1950s

Paintings of 1950s, including showing at art exhibitions of this period, give an idea about his picturesque style. It is distinguished by adherence to the traditions of tonal painting, restrained mild coloring with a predominance of green, blue and ocher tones, mastery of plein air, a few generalized pattern. The painting «The Ukrainian homestead» (1954) is one of the most known examples of the Maevsky's art works of this period.^[5][6][7]

Others examples of the creativity of Maevsky of middle and second half of 1950s and beginning of 1960s can serve the works «Thawed patchs»^[8] (1955), «Barns»^[9] (1956), «The New School», «A Suda River»^[10] (both 1957), «Blast furnace», «Factory Yard», «Nizhniy Tagil City»^[11] (all 1958), «Izhora Plant»^[12] (1959), «Steel-maker»^[13] (1960), «A Breath of Spring», «Portrait of Gorunov»^[14] (1961), «Blue Shadows»^[15] (1962), «At the Reading», «Frosty Day»,^[16] «The Weather recovered»^[17] (all 1963), «A Portrait of an Old Bolshevik Andreev»,^[18] «Zoya - a Komsomol Member of Dzerzhinsky Sovkhoz» ^[19] (both 1964), and others.

Academic Dacha

Since the mid-1960s, Maevsky lived and worked in the village of Podol, Tver Province, near the Academic Dacha, where he created most of the works of this period. The flowering of his creativity relates to the period from the late 1950s until the mid-1970s. The artist continued to work on portraits of war veterans, the advanced workers and farmers. And although he achieved considerable success, this genre and work to orders are increasingly perceived them as an inevitable tribute for the opportunity to engage in real creativity. And here it all the more attractive landscape of Central Russia with a high sky and the vast expanses of fields, tending the horizon distances of the forest, the village outskirts, the March sun and the colors of autumn. Nature in his paintings full of understated beauty and dignity, and pictorial language is precise and delicate. It allows him to create a truly lyrical images.

This dichotomy, which became a sign of the times, and typical for many artists, who will accompany the creation of Maevsky until 1980, finding reflection in his paintings «April» (1968), «Summer Day in Podol village»^[20] (1970), «Portrait of Kukin, a veteran of Great Patriotic war»^[21] (1971), «Portrait of farmer Nosov»^[22] (1972), «Portrait of Grinev, the сollective farm worker»^[23] (1973), «Fields and Copses»,^[24] «Portrait of tractor-driver Filyaev»,^[25] «Portrait of Vera Dieva, collective farm brigadier» (1975 ), «Cool May»^[26] (1976), «Portrait of a Tractor Driver Khrustalev»,^[27] «A March Sun»^[28] (both 1977), «Sunny May»^[29] (1978), «The village of Podol» (1980), and others.

Late artist's creativity are still bound to the land of Tver, and here he spent most of his time. The works of this period differed more restrained palette, changing their mood. They often reflect shades of sadness. His painting acquired greater generality, the drawing became more laconic. Composition of painting acquired more rigorous form and expressing the author's intent.

All that was done by Dmitry Maevsky in landscape painting, it was extremely sincere and deeply felt, foreign to the slightest hint of external effects, the play, imitation. Soft, understated beauty of Russian nature was understood and shared with them how little anyone of the artists. Particularly worried about its time to spring awakening: the first spring sun, the first heat, the first green, the last snow.

In 1970–1980 the works of Maevsky were represented at the exhibitions of contemporary Soviet art in Japan in the Gikosso gallery,^[30][31] later in the 1990s at art fairs and auctions of Russian art in France, USA, Italy, England, where his art has become its admirers.

Maevsky died on 23 July 1992 in Saint Petersburg at the age of 75. His paintings reside in Art museums and private collections in Russia,^[32] in the U.S., England, Japan,^[33] France,^[34] and throughout the world.