Joel_Cox

Joel Cox

Joel Cox

American film editor


Joel Cox (born April 2, 1942) is an American film editor. He is best known for collaborating with Clint Eastwood in over 30 films.

Quick Facts Born, Occupation ...

Life and career

Cox has been working in film since appearing as a baby in Random Harvest (1942).[1] He started in the mailroom at Warner Bros. in 1961. Rudi Fehr, a well-known editor and executive at Warner Bros., made Cox an apprentice editor about 3 years later. As was common in the era, Cox worked as an uncredited assistant for several years. His first credit as an assistant editor was for The Rain People, which was directed by Francis Ford Coppola and edited by Barry Malkin.[2][3][4] His first credit as the editor was for Farewell, My Lovely (1975), which was directed by Dick Richards and co-edited by the veteran editor Walter A. Thompson. Cox had just finished working as Thompson's assistant on Rafferty and the Gold Dust Twins (1975), which was also directed by Richards. Cox worked on two more of Richards' films, March or Die (1977 - as assistant editor) and Death Valley (1982).

Cox has had a notable collaboration with Clint Eastwood that commenced with the 1976 film The Outlaw Josey Wales, for which Cox was Ferris Webster's assistant. Cox and Webster were co-editors on The Gauntlet (1977) and on several more of Eastwood's subsequent films. Starting with Sudden Impact (1983), Cox became Eastwood's principal editor. Cox has been quoted as saying that, over their 30-year partnership, Eastwood has re-cut only a single scene that Cox put together.[1] Gary D. Roach, who worked as Cox's assistant from the mid-1990s, became Cox's co-editor on Eastwood's films with Letters from Iwo Jima (2006). Cox's long streak editing each of Eastwood's films ended with Sully, which was edited by another of his former assistants, Blu Murray.[5]

In addition to his career in the film industry, since 2000 Cox and his family have owned and managed a vineyard and winery near Paso Robles, California.[6]

Cox won the 1992 Academy Award for Best Film Editing for Unforgiven.[1] He has been elected as a member of the American Cinema Editors.[7] On November 25, 2008, Clint Eastwood presented Cox the first Ignacy Paderewski Lifetime Achievement Award, which is named in honor of the piano virtuoso who called Paso Robles home, at the first Paso Robles Digital Film Festival.[8][9][10] He received a nomination for the 2009 BAFTA Award for Best Editing for Changeling[11] and for the 2015 Academy Award for Best Film Editing for American Sniper.

Filmography

The 2008 Paso Robles Digital Film Festival provides a full filmography of Joel Cox as part of his Lifetime Achievement Award.[12]

Editor

More information Year, Film ...

Assistant editor

More information Year, Film ...

Sound department

More information Year, Film ...

Self

More information Year, Show ...

Awards

More information Year, Result ...

See also


References

  1. Kallay, William (2005-03-03). "American Cinema Editors: 2004 Oscar Nominees Discuss Their Craft At The Egyptian Theatre". From Script To DVD. Retrieved 2008-02-23.
  2. Ohanian, Thomas; Phillips, Natalie (2013). Digital Filmmaking: The Changing Art and Craft of Making Motion Pictures (Revised ed.). CRC Press. p. 122. ISBN 9781136053542.
  3. Honeycutt, Mira (January 23, 2015). "Joel Cox nabs wine awards and Oscar nomination". Paso Robles Daily News.
  4. "Directory Members". American Cinema Editors. Archived from the original on 2004-08-25. Retrieved 2008-02-23.
  5. Fox, Matthew (2008-08-05). "Film festival comes to Paso Robles". Paso Robles Press. Archived from the original on 2009-03-21. Retrieved 2008-08-06.
  6. "Paso Robles Digital Film Fest will honor film-editor Joel Cox". FilmFestivals.com. 2008-08-13. Archived from the original on 2009-03-21. Retrieved 2008-08-27.
  7. "Clint Eastwood's "Invictus" Will Open Nationwide on December 11, 2009". Reuters. 2008-06-04. Archived from the original on 2013-02-01. Retrieved 2009-08-16.
  8. "County Roundup". SanLuisObispo.com. 2008-08-17. Retrieved 2008-08-17. [dead link]
  9. Scott Foundas (2007-12-19). "Clint Eastwood: The Set Whisperer". LA Weekly. Retrieved 2008-01-30.
  10. McCarthy, Todd (2006-12-07). "Letters from Iwo Jima". Variety. Retrieved 2008-01-30.
  11. McCarthy, Todd (2006-10-09). "Flags of Our Fathers". Variety. Retrieved 2008-01-30.
  12. Honeycutt, Kirk (2004-12-06). "Million Dollar Baby". The Hollywood Reporter. Archived from the original on 2007-10-11. Retrieved 2008-02-01.
  13. Honeycutt, Kirk (2002-08-05). "Mystic River". The Hollywood Reporter. Retrieved 2008-02-01.
  14. McCarthy, Todd (2003-10-09). "Review: Blood Work". Variety. Retrieved 2008-02-01.
  15. "Storyline: Space Cowboys". Warner Bros. Archived from the original on 2005-11-28. Retrieved 2008-02-01.
  16. McCarthy, Todd (1999-03-15). "Review: True Crime". Variety. Retrieved 2008-02-01.
  17. McCarthy, Todd (1997-11-21). "Review: Midnight in the Garden of Good and Evil". Variety. Retrieved 2008-02-01.
  18. McCarthy, Todd (1997-02-07). "Review: Absolute Power". Variety. Retrieved 2008-02-03.
  19. Turan, Kenneth (1995-09-15). "Movie Review: The Stars Fell on Henrietta". Los Angeles Times. Retrieved 2008-02-04.[dead link]
  20. "Review: The Bridges of Madison County". Variety. 1995-01-01. Retrieved 2008-02-13.
  21. McCarthy, Todd (1993-11-29). "Review: A Perfect World". Variety. Retrieved 2008-02-13.
  22. Canby, Vincent (1992-08-07). "Review/Film: Unforgiven; A Western Without Good Guys". The New York Times. Retrieved 2008-02-13.

Further reading

  • Chang, Justin (2012). FilmCraft: Editing. Octopus Books. ISBN 9781908150684. Chang's book includes an interview with Cox.
  • Prince, Stephen (2002). A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980-1989. University of California Press. p. 197. ISBN 9780520232662. Clint Eastwood's improvisatory approach to filmmaking, wherein he allowed the actors to find their characters and behavior on the set while shooting, found its complement in the stately, unhurried pacing supplied by Joel Cox's editing (Cox succeeding Ferris Webster for Eastwood), on Bronco Billy (1980), Sudden Impact (1983), Tightrope (1984), Pale Rider (1985), Heartbreak Ridge (1986), Bird (1988), and Pink Cadillac (1989). The pacing of the Cox-Eastwood films was at striking variance from the accelerating speed of much filmic storytelling in the eighties, especially in action films. Their eighties work anticipates and collectively points towards their supreme achievement in "real-time" editing, The Bridges of Madison County (1995).

Share this article:

This article uses material from the Wikipedia article Joel_Cox, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.