Debra_Yepa-Pappan

Debra Yepa-Pappan

Debra Yepa-Pappan

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Debra Yepa-Pappan is an artist in digital multimedia, focusing heavily on photography and digital collaging. Most influenced by her multicultural upbringing, with a South Korean mother and a Native American father,[1] her work reflects the struggle of identity, modernity, and stereotypes revolving around Native American culture.[2]

Life

Yepa-Pappan was born in South Korea while her father was stationed in the country with the U.S. Army. She grew up in Chicago where her family immigrated when she was very young. She attended the Institute of American Indian Arts in Santa Fe with a degree in 2 and 3 dimensional art in 1992,[3] before she proceeded to Columbia College, Chicago.[4] She met her husband, Chris Pappan, while attending I.A.I.A. They currently live in Chicago with their daughter.[4]

Artistry

Drawing from traditional Jemez Pueblo and Korean imagery, Chicago's modern urbanism and science fiction, most of Yepa-Pappan's work aims to challenge the viewer with their concept of reality. She attempts to confront stereotypes and involves the coming generations to be culturally engaged.[5] She takes photographs and digital images and layers and distorts them to create complex images to make bold statements.[6] Yepa-Pappan uses the contrasts of her differing cultural lives to talk about living between two worlds and tends to pose questions to the viewer versus answering them.[3]

Major works

  • I Is for Indians series pieces: Live Long and Prosper (Spock Was a Half Breed), 2008 and remastered in 2013 and The Doctor's Companion, 2014[5]
  • First People, Second City, exhibition at Bristol, England's Rainmaker and a discussion panel and lecture presentations at The Royal West of England Academy in 2014[6]
  • War Baby/Love Child: Mixed Race Asian American Art, book and group exhibition at DePaul University Art Museum in Chicago and Wing Luke Museum in Seattle, 2013[7]
  • Dual(ing) Identities, solo exhibition at the IAIA Museum of Contemporary Native Arts in Santa Fe, 2012[8]
  • Program Coordinator for Title VII Indian Education program at Chicago Public Schools[4]

References

  1. [1]
    Sharon H Chang (December 11, 2015). Raising Mixed Race: Multiracial Asian Children in a Post-Racial World. Routledge. pp. 5–. ISBN 978-1-317-33050-9.
  2. [2]
    Red Ink. American Indian Graduate Center. 2002.
  3. [4]
    "6 Urban Natives in the Arts – Native Peoples – July–August 2014 – Native Peoples". www.nativepeoples.com. Retrieved March 27, 2017.
  4. [5]
    Newman Fricke, Suzanne (2016). "The Force Will Be With You... Always: Science Fiction Imagery in Native American Art". First American Art Magazine. no. 12: 35–36. {{cite journal}}: |volume= has extra text (help)
  5. [6]
    "Native American Indian Arts specialists Rainmaker open their next exhibition: First People, Second City". The Wild Times. Retrieved March 27, 2017.
  6. [7]
    "Mixing Racial Messages". Hyperallergic. October 30, 2013. Retrieved March 27, 2017.
  7. [8]
    "venues | ArtSlant". ArtSlant. Retrieved March 27, 2017.
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This article uses material from the Wikipedia article Debra_Yepa-Pappan, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.