Los Angeles is a collaborative studio album by Lol Tolhurst, Budgie, and Jacknife Lee. The album was released by PIAS Recordings on 3 November 2023. Tolhurst and Budgie, the drummers of the Cure and Siouxsie and the Banshees, respectively, wrote and composed the album with producer Lee in Los Angeles. It was recorded with guest singers and musicians, such as LCD Soundsystem frontman James Murphy, U2 guitarist the Edge, Primal Scream vocalist Bobby Gillespie, and Modest Mouse singer Isaac Brock. The album is the solo debut of both Tolhurst and Budgie.

Tolhurst and Budgie first met when their respective bands toured together in 1979.^[1] The two had previously collaborated on the post-punk-centric podcast Curious Creatures starting in 2021.^[2]

The project began life as a trio with Bauhaus drummer Kevin Haskins, with Tolhurst half-jokingly describing the project at that stage as "like the Three Tenors, but with drummers".^[3] Work on the album beginning at Mötley Crüe drummer Tommy Lee's home studio along with a singer.^[3] Thinking the project sounded too much like their typical output, and not liking the mixing work at the time, they scrapped what they had.^[1][4] It was at that point that Haskins left the project, having to go on tour with Bauhaus, and Tolhurst described the duo as "not desolate, but a little despairing."^[3] Tolhurst confided in his neighbor Jacknife Lee, playing the demos for him during a chance meeting at the 2019 Topanga Canyon Blues Festival, where Lee suggested they start over at his home studio in Topanga, California.^[3][5] The group experimented with their usual drums, guitars, and synths, as well as found sounds and an AI voice machine.^[3] U2 guitarist the Edge joined during these sessions, playing stuff akin to his work with Jah Wobble and Can's Holger Czukay.^[3]

The album was incomplete when the COVID-19 pandemic hit, leaving the band uncertain what to do with the material they had, briefly considering releasing it as an instrumental album.^[3][4] After LCD Soundsystem frontman James Murphy offered to sing on the album, it was decided to bring on guest vocalists for the whole record.^[3] The guest musicians on the album all wrote lyrics for their respective tracks, except for "Train with No Station" which has lyrics written by Tolhurst and his son Gray.^[1] Guests were encouraged to interpret the material given to them, unrestricted outside of the group's general idea of the record's style and themes.^[4] Out of those lyrics came the common theme of Los Angeles, from which the album name was chosen.^[3][4] Idles frontman Joe Talbot was asked to guest on the album but was unavailable.^[1]

The album was announced on 24 July 2023, with a release date of 3 November set by PIAS Recordings.^[2] The announcement came along with the album's lead single and title track, featuring vocals by James Murphy.^[2] The song also came with a music video, directed by John Liwag, which was shot in black-and-white and features skateboarders including Mason Silva, punk cheerleaders led by Sydney Love, and Lee lip syncing to Murphy's vocals.^[2][6]

The second single, "Ghosted at Home" featuring Bobby Gillespie, was released on 13 September.^[7] The third single, "We Got to Move" featuring Isaac Brock of Modest Mouse, was released on 18 October, with a music video directed by Daniel Rashid and featuring Fred Armisen.^[8] Budgie called the song one of the album's "more existential" and said it was an homage to Philip Glass, Ron Fricke, and Godfrey Reggio's Koyaanisqatsi.^[8]

Per Tolhurst, the album centers its titular subject, the city of Los Angeles.^[1] Having lived in the city for about 30 years at the time of the album's announcement, Tolhurst described finding a supportive community in the city despite its tendency to "destroy" those who move there.^[1] Tolhurst first moved to the city at a low point in his life after he had left the Cure, and Budgie after his divorce from bandmate Siouxsie Sioux.^[4] Tolhurst described being able to "put myself back together again with the help of everybody here", and Budgie called the city "a place of recovery and redemption."^[4] Negative aspects of the city are also brought up, such as Lonnie Holley's discussion of institutional racism, Arrow de Wilde's depiction of "lascivious Hollywood cynicism", and Murphy describing the city as one that "eats its children".^[5]

Tolhurst also described the album as a process of "reclaiming our art", saying that being a drummer in a band is "a bit like being a shop assistant. People don't always look at you as a person, they look at you as an adjunct to the whoever is making a sound with their mouth at the front."^[1]

The music has been described as art-rock,^[9] electronic,^[4][3] and "rhythmically intricate",^[4] also involving genres such as industrial, post-punk, and glam rock.^[5] It is noted as being significantly different from Tolhurst and Budgie's prior output.^[4][3]

In 2024, Tolhurst and Budgie announced that they would perform live in the United States in May and June, including a set on May 11 at the Cruel World Festival in Los Angeles^[10] and a tour supporting the Miki Berenyi Trio.^[11]

More information Aggregate scores, Source ...

Professional ratings

Aggregate scores
Source	Rating
Metacritic	76/100[12]
Review scores
Source	Rating
Hot Press	8/10[13]
Mojo	[14]
MusicOMH	8/10[15]
Record Collector	[16]
Under the Radar	[17]

Close

Los Angeles received a score of 76 out of 100 on review aggregator Metacritic based on six critics' reviews, indicating "generally favorable" reception.^[12] Mojo's Victoria Segal wrote that, "Despite its state-of-the-dystopian-nation restlessness, however, Los Angeles already feels like a destination record, Lee, Tolhurst and Budgie putting their decades of world-building expertise to excellent use."^[14] Hot Press praised the album, saying it was "an impressive indie-electro extravaganza that could almost be a companion piece to Screamadelica or Sound of Silver."^[13]

Record Collector qualified it as a "thrilling" album, noting: "Rhythm is clearly the foundation block, with each track able to go someplace interesting thanks to the dynamic chassis control", with "collaborators bringing a unique character to each song."^[16] MusicOMH praised it saying, "Los Angeles never seems to run out of steam, and there more than enough excellent moments to hope that a second volume may be in the offering."^[15] Under the Radar praised it, saying: "Los Angeles is a rollercoaster of twisting and churning tempos [...] done with a tuneful ear and is highly entertaining".^[17]