Anzu Furukawa(古川あんず, February 28 , 1952 – October 23 , 2001) was a butoh dancer and performance artist. Since 1973 she has worked as a choreographer, performer and dancer in various groups in Japan including Dairakudakan and Europe.

Anzu Furukawa began her dance career at the age of ten. She studied classical ballet with Umeko Inoue at the Tokyo Ballet School between 1962 and 1970 and modern dance with Zenkō Hino between 1969 and 1970 .^[1] At the end of the 1960s, the spirit of optimism in the student movement also reached high school and high school students in Tokyo.

The peace movement, anti-American protests and a burgeoning rebellion against the restrictive establishment united young people in the Japanese metropolises.^[2] In the late 1960s, Furukawa was forcibly expelled from Tokyo Metropolitan Tachikawa High School along with a group of other classmates for their participation in student riots.^[3] However, she managed a short time later to get a place at the Music Conservatory of Toho Gakuen School of Music. From 1972 to 1975 she studied composition and piano under Irino Yoshirō and increasingly turned to avant-garde art and performance-scene too.

The second developmental movement of Japanese butoh, seamlessly following the works of founding fathers Tatsumi Hijikata and Kazuo Ono, took place amidst the social upheavals of 1970s Japan, in an atmosphere marked by student riots, street fighting and barricades, performance acts and agitprop . In 1974, Furukawa joined the legendary butoh company Dairakudakan under Akaji Maro and stayed there until 1979, together with Tetsuro Tamura founded the avant-garde DanceLoveMachine (1979–86) ensemble. She was considered to be artistically versatile and was well-versed in both classical and modern dance. Her dance work included collaborations with Carlotta Ikeda, Murobishi Ko and Sankai Juku.

Her life's work includes more than 50 dance and stage works, many of which were created in the 1980s and realized in Europe, including works such as Anzu's Animal Atlas, Cells of Apple, Faust II, Rent-a-body and also:^[1]

• 1981 Frankenstein's Octopus
• 1981 Le Con de la Renard
• 1984 Sheer Mood
• 1985 Manhattan Butoh Bourbaki Project
• 1985 The Potlach of Music
• 1985 Anzuology: The Dog, The Elephant, The Bird, The Crocodile Time
• 1987-94 The Insect
• 1989 The Detective from China
• 1989-91 Tonight on the Moon
• 1990 Carmen
• 1991 The Diamond as big as the Ritz
• 1993 Transfiguration Office
• 1994/95 The Stick
• 1996 The Aftermath
• 1996 Afastem-se vacas que a vida é curta (Lume Teatro – Brazil)
• 1997 Jazz Japan
• 1997-98 L'arrache-coeur
• 1999 Goya - La quinta del sordo

She received grants and prizes, e.g. from the Goethe Institute Tokyo, The Japan Foundation, Japan Arts Council (日本芸術文化振興会), the Alfred Kordelin Foundation, The Art Council of Province of Central Finland (Keski-Suomen taidetoimikunta), the Astro-Labium Prize, The International Electronic Cinema Festival in Montreux and the Cologne Theater Prize.^[6]

In 1991 she accepted the call to Braunschweig University of Art, where she took on a professorship for performance and performing arts in the performing arts department (now the Institute for Performing Arts and Education). She taught dance there until 1996, directed happenings and created choreographies, e.g. with their performance project Verwandlungsamt. From the mid-1990s she worked on productions in Scandinavia, especially in Finland. She was considered a driving force in the development of the Finnish butoh scene and her work influenced generations of dancers.^[6] As a guest lecturer she taught at several Finnish universities and created joint productions at Finnish National Theatre, she has directed works such as the Rite of Spring (1994) and Bo and Shiroi mizu (1995) with mostly Finnish ensemble members. Her best-known students include Minako Seki, Yuko Kaseki, Takako Suzuki, Yuko Negoro, Kim Itoh.

• Furukawa, Anzu: Four Dances at the West Berlin Academy of Arts, VHS video, 36 minutes. (Idea by Anzu Furukawa, realization by Regina Ulwer and Ingrid Wewerka), Berlin, 1986 Alexander Verlag . ISBN 978-3-923854-70-7
• 1995 Petite Hanako: the actress who captured Rodin's heart (プチト・アナコ ロダンが愛した旅芸人花子) Director: Hisaya Iwasa Choreography: Rie Fujima^[7]

• Books by and about Anzu Furukawa at Worldcat
• Furukawa, Anzu:境界線上の佇立—二つの「スト-ン・ブレ-カ-」 , in:美術手帖, no. 539, pp. 86–92, 1985, Tokyo ISSN 0287-2218
• Hardter, Michael; Kawai, Sumie: Butoh - The Rebellion of the Body. A dance from Japan . A publication of the Künstlerhaus Bethanien, Alexander Verlag, Berlin 1986 ISBN 3-923854-22-6
• Schlossmacher, Josef: Surprising interfaces: "Comme à la radio" by Anzu Furukawa, in: Tanzdrama Magazin. No. 41 (June 1998), p. 31.
• Welzien, Leonore: Between Heaven and Earth, in: Tanzdrama Magazin. No. 67 (June 2002), pp. 6–8.
• Nichols-Schweiger, Herbert: Butoh - Clarifying Rebellion. Tanzlabor Graz: Texts - Conversations - Photographs, Graz 2003 ISBN 978-3-205-77161-6
• Fraleigh, Sondra: Butoh. Metamorphic Dance and Global Alchemy, University of Illinois, 2010, ISBN 978-0-252-07741-8