Eugene "Bud" Leake pronounced "Leaky" (31 August 1911 – 21 January 2005) was a landscape painter and president of the Maryland Institute College of Art. His work was characterized by a consistent commitment to the depiction of the landscape, not following ever-changing trends of contemporary art in the 20th century. In an October 2000 Baltimore Sun article Glenn McNatt wrote that, "For the past quarter century, Leake has been recording that landscape in all its moods and seasons, from riotous sun-drenched spring mornings to the magical glow of autumnal sunsets. His paintings are imbued with an unmistakable sense of place that only one who has lived in and loved the surrounding landscape can create."[1]
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"Leake belongs to the long tradition of American artists who have had often-rapturous love affairs with nature. His work are heirs to the spirit of the oil sketches of English master John Constable (1776-1837) and the early works of French landscape artist Camille Corot (1796-1875), both of whom insisted that painting must be based on observable facts and reflect the truth of the moment."[1]
In a 1993 ARTnews article Tom Weisser wrote: "Leake's great strength is his ability to capture the essence of things with economy and easy grace. Light, space, and climate materialize in his pictures from what seems to be an absolute minimum of brushwork. His paint has a soft, buttery quality. Yet the viewer can almost feel the flat, hard cold of Leake's gray winter mornings, the snap of his autumn afternoons, and the electricity in his gathering summer skies."[2]
Eugene Leake was born in Jersey City, New Jersey on August 31, 1911, one of two sons born to Eugene W. Leake and Marion (Paige) Leake.[3] Growing up he was surrounding by paintings belonging to his grandfather. The collection included, American painters, Ralph Blakelock, J. Francis Murphy, and E. Irving Couse.[4]
As a teenage student at the Hill School in Pittston, Pennsylvania Leake requested an art class so frequently that the school hired an instructor from Philadelphia to teach him once a week.[1] Leake explains, "'Here was an artist who rode the train up from Philadelphia every Saturday morning to teach me and one other boy - two students out of 450,' says Leake, his voice still tinged with disbelief.'"[4]
In 1930 Leake briefly attended the Yale School of Fine Arts but soon dropped out having found "... its Beaux Arts orientation tedious and uninspiring."[1] Next, he left Connecticut and traveled south.
At twenty-two, Leake traveled through the southwest and California before returning to Connecticut. Back in New England, Leake built a studio and made a living painting commissioned portraits and teaching art classes. In 1937 he joined the Art Students League in New York and began showing his paintings at galleries in the area. He had his first one-man show at the Walker Gallery in 1937 after which he was invited to participate in national group shows at the Metropolitan Museum of Art, the Art Institute of Chicago and the Brooklyn Museum.[1]
During World War II, Leake first took a job at a defense plant, then later joined the Navy, where he continued to paint watercolors during his off hours. After the war Leake became the director of The Art Center in Louisville, Kentucky and held the position for a decade. Then, at age 48, decided to finish his degree at Yale School of Art and Architecture. The artist subsequently earned his BFA in 1960 and his MFA in 1962.[1]
When Eugene Leake attended Yale University, Josef Albers had recently retired from the chair of the School of Art but continued to be a presence on campus. Leake described an experience with the Bauhaus master: "Albers came to my studio one day. I was painting semi-abstract landscapes, horizontal bands of color. He said to me, 'I've heard about you. You are de old Prix de Rome - type painter. Mit underpainting und all dot garbage?' I said, 'Yeah, I learned all that.' And Albers looked at my painting and said, 'Vot you doing here? Dis is about color! It's a metamorphosis!'"[4]
In June 1961 Eugene Leake moved to Maryland after graduating from Yale to "take on the task of reviving the nearly moribund Maryland Institute," as its new President. "He recruited the best artists he could find as teachers, among them the painters Grace Hartigan and Raoul Middleman, sculptors Norman Carlberg and Stephanie Scuris, and painter-printmaker Peter Milton."[1]
"Leake has found success and recognition not only as an artist but as one of the finest teachers and arts administrators of the recent past. He was for 13 years president of the Maryland Institute College of Art, an institution he almost single-handedly remade from a cobwebbed, struggling vocational training academy into one of the most respected art schools in the nation."[1]
Despite his demanding schedule at the Maryland Institute College of Art, the painter never stopped painting and developing. In 1974 Leake retired from his role as president of the Maryland Institute College of Art[5]
In 2013 a new residence hall was open named Leake Hall after him.
