Edward Gold (July 25, 1936 to March 2, 2022), was an American pianist and composer.

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages) This biography of a living person needs additional citations for verification. (December 2010) The topic of this article may not meet Wikipedia's notability guideline for biographies. (October 2020)

Gold was born and raised in Brooklyn, New York and lived most of his adult life in Manhattan.^{[citation needed]}

He attended public schools and majored in music at CCNY (today part of the City University of New York). He received his masters from Yale University School of Music^{[citation needed]} where he studied with Ellsworth Grumman, Mel Powell and H. Leroy Baumgartner. Edward also studied with Nadia Reisenberg at the Mannes College of Music.

After completing his studies, Gold worked as a pianist and toured internationally. The recording of Gottschalk Piano Music (1973) on which he performed was named a "Recording of Special Merit" by Stereo Review.^[1] His recordings were also noted by The American Record Guide^[2] and The Musical Quarterly.^[3]

Early on, Edward's music was in the style of atonality (mostly Schoenberg), but with a traditional structural style using atonal and twelve-tone techniques crossed with some Stravinsky. But he largely turned away from these styles after leaving Yale. Over the course of his career, Gold's work was both eclectic and independent. He composed most often for orchestra, piano, chamber ensemble or various vocalists with or without accompaniment. He was a member of the tonality-based Delian Society^[4] but also composed at times in a structurally based atonal style^{[citation needed]}.

Edward Gold passed away at the age of 85 from an undetermined form of dementia.

Selected works include:

• Piano Variations (1959)
• Mass of John the Baptist (for three-part men's voices and organ, 1972)
• Sonatina for Flute and Piano (c. 1985)
• Schratlieder (settings for bass-baritone and piano of poems by Reinhard Paul Becker (1986)
• Carillon for Choir, Tuned Percussion, and Strings (c. 1996)
• Five Memorials (for various ensembles, 1996–97)
• Wind Quartet (2004)
• Symphonies on Ancient Tunes
• The Picture of Dorian Gray (for piano, four hands, 2006)^[4]
• Central Park Suite (orchestral version)^[5]