Juicio_Final_(1955)

Juicio Final (1955)

Juicio Final (1955)

Mexican professional wrestling event

Juicio Final (1955) (Spanish for "Final Judgement" 1955) was a professional wrestling supercard show, scripted and produced by Consejo Mundial de Lucha Libre (CMLL), which took place on December 2, 1955, in Arena México, Mexico City, Mexico. The show served as the year-end finale for CMLL before Arena México, CMLL's main venue, closed down for the winter for renovations and to host Circo Atayde. The shows replaced the regular Super Viernes ("Super Friday") shows held by CMLL since the mid-1930s.

Quick Facts Promotion, Date ...

The main event of the first confirmed Jucio Final show saw El Santo further build his legacy as one of the top wrestlers of his time as he defeated Halcón Negro to force Halcón to remove his mask under Lucha de Apuestas ("bet match") rules. Halcón Negro took his mask off and stated that his name was Manuel Quintana. The show included six additional matches.

Production

Background

For decades Arena México, the main venue of the Mexican professional wrestling promotion Consejo Mundial de Lucha Libre (CMLL), would close down in early December and remain closed into either January or February to allow for renovations as well as letting Circo Atayde occupy the space over the holidays. As a result, CMLL usually held a "end of the year" supercard show on the first or second Friday of December in lieu of their normal Super Viernes show. 1955 was the first year where CMLL used the name "El Juicio Final" ("The Final Judgement") for their year-end supershow.[1][2] It is no longer an annually recurring show, but instead held intermittently sometimes several years apart and not always in the same month of the year either. All Juicio Final shows have been held in Arena México in Mexico City, Mexico which is CMLL's main venue, its "home".[3]

Storylines

The 1955 Juicio Final show featured seven professional wrestling matches scripted by CMLL with some wrestlers involved in scripted feuds. The wrestlers portray either heels (referred to as rudos in Mexico, those that play the part of the "bad guys") or faces (técnicos in Mexico, the "good guy" characters) as they perform.[4]

Results

More information No., Results ...

References

  1. [1]
    "EMLL Super Viernes". Wrestling Data. December 2, 1955. Retrieved March 21, 2019.
  2. [2]
    Salazar, Fernando (May 31, 2019). "Juicio Final nos ha regalado Luchas de Apuestas emblematicas" [Juicio Final has provided some emblematic bet matches]. Record (in Spanish). Retrieved June 1, 2019.
  3. [3]
    Madigan, Dan (2007). "El nacimient de un sueño (the birth of a dream)". Mondo Lucha A Go-Go: the bizarre & honorable world of wild Mexican wrestling. HarperCollins Publishers. pp. 41–50. ISBN 978-0-06-085583-3.
  4. [4]
    Madigan, Dan (2007). ""Okay... what is Lucha Libre?"". Mondo Lucha a Go Go: the bizarre & honorable world of wild Mexican wrestling. New York, New York: HarperCollins Publishers. p. 31. ISBN 978-0-06-085583-3. featuring clearly distinguished good guys and bad guys, or técnicos and rudos
  5. [5]
    "Luchas 2000" [Atlantis and his victims]. El Santo y sus Victimas (in Spanish). Juárez, Mexico: Publicaciones citem, S.A. de C.V. pp. 26–30. Especial 30.
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