Chris Claremont and Alan Davis

The series was launched with the lavish Excalibur Special Edition, a 1987 48-page advertisement-free 'bookshelf' comic promoted with posters and promotional carrier bags for comic stories. It was followed by an ongoing series. Despite being priced higher than most of Marvel's regular titles due to using a more expensive paper stock, Excalibur was a strong sales success - #1 was Diamond Comic Distributors' best-selling title for April 1988,^[4] with #2 second-best behind the first issue of the newly-launched Wolverine in May^[5] and #3 third behind Wolverine and Uncanny X-Men in June.^[6] With the creators given a large amount of freedom by Marvel, the series soon received plaudits for its humorous tone and wit compared to the darker turn taken by both the other X-Men related titles and the wider industry at the time.^[1] The success also led to Marvel printing a trade paperback compiling the material Davis had produced for Captain Britain, which was coloured by several artists. Davis and writer Jamie Delano were required to sell their rights to the material to do so; as Alan Moore refused to do likewise, his work on the title was not included in the collection.^[7]

While Claremont and Davis intended Excalibur not to cross over with the other X-Men titles, the series was broadly part of the 1989 "Inferno" event, with issues #6-7. However, Excalibur themselves were only peripherally involved in the events of the story, not encountering any of the major characters.^[8] Due to Davis falling behind schedule, issue #8 saw Ron Lim guest as artist, while #11 featured Marshall Rogers. A second special edition - Excalibur - Mojo Mayhem - was also published, featuring art from Art Adams. Excalibur #12 began the "Cross-Time Caper", a planned 9-issue arc sending the characters to a wide variety of alternative Earths. The following issue saw the debut of a new costume for Captain Britain; it had been designed for the character's primarily black-and-white British appearances, but Davis found the American colourists were frequently making mistakes and so simplified it.^[8] However, in 1990 and partway through the storyline Davis fell ill. After a fill-in issue written by Michael Higgins and drawn by Lim, Chris Wozniak provided art until Davis was fit to return on Excalibur #23. However, his return would only last for two issues - after completing the delayed "Cross-Time Caper" arc he left the title, later stating that he was unhappy with the effect compromises he was having to make to get back on schedule were having on the quality of his work.^[7]

Claremont and others

Soon after Davis' departure, Claremont's attention was split by the need to focus on the planned relaunch of X-Men. Other writers including Higgins, Terry Austin, Dana Moreshead and Scott Lobdell contributed issues, particularly when the title went bi-weekly over the summer of 1990. The book was also without a regular artist, instead featuring guest artists such as Barry Windsor-Smith, Colleen Doran, and David Ross. By this point sales had fallen; while still healthy they would never reach the heights of the early issues. Following the three-part "Girls' School from Heck" storyline (with art by Ron Wagner) in #32-34, Claremont left the title.^[7] A third special edition, Weird War III, was released in 1991.^[9]

Alan Davis returns

Claremont's replacement was meant to be a returning Alan Davis, tempted back as writer-artist from #35 onwards. However, other commitments delayed his return and Lobdell contributed a short run to bridge the gap, including a three-part arc featuring the Avengers West Coast; the events of his stories were guided by Davis.^[10] As Neary had decided to continue his more lucrative pencilling career, Davis linked up with Mark Farmer as inker - the pair had briefly worked together before, notably on the final issue of Captain Britain, and would go on to have a long partnership.^[8] They appeared as the new team on Excalibur #42; while contemporary Marvel policy did not generally tout creative teams on covers, the issue bore a strapline trumpeting the return of "You Know Who". Davis' double role also meant he could plot issues for other artists to draw when he fell behind schedule.^[7] His return allowed the conclusion of numerous unresolved plot-lines and saw the first major expansion to the comic's regular cast with the additions of Cerise, Kylun, Micromax and Feron.^[10] Having concluded his storylines, Davis left again after Excalibur #67 to focus on launching the ClanDestine.^[1] Comic Book Resources suggested the title never recovered from Davis' departure.^[11]

Scott Lobdell

Davis' return had not brought the expected sales increase; subsequently, after a brief tenure under Brian Ashford,^[12] the title would take a different direction under Scott Lobdell, who strengthened the title's narrative and tonal connection to the other X-Men titles under the direction of Bob Harras. The recent additions to the cast were abruptly written out, as was Captain Britain - who became lost in the time-steam off-panel before Excalibur #68, leading to Meggan also falling out of focus. The cosmic elements of the book were dropped and the team were relocated to Muir Island, with Moira MacTaggert added to the regular cast. While Captain Britain would return to the series it was at the expense of Phoenix, and he was radically altered to the aloof Britannic, and he and Meggan would take a minor role in the series, which increasingly focused on Nightcrawler, Shadowcat and MacTaggert, as well as the newly added extant X-Men supporting character Amanda Sefton.^[1] The new strategy for the title also saw it involved in the crossovers "Fatal Attractions" and "Phalanx Covenant"; the latter saw Douglock added to the regular cast. However, sales only rose slightly.

Warren Ellis

In late 1994 Warren Ellis - recently of Hellstorm - took over as writer from Excalibur #82. After three issues working from a plot by Lobdell he made his debut as sole writer with Excalibur #85. The following issue saw the introduction of Pete Wisdom to the series. Wisdom had originally been planned as a character in Ellis' projected Trident Comics series Electric Angel, but only got as far as the ashcan stage.^[12] To avoid any possible legal worries over this, Ellis simply didn't tell Marvel about the character's origins.^[13] After #86 the series was replaced for four months by the limited series X-Calibre as part of the "Age of Apocalypse" X-Men event. Marvel also directed Ellis to add Wolfsbane and Colossus to the title.^[14] Initially several artists worked on the title, including Ken Lashley and Casey Jones, before Carlos Pacheco took over from #95. Ellis would also pen the three-issue spin-off limited series Pryde and Wisdom. Excalibur #100 saw Brian Braddock return to the role of Captain Britain; however, Ellis would leave the title a few issues later to work on WildStorm's Stormwatch and Dv8.^[15] His work on the series has received a generally positive reception.^[16]

Ben Raab and Salvador Larocca

From Excalibur #106 Ben Raab became writer, with Salvador Larroca as artist.^[17] Raab swiftly wrote out Captain Britain to facilitate a storyline featuring Colossus romancing Meggan, a plot point that would also feature in a Colossus one-shot.^[18] Raab would de-emphasise and eventually write out Wisdom too, once again choosing to focus on the X-Men originated characters. However, sales were poor and the title was finally cancelled after 125 issues in 1998.^[19] Critical reception of Raab's material has not been positive, with some feeling it had become a generic X-Men title that was going through the motions. Following the cancellation the characters of Nightcrawler, Shadowcat and Colossus returned to the main X-Men titles.^[20]