Egbert_Martin

Egbert Martin

Egbert Martin

19th-century Guyanese poet


Egbert Martin (c. 1861  June 23, 1890), writing under the alias Leo, was a 19th-century Guyanese poet.[1][2]

Quick Facts Born, Died ...

His poetry deal mostly with spiritual topics, while also focusing on the themes of African-Guianese history. Recurring themes of his works include change, disintegration, and death, which have been frequently associated with his frail health condition.[3] Martin was highly regarded by contemporary critics and is considered as Guyana's first major poet, despite his death from tuberculosis at the age of 29.[4] He is regarded as the founder of modern Guyanese literature.

Life

Martin was born in Georgetown, British Guiana to a journeyman tailor. Guyanese poet[4] and essayist A. J. Seymour described him as "a fair Mulatto" (implying a mixture of White and Afro-Guyanese ancestry) who from his early youth was "confined to an invalid's bed, as a result of illness."[1][5] He had a cousin named Edwin Heyliger, suggesting German ancestry.[6]

When he was 19, Martin's poetry was published in Guianese journal The Colonist, and he contributed to other publications such as The Argosy and Echo between 1881 and 1890.[7] In 1887, he won an kingdom-wide competition at an event organised by the London Standard to commemorate Queen Victoria's Golden Jubilee, for appending two verses to the British national anthem.[3] Despite being bed-ridden, he was sponsored by the editor of The Argosy newspaper, James Thompson, and the mayor of Georgetown, George Anderson Forshaw.[4] Martin was the first poet to write about the landscape of Guyana.[1]

He died aged 29 from tuberculosis.[4]

Reception and legacy

During his time, Martin was lauded by contemporary critics.[3][4] The Daily Chronicle hailed him as "the ablest of poetical writers of whom British Guiana can boast". Similarly, The Berbice Gazette considered Martin a poet "whose works plainly bespeak talent and ability of a high order", while the Guiana Herald pointed out "the name and merits of Leo are so well known that comments are scarcely requisite". However, Martin's works have also been viewed as a "weak imitation of Wordsworth, mixed with Tennyson, with a flavouring of Edgar Allan Poe".[7]

Arthur Schomburg called Martin "one of the greatest Negro poets in history".[3] Scriptology, his collection of short stories, was missing for 100 years until a copy was located at Howard University.[8] Martin is regarded as the founder of modern Guyanese literature.[5]

Works

  • Leo's Poetical Works (1883)[3] (OCLC 59536839)
  • Leo's Local Lyrics (1886)[3] (OCLC 990705298)
  • Scriptology (1885) short stories[3] (ISBN 9781907493782)
  • Egbert Martin Selected Poems (2010) The Caribbean Press, The Guyana Classics Library – Government of Guyana (ISBN 978-1-907493-05-8)

References

  1. Persaud, Petamber (February 19, 2021). "The Shaping of Guyanese Literature – Scriptology rediscovered". Guyana Times International. Retrieved March 10, 2021.
  2. Baytop, Adrianne (1976). "The Emergence of Caribbean English Literature". Latin American Literary Review. 4 (9): 33. JSTOR 20119034. Retrieved March 10, 2021.
  3. Joseph, Terencia Kyneata (2016). "Martin, Egbert "Leo"". Oxford African American Studies Center. doi:10.1093/acref/9780195301731.013.74481. ISBN 9780195301731. Retrieved March 10, 2021.
  4. "AJ Seymour's contribution to the shaping of Guyanese literature was monumental". Stabroek News. January 31, 2021. Retrieved March 10, 2021.
  5. Chander, Manu Samriti (June 23, 2017). Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century. Bucknell University Press. pp. 41–66. ISBN 978-1-61148-822-7.

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