documentary, while Moses Farrow, who supports Allen's perspective, declined to be interviewed. The documentary incorporates audio passages from Allen's 2020 memoir, Apropos of Nothing. Allen denounced the series, which he accused of perpetuating falsehoods.^[3]

Allen v. Farrow received generally positive reviews from critics, though it was criticized by some commentators as one-sided, for showing Allen in a harsh light and allegedly under-utilizing testimony and evidence supporting his claims of innocence.^[4][5] Its first episode garnered just over 1 million viewers, the most for a multi-episode HBO documentary series since The Case Against Adnan Syed in 2019.^[6] The series was nominated for seven Primetime Emmy Awards, including Outstanding Documentary or Nonfiction Series.

The series examines the sexual assault allegation made against Woody Allen by his adopted daughter Dylan Farrow, who was seven when the abuse allegedly occurred. It follows the custody battle between Allen and his former partner Mia Farrow, his marriage to her adopted daughter Soon-Yi Previn, who is 35 years younger than Allen, and the events of subsequent years.^[7]

Along with Mia and Dylan Farrow, Allen's and Farrow's biological son Ronan Farrow and Carly Simon appear in the series, as do family friends, experts, prosecutors, and investigators.^[8][9][7]

The series includes a videotaped account by Dylan of the alleged assault shortly after she said it occurred. The tape has never before been publicly aired. It is controversial, characterized as evidence of the allegation's veracity by one side and by the other as evidence she was coached. The filmmakers question a report issued by the Yale Child Sexual Abuse Clinic, at Yale-New Haven Hospital, which found Dylan not credible after interviewing her. Also in the documentary are home videos shot by Mia Farrow and surreptitious recordings of telephone conversations between her and Allen.^[7]

Allen is described by witnesses as obsessed with Dylan, following her wherever she went, and behaving in other inappropriate ways, such as having Dylan suck on his thumb. A clinical psychologist found that this behavior was excessively intense but not sexual.^[10] The film also suggests that Allen "groomed" Soon-Yi for years, and that his sexual interest in her may have begun when she was in high school.^[11]

Ronan Farrow alleges in the documentary that Allen offered to pay for his college tuition but only if he denounced his mother and sister, which he declined to do.^[12]

The series examines Allen's films in light of the allegations,^[1] and provides extensive background on Allen's emphasis on young women in his films and personal life.^[7][12][13] Included is an interview with actress and model Christina Engelhardt, who claims she became romantically involved with Allen at 17 and believes that she was the inspiration for Mariel Hemingway's 17-year-old character in Manhattan.^[14]

Allen did not respond to requests to be interviewed, but the series includes clips from the audiobook of his 2020 memoir Apropos of Nothing.^[12]

The series was produced in secret over three years.^[21][22] Kirby Dick, Amy Ziering and Amy Herdy tracked down court documents and police reports, with some witnesses publicly interviewed for the first time.^[7] To keep matters "close to the vest" they called the series the "Eliza Project", using a name once used by Dylan.^[23]

Allen and Soon-Yi Previn did not respond to the filmmakers' requests to participate in the documentary. Allen's and Farrow's adopted son Moses Farrow, who sides with Allen, declined to cooperate.^[7][12] Ziering says Dylan and Mia Farrow were not eager to participate and did not initially agree to do so, and that it took one month for Dylan to agree and 10 months to convince Mia.^[23] Dick has said that the filmmakers focused on Dylan Farrow's version of events because "Woody's story is out there".^[24]

The series uses passages, spoken by Allen, from the audiobook of his 2020 memoir, Apropos of Nothing. After the first episode aired, the publisher accused the filmmakers of violating the audiobook's copyright.^[25] Tony Lyons, President of Skyhorse Publishing, called it a "blatant appropriation of Mr. Allen's intellectual property" that he described as "unquestionably copyright infringement under existing legal precedent."^[25][26] The filmmakers contended that their use of audio excerpts was allowed by "the Fair Use doctrine."^[27][28]

On February 21, the day the series was aired on HBO, Woody Allen and Soon-Yi Previn released a response to the documentary, stating as follows:

"These documentarians had no interest in the truth. Instead, they spent years surreptitiously collaborating with the Farrows and their enablers to put together a hatchet job riddled with falsehoods. Woody and Soon-Yi were approached less than two months ago and given only a matter of days 'to respond.' Of course, they declined to do so. As has been known for decades, these allegations are categorically false. Multiple agencies investigated them at the time and found that, whatever Dylan Farrow may have been led to believe, absolutely no abuse had ever taken place. It is sadly unsurprising that the network to air this is HBO—which has a standing production deal and business relationship with Ronan Farrow. While this shoddy hit piece may gain attention, it does not change the facts."^[3]

Producer Amy Herdy disputed Allen's claim about the timing of the filmmakers' contact with him. She said she reached out to Allen's publicist Leslee Dart in June 2018 and received no reply. She said, "I know they got my request, because I was able to get an assistant on the phone saying [to her], 'You are getting my emails, right?' And she said 'yes.' But they never responded."^[29]

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On Rotten Tomatoes, the series holds an approval rating of 84% based on 56 reviews, with an average rating of 7.4/10. The website's critical consensus states, "Allen V. Farrow unearths new evidence in a well-known case to craft a compelling —if one-sided—indictment of society's complicity in upholding powerful people over seeking justice for those they've wronged."^[30] On Metacritic, it has a weighted average score of 75 out of 100, based on 29 critics, indicating "generally favorable reviews".^[31]

Los Angeles Times critic Lorraine Ali wrote that the series is "a comprehensive, convincing and ultimately devastating documentary that threatens to burn what's left of [Allen's] career and legacy to the ground."^[8] Dorothy Rabinowitz's review in The Wall Street Journal describes it as "an extraordinarily detailed investigative work".^[9] Variety's review said that Dylan speaking out "represents for her, one might hope, a closing of this chapter and, perhaps, a chance to start anew".^[32] Brian Lowry of CNN wrote, "despite the painstaking research, viewers might come away not entirely sure what they 'know,' as opposed to what they believe", but said that "even a generous reading of Allen's behavior, however, casts him in a troubling light."^[33]

Nick Allen of RogerEbert.com gave the docuseries three and a half out of four stars, and wrote that "It is the exact type of expansive analysis that this horrific Hollywood saga has needed, and I urge both those who believe and don't believe the Farrows' side of the story to watch it."^[34] Eric Deggans of NPR wrote that the series holds Allen's "past behavior up to modern sensibilities in a way that makes him look terrible", but that "questions will remain about what may be left out, absent the direct participation of the man accused of so much."^[12]