Helvetica is a 2007 American independent feature-length documentary film about typography and graphic design, centered on the Helvetica typeface. Directed by Gary Hustwit, it was released in 2007 to coincide with the 50th anniversary of the typeface's introduction in 1957 and is considered the first of the Design Trilogy by the director.

Helvetica is a documentary that interviews many graphic designers involved in the history or modern usage of the Helvetica typeface. The initial interviews discuss the original creator Eduard Hoffmann, and his goals for creating a clean, legible type relating to the ideals of the Modernist movement. Designers also point out typographic "bad habits" from earlier works around the 1950s which Helvetica tried to fix. For example, illegible hand-made lettering and cramped cursive.

Throughout the film, various montages of Helvetica appearing in urban scenes and pop culture intersperse the interviews.

Later, other interviewers point out criticisms of Helvetica. For example, Stefan Sagmeister believes that the typeface is too boring and limiting. David Carson, author of The End of Print: The Grafik Design of David Carson, (1995) emphasizes the difference between legibility and good communication. He states that a hand-drawn font may be intentionally harder to read, to communicate emphasis to the reader. Other designers dislike Helvetica on the grounds of ideology. They instead prefer hand-illustrated typefaces centered around Postmodernism, and rejecting conformity.

Several interviews, including one of Michael Place, reveal a third stance on Helvetica. These designers-interviewees embrace its ubiquity and the challenge of making it "speak in a different way". Another high profile interview features Massimo Vignelli, who is responsible for the creation of directional signs for the New York City subway system.^[1] He too offers a nuanced position on the success and prominence of the typeface.

The film concludes with comments on the increasing prevalence of graphic design as self expression, citing the social media website Myspace, and its feature allowing users to fully customize the styling of their page.

• Manfred Schulz
• Massimo Vignelli
• Rick Poynor
• Wim Crouwel
• Matthew Carter
• Alfred Hoffmann, Eduard Hoffmann's son
• Mike Parker Linotype's typographic development director.
• Otmar Hoefer
• Bruno Steinert
• Hermann Zapf
• Michael Bierut
• Leslie Savan
• Tobias Frere-Jones
• Jonathan Hoefler
• Erik Spiekermann
• Neville Brody
• Lars Müller Archived 2 May 2010 at the Wayback Machine
• Paula Scher
• Stefan Sagmeister
• David Carson
• Experimental Jetset
• Michael C. Place
• Norm

Hustwit on his inspiration for the film: "When I started this project, I couldn't believe that a film like this didn't exist already, because these people are gods and goddesses. What they do is more than just logos and corporate branding - they design the type that we read every day in newspapers and magazines, onscreen and on television. Fonts don't just appear out of Microsoft Word: there are human beings and huge stories behind them."^[2]

Helvetica premiered at the South by Southwest Film Festival in March 2007. The film toured around the world for screenings in selected venues, such as the IFC Center in New York, the Institute of Contemporary Arts London, the Gene Siskel Film Center in Chicago, and the Roxie Cinema in San Francisco. Helvetica was nominated for the 2008 Independent Spirit's Truer than Fiction Award.

Bands and musicians that contributed to the documentary's soundtrack include Four Tet, The Album Leaf, Kim Hiorthøy, Caribou, Battles, Sam Prekop of The Sea and Cake, and El Ten Eleven.

An edited version of the film was broadcast in the UK on BBC One in November 2007, as part of Alan Yentob's Imagine series. It aired in January 2009 as part of the Independent Lens series on PBS in the United States.

• Objectified, a documentary film about industrial design, also by Gary Hustwit.
• Typeface (film)
• Moog (film), a documentary film about the analog synthesizer, directed by Hans Fjellestad.^[5]