"When he retired from the Institute in 1974, he was 63 and [the school's] renaissance was assumed to be his life's magnum opus. But he retired to the rural Maryland countryside north of Baltimore, where he took up the solitary life of a creative artist and [continued as] a successful and respected landscape painter."[6] He continued to work until his death in 2005.
In the autumn of 1974 Eugene Leake became the first Johns Hopkins University artist-in-residence. He "founded the program as an informal opportunity for Hopkins students, regardless of experience, to learn the fundamentals of drawing and painting -- to learn to see."[7]
In The Baltimore Sun art critic Glenn McNatt described Leake's work and legacy: "Leake's brushstroke was like the man himself: precise, energetic, joyous, and ever attuned to the mysterious universal vibration through which paint is transformed into a living thing. Though his art looked exceedingly simple, it was also miraculous, and for this he was, and will be forever, beloved by generations of Marylanders."[8]
Source:[9]
- C. Grimaldis Gallery, Baltimore, Maryland
- Green Mountain Gallery, New York, New York
- Hamilton Gallery, Charleston, South Carolina
- Jacobs Ladder Gallery, Washington, D.C.
- Johns Hopkins University, Baltimore, Maryland
- Maryland Institute College of Art, Baltimore, Maryland
- National Academy of Sciences, Washington, D.C.
- Tatistcheff and Company, New York, New York
- Towson State University, Towson, Maryland
- University of Louisville, Louisville, Kentucky
- University of Kentucky, Lexington, Kentucky
- Walker Gallery, New York, New York
- York College, York, Pennsylvania
Source:[9]
- Art Institute of Chicago, Chicago, Illinois
- Art Museum of South Texas, Corpus Christi, Texas
- Baltimore Museum of Art, Baltimore, Maryland
- Brooklyn Museum of Art, Brooklyn, New York
- Butler Institute of American Art, Youngstown, Ohio
- Cincinnati Museum of Art, Cincinnati, Ohio
- Guild Hall Museum, East Hampton, New York
- Hirschl and Adler Galleries, New York, New York
- Jersey City Museum, Jersey City, New Jersey
- M. Knoedler and Company, New York, New York
- Metropolitan Museum of Art, New York, New York
- Museum of Modern Art, New York, New York
- Owensboro Museum of Fine Art, Owensboro, Kentucky
- Betty Parsons Gallery, New York, New York
- Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania
- Philadelphia Museum of Art, Philadelphia, Pennsylvania
Source:[9]
- Baltimore Museum of Art, Baltimore, Maryland
- Corcoran Gallery of Art, Washington, D.C.
- J.B. Speed Museum, Louisville, Kentucky
- Owensboro Museum of Fine Art, Owensboro, Kentucky
- University of Louisville, Louisville, Kentucky
- University of North Carolina, Chapel Hill, North Carolina
- Washington County Museum of Fine Arts, Hagerstown, Maryland
Source:[9]
- Equitable Bank
- Equitable Life Assurance Society of America, New York
- Federal Reserve Bank of Richmond, Baltimore Branch
- Johns Hopkins University
- Maryland Institute College of Art
- Metropolitan Life Insurance Company, New York
- Noxell Corporation
- Piper and Marbury
- Robert and Jane Meyerhoff
- United States Fidelity and Guaranty Company
- Weinberg and Green
McNatt, Glenn. "The Light Years of Landscapist Eugene Leake." The Baltimore Sun 22 Oct. 2000, Arts sec. The Baltimore Sun. The Baltimore Sun. Web. 7 Feb. 2012
Weisser, Tom. "Eugene Leake." Rev. of C. Grimaldis Gallery. ARTnews Feb. 1993: 120. Print.
Hankin, Craig. Maryland Landscapes of Eugene Leake. Baltimore and London: Johns Hopkins UP, 1986. Print.
Giuliano, Mike. "The View From Monkton: Eugene Leake's Dramatic Late Work." City Paper [Baltimore] 26 Jan. 1994. Print.
Dorsey, John. "Putting Truth to Canvas." Rev. of C. Grimaldis Gallery. The Sun [Baltimore] 30 Oct. 1998, Art Column sec.: 1E-7E. Print.
McNatt, Glenn. "A Painter of Simple, Honest Art." The Sun [Baltimore] 23 Jan. 2005, Arts & Society sec.: 8E. Print.
