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In a review for AllMusic, Steve Loewy wrote: "this is one of [Doyle's] better-recorded displays, with some intense work on both tenor and flute. Veteran Sunny Murray... is... highly effective, keeping the saxophonist on target.... This is an important album for a rare glimpse of Nordström, and for an unusually coherent Doyle. While it may not convert Doyle's detractors, it should satisfy his admirers. The sound quality is remarkably good considering this was a live date."[3]
The authors of the Penguin Guide to Jazz Recordings referred to Murray as Doyle's "motor," and stated that "Two Free Jazz Men Speak" "apotheosizes their duet manner."[4]
Derek Taylor of All About Jazz called the album "visceral energy music designed to strike the ears with maximum emphatic impact," and commented: "this Glenn Miller set is... proof that true improvisatory music never unfolds the same way twice. Whether you love Doyle or despise him there’s no denying the stamina and resolve he puts into his performances."[5]
Writing for Paris Transatlantic, Dan Warburton stated: "The recording wisely mixes Murray's drums behind Doyle's horns... and the interplay between the musicians is evident throughout... Murray's... playing on this album ought to serve as an inspiration for generations to come. Doyle's reading of 'Nature Boy'... is awesome... both of these special musicians are still, to quote John Zorn, kicking butt."[6]