Kunstgewerbemuseum_Berlin

Kunstgewerbemuseum Berlin

Kunstgewerbemuseum Berlin

Museum of Decorative Arts in Berlin, Germany


The Kunstgewerbemuseum, or Museum of Decorative Arts, is an internationally important museum of the decorative arts in Berlin, Germany, part of the Staatliche Museen zu Berlin (Berlin State Museums). The collection is split between the Kunstgewerbemuseum building at the Kulturforum (52°30′35″N 13°22′03″E) and Köpenick Palace (52°26′38″N 13°34′22″E).

The entrance to the Kunstgewerbemuseum at the Kulturforum
Kunstgewerbemuseum Berlin
Kunstgewerbemuseum Berlin
Kunstgewerbemuseum Berlin, Berlin
Inside the Kunstgewerbemuseum

History

It was founded in 1868 as the Deutsches Gewerbe-Museum zu Berlin, and originally had a teaching institute as well as a public museum. The collection grew significantly in the 1870s,[1] and it was renamed Kunstgewerbemuseum in 1879. In 1881 it relocated into the Martin-Gropius-Bau – where Priam's Treasure was also on display for a time – and in 1921 it moved into the Stadtschloss.[2]

Köpenick palace

Parts of the collection were destroyed in World War II,[3] and the surviving items were split between East and West Berlin.[2] The Eastern collection moved into Köpenick Palace in 1963, while the Western exhibits moved first into Charlottenburg Palace, then into the new museum building in the Kulturforum[4] in 1985, built by Rolf Gutbrod.

Exhibition

The Kunstgewerbemuseum displays European (and Byzantine) decorative arts from all post-classical periods of art history, and features gold, silver, glass and enamel items, porcelain, furniture, panelling, tapestry, costumes, and silks.[5][6]

The north wing of the former Kunstgewerbemuseum (today Martin-Gropius-Bau), which for many years accommodated the Unterrichtsanstalt des Kunstgewerbemuseums Berlin ("teaching institute")

There is a very important collection of Late Antique objects in many media. The items from the Middle Ages include a large number of gold reliquaries (including the reliquary arm of St. Caesarius).[7][8][9] The Renaissance is represented by silverware from the city councillors of Lüneburg,[10] and bronze sculptures, tapestries, furniture, Venetian glasses and maiolicas from the Italian princely courts.[5]

The Baroque era is represented by faiences from Delft,[11] and glass items.[12] There is also European porcelain (particularly from Meissen and the Royal Manufacturer of Berlin), and decorative crockery from the rococo, classicist, historicist and Art Nouveau styles. The "New Collection" of 20th century craftwork includes industrially-manufactured products.[5]

See also

  • Cloth of St Gereon, the second oldest European wall tapestry still existing

Notes

  1. Barbara Mundt, Die deutschen Kunstgewerbemuseen im 19. Jahrhundert, Prestel, 1974
  2. Heute mal Extremitäten Tobias Timm, Die Zeit, 31 August 2009. Retrieved 26 September 2010. (in German)
  3. Bestandskatalog des Kunstgewerbemuseums Berlin, Volume 4, Stiftung Preußischer Kulturbesitz, Staatliche Museen, Kunstgewerbe Schloss Charlottenburg, 1970
  4. Martina Junghans: Die Armreliquiare in Deutschland vom 11. bis zur Mitte des 13. Jahrhunderts, Dissertation Bonn (2000), Bonn 2002, Kat.-Nr. 1
  5. Dietrich Kötzsche, Der Welfenschatz im Berliner Kunstgewerbemuseum, Mann, 1973
  6. Bilderhefte der Staatlichen Museen, Stiftung Preußischer Kulturbesitz, Volumi 20-21, Mann, 1967
  7. Bestandskatalog des Kunstgewerbemuseums Berlin, Volume 5, Stiftung Preußischer Kulturbesitz, Staatliche Museen, Kunstgewerbe Schloss Charlottenburg, 1971
  8. Meissen: Steinzeug und Porzellan des 18. Jahrhunderts, Kunstgewerbemuseum Berlin, Staatliche Museen Preußischer Kulturbesitz, 1980
  9. Monika Bierschenk, Kunstgewerbemuseum Berlin. Kunsthandwerk vom Mittelalter bis zur Gegenwart, Berlin 1989.
  10. Marcin Latka. "Abbot Kęsowski's cup". artinpl. Retrieved 26 July 2019.

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