Critical response

Film critic Subhash K. Jha wrote that "Unlike Mahesh Dattani, who has deliberately denuded his film Morning Raga of the theatrical element, Pamela Rooks seems to revel in the staginess of the original material".^[9] A critic from Rediff.com and wrote that "Dance Like A Man can be lauded for trying, though it could have done much better to rise above the bookishness that often hampers the script".^[10] Reviewing the film at its Chennai screening in October 2004,^[5] a critic from The Hindu wrote that "On the whole the story and the time zones lend themselves to visual poetry at times eventhoughthe dialogue is painfully studied. The director uses the past and present in alternating sequences to tell the story and the visual imagery contrasts and merges with the narration. Adding mood to the striking frames are the classically tuned background score by Ganesh-Kumaresh, which heightens the sense of time and ambience in an artiste' s environment. But this is the kind of film that will attract only a niche audience".^[11]