List_of_compositions_by_Franz_Schubert_(1824)

List of compositions by Franz Schubert (1824)

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Franz Schubert's compositions of 1824 are mostly in the Deutsch catalogue (D) range D 799–822,^[1] and include:

Instrumental works:
- Octet, D 803
- String Quartet No. 13, D 804 (Rosamunde)
- String Quartet No. 14, D 810 (Death and the Maiden)
- Arpeggione Sonata, D 821
- Sonata in C major for piano four-hands, D 812 (Grand Duo)
Vocal music:
- "Gebet", D 815

Table

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More information column, content ...

Legend to the table
column		content
1	D '51	Deutsch number in the first version of the Deutsch catalogue (1951)^[2]
2	D utd	most recent (utd = up to date) Deutsch catalogue number;^[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3	Op. pbl	Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4	AGA	Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:^[4] Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht
5	NSA	NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:^[5] Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies
6	Name	unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7	Key / incipit	incipit mostly for songs^[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),^[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8	Date	(presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9	Additional info	may include: Information about the text (lyrics,^[6]^[7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...")

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[FOOTNOTEDeutsch1978500–518-1] [1]
Deutsch 1978, pp. 500–518.

[FOOTNOTEDeutsch1951-2] [2]
Deutsch 1951.

[FOOTNOTENSA_website-3] [3]
NSA website.

[FOOTNOTEAGA_1884–1897-4] [4]
AGA 1884–1897.

[FOOTNOTENSA_scores-5] [5]
NSA scores.

[FOOTNOTEReed1997-6] [6]
Reed 1997.

[FOOTNOTELiederNet_Archive-7] [7]
LiederNet Archive.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

D '51	D utd	Op. pbl	AGA	NSA	Name	Key / incipit	Date	Additional info
799	799	(1832)	XX, 8 No. 463	IV, 13	Im Abendrot, D 799	Oh, wie schön ist deine Welt	1824 or Feb. 1825	Text by Lappe [de]
800	800	41 (1825) (1827)	XX, 8 No. 465	IV, 2a	Der Einsame	Wann meine Grillen schwirren	early 1825	Text by Lappe [de]; Two near-identical versions: 2nd publ. as Op. 41 in 1827
801	801	60,2 (1826)	XX, 8 No. 457	IV, 3	Dithyrambe, D 801	Nimmer, das glaubt mir, erscheinen die Götter	before 10/6/1826	Text by Schiller (other setting: D 47); For b and piano
802	802	160p (1850)	VIII No. 7	VI, 8 No. 5 & anh. 2	Variations on "Trockne Blumen"	E minor	January 1824	For flute and piano; Introduction, Theme (D 795 No. 18) and 7 Variations
803	803	166p (1851) (1898)	III No. 1	VI, 1 No. 3	Octet, D 803	F major	February– 1/3/1824	For clarinet, bassoon, horn, string quartet and double bass; Movements 4 and 5 missing in 1st publ.
804	804	29 (1824)	V No. 13	VI, 5 No. 14	String Quartet No. 13 Rosamunde	A minor	Feb.–early March 1824	Allegro ma non troppo – Andante (after D 797 No. 5) – Minuet – Allegro moderato
805	805	(1833)	XX, 8 No. 458	IV, 13	Der Sieg	O unbewölktes Leben	early March 1824	Text by Mayrhofer; For b and piano
806	806	(1833)	XX, 8 No. 459	IV, 13	Abendstern	Was weilst du einsam an dem Himmel	early March 1824	Text by Mayrhofer
807	807	(1842)	XX, 8 No. 460	IV, 13	Auflösung	Verbirg dich, Sonne	March 1824	Text by Mayrhofer
808	808	(1872)	XX, 8 No. 461	IV, 13	Gondelfahrer, D 808	Es tanzen Mond und Sterne	early March 1824	Text by Mayrhofer (other setting: D 809)
809	809	28 (1824)	XVI No. 9	III, 3 No. 32	Gondelfahrer, D 809	Es tanzen Mond und Sterne	March 1824	Text by Mayrhofer (other setting: D 808); For ttbb and piano
810	810	(1831)	V No. 14	VI, 5 No. 15	String Quartet No. 14 Death and the Maiden	D minor	March 1824	Allegro – Andante con moto (after D 531) – Scherzo – Presto
811	811	149p (1850)	XIV No. 19	I, 9 No. 14	Salve Regina, D 811	C major Salve Regina	April 1824	Text: Salve Regina (other settings: D 27, 106, 223, 386 and 676); For ttbb
812	812	140p (1837)	IX, 2 No. 12	VII/1, 2 No. 1	Sonata, D 812, a.k.a. Grand Duo	C major	June 1824	For piano duet; Allegro moderato – Andante – Scherzo – Allegro vivace
813	813	35 (1825)	IX, 2 No. 16	VII/1, 2 No. 2	Eight Variations on an original theme	A♭ major	late May–mid July 1824	For piano duet
814	814	(1869)	IX, 3 No. 27	VII/1, 4	Four Ländler, D 814	Various keys	July 1824	For piano duet; No. 1 also as Allemande D 366 No. 17
815	815	139pI (1840)	XVII No. 10	III, 2a No. 14	Gebet, D 815	Du Urquell aller Güte	September 1824	Text by Motte Fouqué; For satb and piano
816	816	(1956)		VII/2, 6	Three Écossaises	Various keys	September 1824	For piano
817	817	(1928)		VII/2, 5	Ungarische Melodie	B minor	2/9/1824	For piano; Reappears in D 818
818	818	54 (1826)	IX, 3 No. 19	VII/1, 2 No. 3	Divertissement à l'hongroise	G minor	autumn 1824?	For piano duet; Partly based on D 817
819	819	40 (1825)	IX, 1 No. 2	VII/1, 4	Six Grandes Marches	Various keys	1818 or 1824	For piano duet
820	820	(1931)		VII/2, 6	Six German Dances, D 820	Various keys	October 1824	For piano
821	821	(1871)	VIII No. 8	VI, 8 No. 6	Arpeggione Sonata	A minor	November 1824	Allegro moderato – Adagio – Allegretto
822	822	(1842)	XX, 8 No. 464	III, 3 Anh. II No. 6	Lied eines Kriegers	Des stolzen Männerlebens schönste Zeichen	31/12/1824	For b, unison men's choir and piano

List_of_compositions_by_Franz_Schubert_(1824)

List of compositions by Franz Schubert (1824)

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