This is a list of the paintings of the British Pre-Raphaelite artist Edward Burne-Jones.

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• Girls in a Meadow (1860), private collection.^[3]
• Sidonia von Bork 1560 (1860), Tate Britain, London.^[4]
• Clara von Bork 1560 (1860), Tate Britain, London.^[5]
• Merlin and Nimue from 'Morte d'Arthur' (1861), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.^[6]
• The Goldfish Pool or Girl and Goldfish (1861), Tullie House Museum, Carlisle.^[7]
• Clerk Saunders (1861), Tate Britain, London.^[8]
• The Annunciation and the Adoration of the Magi (1861), Tate Britain, London.^[9]
• The Backgammon Players (1861–62), Birmingham Museum & Art Gallery, Birmingham.^[10]
• Morgan le Fay (1862), Cecil French Bequest, London Borough of Hammersmith and Fulham.^[11]
• The Madness Of Sir Tristram (1862), private collection.^[12]
• King Mark and La Belle Iseult (1862), Birmingham Museum & Art Gallery, Birmingham.
• Fair Rosamund and Queen Eleanor (1862), Tate Britain, London.
• Cinderella (1863), Museum of Fine Arts, Boston.
• The Merciful Knight (1863), Birmingham Museum & Art Gallery, Birmingham.
• Astrologia (1865), private collection. Listed at Bridgeman Art Library.^[6]
• Princesse Sabra (1865), Musée d'Orsay, Paris.
• The Lament (1865), William Morris Gallery.
• The Prioress' Tale (1865–98), Delaware Art Museum.
• Cupid and Psyche (1865), Manchester Art Gallery, Manchester. Second version (c. 1865), Yale Centre for British Art, Hartford. Both listed at Bridgeman Art Library.^[6]
• The Garland: A Girl Tending Flowers (1866), Cecil French Bequest, London Borough of Hammersmith and Fulham.
• The Mirror of Venus (1866–1877), private collection. Later version, completed simultaneously:
  • 1873–1877 at the Calouste Gulbenkian Foundation, Lisbon.
• Charity (1867), private collection. Listed at Bridgeman Art Library.^[6]
• Cupid Delivering Psyche (1867), Cecil French Bequest, London Borough of Hammersmith and Fulham.^[13] Three later versions of the same subject (all listed at Bridgeman Art Library).^[6]
  • 1867 at the Cecil Higgins Art Gallery.
  • c1871 at Sheffield Galleries and Museums Trust.
  • date unknown, private collection.
• The Love Song (c. 1868–1873), Metropolitan Museum of Art, New York.
• Green Summer (1868), private collection. Listed at Bridgeman Art Library.^[6]
• Laus Veneris (1869), Laing Art Gallery, Newcastle upon Tyne.
• Autumn (1869–70), Roy Miles Fine Paintings. Listed at Bridgeman Art Library.^[6]

