Howard_Tate_(album)

<i>Howard Tate</i> (album)

Howard Tate (album)

1972 studio album by Howard Tate

Howard Tate is an album by the American musician Howard Tate, released in 1972.[1][2] The first single was "Keep Cool (Don't Be a Fool)".[3] The album was a commercial failure, due to the mediocrity of some of the songs, as well as Jerry Wexler's departure from Atlantic Records.[3]

Quick Facts Howard Tate, Studio album by Howard Tate ...

It was Tate's last album until 2003; his close friends and associates were often unsure of his whereabouts during the intervening decades.[4]

Production

The album was produced by Jerry Ragovoy, who also wrote or cowrote the majority of the songs.[5][6] The producer later regretted the song selection, conceding that some were too pop.[7] "Jemima Surrender" is a cover of the song by the Band.[8]

Critical reception

More information Review scores, Source ...

Robert Christgau praised "Tate's amazing vocal and emotional range—as cocksure as Wilson Pickett one moment, as sweet and hurting as B.B. King the next, and as corny as Joe Tex to top it off."[11] The Buffalo Evening News noted "Tate's mellow elastic voice and some neatly turned tunes."[10] The Courier News opined that "the soulful Ragovoy pieces are made to order for the warm, understanding feeling that Tate unleashes."[13] The Boston Globe considered Howard Tate to be one of the best R&B albums of 1972.[14]

AllMusic wrote that "the arrangements are staid period soul, and while the musicians back Tate with confidence and energy, it's difficult for them to open up within such constrained charts."[9] In 2018, The Independent listed "Girl of the North Country" as the sixth best Bob Dylan cover song, writing that, "given the full Atlantic Records treatment with booming horns and Tate's soaring voice, it shouldn't really work but the resulting celebratory air is a perfect counterpoint to the sombre and regretful mood of the original."[15]

Track listing

More information No., Title ...

References

  1. [1]
    "Soul: Howard Tate". Billboard. Vol. 84, no. 12. Mar 18, 1972. p. 47.
  2. [2]
    Harada, Wayne (Apr 27, 1972). "On the Record". The Honolulu Advertiser. p. F5.
  3. [3]
    Fine, Jason (Nov 27, 2003). "Lost Soul". Rolling Stone. No. 936. pp. 46–47, 50.
  4. [4]
    Chalmers, Robert (30 Mar 2003). "Soul Survivor". Features. The Independent on Sunday. pp. 10–14.
  5. [5]
    Morris, Chris (Jul 26, 2003). "Back from 'Dead'". Billboard. Vol. 115, no. 30. p. 11.
  6. [6]
    Christgau, Robert (Apr 9, 1972). "'Howard Tate'". Part II. Newsday. p. 17.
  7. [7]
    Levy, Marc (1 Apr 2001). "High notes and a higher cause: R&B's Howard Tate is back—and a minister". The Philadelphia Inquirer. p. B1.
  8. [8]
    "Howard Tate – Rediscovered". Reviews. No Depression. September 2003.
  9. [9]
    "Howard Tate Review by John Bush". AllMusic. Retrieved 28 April 2024.
  10. [10]
    Anderson, Dale (Mar 18, 1972). "Records: Rock 'n Pop". TV Topics. The Buffalo Evening News. p. 32.
  11. [11]
    "Howard Tate". Robert Christgau. Retrieved 28 April 2024.
  12. [12]
    Larkin, Colin (2006). The Encyclopedia of Popular Music (4 ed.). Oxford University Press.
  13. [13]
    Smith, Cliff (Mar 24, 1972). "Smith on jazz". Courier News. Gannett News Service. p. 28.
  14. [14]
    Pouncy, Hillard (Nov 5, 1972). "Patriotic hymns go 'soul'". The Boston Globe. p. B28.
  15. [15]
    Ross, Graeme (16 Feb 2018). "Zimmy Stardust". Features. The Independent. p. 41.
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