One-shot

The first was the one-shot Marvel Super Heroes Special #1 (Oct. 1966) produced as a tie-in to The Marvel Super Heroes animated television program,^[1] reprinting Daredevil #1 (April 1964) and The Avengers #2 (Nov. 1963), plus two stories from the 1930s-1940s period fans and historians call Golden Age of comic books: "The Human Torch and the Sub-Mariner Meet" (Marvel Mystery Comics #8, June 1940), and the first Marvel story by future editor-in-chief Stan Lee, the two-page text piece "Captain America Foils the Traitor's Revenge" (Captain America Comics #3, May 1941).

This summer special was a 25¢ "giant", relative to the typical 12¢ comics of the times.^[2]

First series

The first ongoing series of this name began as Fantasy Masterpieces, initially a standard-sized, 12¢ anthology reprinting "pre-superhero Marvel" monster and sci-fi/fantasy stories. With issue #3 (June 1966), the title was expanded to a 25-cent giant reprinting a mix of those stories and Golden Age superhero stories from Marvel's 1940s iteration as Timely Comics. Fantasy Masterpieces ran 11 issues (Feb. 1966–Oct. 1967) before being renamed Marvel Super-Heroes with #12 (Dec. 1967).^[3]

While continuing with the same mix of reprint material, this first volume of Marvel Super-Heroes also began showcasing a try-out feature as each issue's lead. This encompassed solo stories of such supporting characters as Medusa of the Inhumans, as well as the debuts of Captain Marvel (#12),^[4] the Phantom Eagle (#16)^[5] and the Guardians of the Galaxy (#18).^[6] The Spider-Man story drawn by Ross Andru in issue #14 was originally planned as a fill-in issue of The Amazing Spider-Man but was used here when that title's regular artist John Romita Sr. recovered more quickly than anticipated from a wrist injury.^[7] Andru would become the regular artist on The Amazing Spider-Man several years later.^[8]

Under either name, this series' Golden Age reprints represented the newly emerging comic-book fandom's first exposure to some of the earliest work of such important creators as Jack Kirby, Bill Everett, and Carl Burgos, and to such long-unseen and unfamiliar characters as the Whizzer and the Destroyer. Fantasy Masterpieces #10 (Aug. 1967) reprinted the entirety of the full-length All-Winners Squad story from the (unhyphenated) All Winners Comics #19 (Fall 1946). Fantasy Masterpieces #11 (Oct. 1967) re-introduced the work of the late artist Joe Maneely, a star of 1950s comics who had died in a train accident.

Second Series

The 15-issue Marvel Super-Heroes (vol. 2) (May 1990–Oct. 1993)^[9] was published quarterly and generally printed "inventory stories," those assigned to serve as emergency filler. The first issue featured a Brother Voodoo story drawn by Fred Hembeck in a dramatic style rather than his usual "cartoony" art.^[10]

Other iterations

In September 1979, the Marvel UK series The Mighty World of Marvel was retitled Marvel Superheroes^[11] after a brief run under the title Marvel Comic.^[12]

The name itself reappeared, without a hyphen, as part of the title of a 12-issue, company-wide crossover miniseries Marvel Super Heroes Secret Wars (May 1984–April 1985).^[13] The 1985-1986 sequel was titled simply Secret Wars II.

The final series of this title was the six-issue Marvel Super-Heroes Megazine (Oct. 1994–March 1995), a 100-page book reprinting 1970s and 1980s Fantastic Four, Daredevil, Iron Man and Hulk stories in each issue.^[14]