• Evening Star (1870), private collection. Listed at Bridgeman Art Library.^[6]
• Phyllis and Demophoon (1870), Birmingham Museum & Art Gallery, Birmingham.^[14]
• The Sleeping Beauty (1870–1873), Museo de Arte de Ponce, Puerto Rico. Study in Manchester Art Gallery, Manchester.
• The Wheel of Fortune (1870 onwards), there are at least seven versions of this composition including:^[15]
  • c.1870 at the Carlisle City Art Gallery, Carlisle.
  • c.1870 at the Watts Gallery, Compton.
  • 1871–1877 at the National Gallery of Victoria, Melbourne. and
  • 1871–1885 part of the Cecil French Bequest, London Borough of Hammersmith and Fulham.
  • 1877–1883 at the Musée d'Orsay, Paris.
  • c.1882 at the National Museum of Wales, Cardiff (unfinished).
• Fame (c.1870), Watts Gallery, Compton.
• Love or The Triumph of Love (c.1870), Watts Gallery, Compton.
• Oblivion (c.1870), Watts Gallery, Compton.
• Flying Figure (c.1870), Cecil French Bequest, London Borough of Hammersmith and Fulham.
• Day (1870), Fogg Art Museum, Harvard University.
• Night (1870), Fogg Art Museum, Harvard University.
• The Garden of Hesperides (1870–73), private collection.
• Spes or Hope (1871), Dunedin Public Art Gallery, Dunedin. Other versions of this subject:
  • 1872–1877 at the National Gallery of Victoria, Melbourne
  • 1896 at the Museum of Fine Arts, Boston.
• Dorigen of Bretaigne longing for the Safe Return of her Husband (1871), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.^[6]
• Fides (1871), Vancouver Art Gallery.^[16]
• Venus Epithalamia (1871), Fogg Art Museum, Harvard University.
• Pan and Psyche (1872–1874), Fogg Art Museum, Harvard University. Second version in private collection. Both listed at Bridgeman Art Library.^[6]
• Danäe and the Brazen Tower (1872), Ashmolean Museum, Oxford. There are two later versions of this composition (both listed at Bridgeman Art Library):^[6]
  • Danaë Watching the Building of the Brazen Tower (1872), Fogg Art Museum, Harvard University
  • Danae or the Tower of Brass (1887–88), Glasgow Museums, Glasgow.
• The Beguiling of Merlin (1872–1877), Lady Lever Art Gallery, Port Sunlight.
• Psyche entering the Portals of Olympus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
• The Feast of Peleus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
• Troy Triptych (1872–1898), Birmingham Museum & Art Gallery, Birmingham.
• The Mirror of Venus (1875), Museu Calouste Gulbenkian, Lisbon.
• Frieze of Eight Women Gathering Apples (1876), Tate Britain, London.
• The Annunciation (1876), Lady Lever Art Gallery, Port Sunlight.
• Atlas Turned to Stone (c. 1876), Southampton City Art Gallery. Listed at Bridgeman Art Library.^[6]
• The Avenging Angel of St Catherine (1878), Cecil French Bequest, London Borough of Hammersmith and Fulham.
• An Angel Playing a Flageolet (1878), Sudley House, National Museums Liverpool.^[17] Two further versions exist one in an unidentified private collection and one in Makins Collection. All are listed at Bridgeman Art Library.^[6]
• A Musical Angel (c. 1878–1880), unknown.^[18]

• The Golden Stairs (1880), Tate Britain, London.
• Lady Frances Balfour (1880), Musée des Beaux-Arts de Nantes
• The Angel (1881), Glasgow Museums, Glasgow.
• The Last Sleep of Arthur in Avalon (1881), Museo de Arte de Ponce, Puerto Rico.
• Earth Mother (1882), Worcester Art Museum, Massachusetts.^[19] Second version in a private collection (both listed at Bridgeman Art Library.^[6]
• The Mermaid (1882), Tate Britain, London.
• The Mill (1882), Victoria and Albert Museum, London.
• The Tree of Forgiveness (1882), Lady Lever Art Gallery, Port Sunlight.
• The Magic Circle (c. 1882), Tate Britain, London.
• Georgiana Burne-Jones (1883), private collection (?).^[20]
• King Cophetua and the Beggar Maid (painting) (1884), Tate Britain, London.
• The Pilgrim at the Gate of Idleness (1884), Dallas Museum of Art.
• The Morning of the Resurrection (1886), Tate Britain, London.
• Sibylla Delphica (1886), Manchester Art Gallery, Manchester.
• The Garden of Pan (c. 1886), National Gallery of Victoria, Melbourne.
• The Depths of the Sea (1887), Fogg Art Museum, Harvard University.
• The Star of Bethlehem (1887–1891), Birmingham Museum & Art Gallery, Birmingham.
• The Nativity (1888), Carnegie Museum of Art, Pittsburgh.
• The King and the Shepherd (1888), Carnegie Museum of Art, Pittsburgh.
• The Heart of the Rose (1889), private collection.

• Portrait of Lady Lewis (1870), private collection.^[33]
• Portrait of Maria Zambaco (1870)^[34]
• Portrait of La Baronne Madeleine Desandes (1895–96), National Gallery of Victoria, Melbourne. Second version in a private collection (both listed at Bridgeman Art Library).^[6]
• Portrait of Katie Lewis (1886),^[35]

• The Temple of Love, Tate Britain, London.
• Flamma Vestalis, Fogg Art Museum, Harvard University.
• Venus Discordia, National Museum of Wales, Cardiff (unfinished).
• Heart of the Rose. Listed at Bridgeman Art Library.^[6]

• List of Pre-Raphaelite paintings