Max_Dean_(artist)

Max Dean (artist)

Max Dean (artist)

Canadian multidisciplinary artist


Max Dean (born June 29, 1949) is a Canadian multidisciplinary artist.[2][3][4]

Quick Facts Born, Nationality ...

Life

Dean was born June 29, 1949, in Leeds, England. He immigrated to Canada with his family in 1952,[5] settling in Vancouver.[1]

Work

In the late 1970s and 1980s, Dean did multimedia performances involving his body in conjunction with sound, photography and other media.[6][7][8] Dean`s Telephone Project (1982) was an installation that allowed up to 16 persons to talk on a telephone line.[9]

Since the 1980s, Dean has become known for his installations that use robotics and electronics to achieve artistic effects.[10] His work As Yet Untitled (1992-1995) involves a robotic arm that presents generic family photos to the viewer, who must act to prevent the photo from being immediately shredded.[11][12][13][14] The piece received extensive press and critical coverage[15][16][17][18][19] and was acquired by the Art Gallery of Ontario.[20]

Dean has collaborated extensively with Cornell University professor of mechanical and aerospace engineering Raffaello D'Andrea. Between 2003 and 2006[21] they collaborated with Canadian artist Matt Donovan to create the installation work Robotic Chair, a chair that falls apart and puts itself back together again without human intervention.[22][23][24] Dean also collaborated with D'Andrea on the work The Table: Childhood, which was included in the Arsenale section of the 2001 Venice Biennale.[2][25][26]

He is the subject of Katherine Knight's 2021 documentary film Still Max.[27]

Collections

Dean's work is included in several museum collections, including the National Gallery of Canada[2] and the Vancouver Art Gallery.[28] His piece As Yet Untitled is part of the permanent collection of the Art Gallery of Ontario.[20]

Awards

In 1997, Dean received the Jean A. Chalmers National Visual Arts Award from the Ontario Arts Council.[29] In 2005, Dean received the Gershon Iskowitz prize from the Art Gallery of Ontario.[5][30] In 2014, he was a recipient of the Governor General's Awards in Visual and Media Arts.[3]


References

  1. Roger Matuz (1997). Contemporary Canadian artists. Gale Canada. ISBN 978-1-896413-46-4.
  2. "Max Dean - National Gallery of Canada". National Gallery of Canada. Retrieved May 26, 2016.
  3. "Governor General's Awards in Visual and Media Arts". Canada Council. Retrieved May 26, 2016.
  4. "Max Dean: A Year of Waiting". Canadian Art. Retrieved May 26, 2016.
  5. "Artist Max Dean wins Gershon Iskowitz Prize". The Globe and Mail. May 27, 2005. Retrieved June 10, 2016.
  6. Mark, Lisa Gabrielle. "Button Pusher" (PDF). Canadian Art. Retrieved May 28, 2016.
  7. A. A. Bronson; Peggy Gale (1979). Performance by artists. Art Metropole. ISBN 978-0-920956-00-7.
  8. Donald McGrath; Diana Nemiroff; Michèle Thériault; France Choinière; Colette Tougas; Tim Barnard (April 2005). Point & shoot: performance and photography. Dazibao. ISBN 978-2-922135-26-8.
  9. Wood, William (2010). "Sculpture and Installation since 1960". The Visual Arts in Canada: the Twentieth Century. Foss, Brian, Paikowsky, Sandra, Whitelaw, Anne (eds.). Don Mills, Ont.: Oxford University Press. p. 322. ISBN 978-0-19-542125-5. OCLC 432401392.
  10. "Max Dean". Widewalls.ch. Retrieved June 10, 2016.
  11. Martha Langford (June 27, 2007). Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art. McGill-Queen's Press - MQUP. pp. 13–. ISBN 978-0-7735-7686-5.
  12. Uwe Fleckner; Martin Warnke; Hendrik Ziegler (2011). Handbuch der politischen Ikonographie. C.H.Beck. pp. 148–. ISBN 978-3-406-57765-9.
  13. Peter Weiermair; Frankfurter Kunstverein; Schirn Kunsthalle Frankfurt (1996). Prospect: photography in contemporary art : Frankfurter Kunstverein, Schirn Kunsthalle Frankfurt. Edition Stemmle. ISBN 9783908162193.
  14. Milroy, Sarah (October 2, 2001). "We need artists to soldier on". The Globe and Mail. Retrieved June 10, 2016.
  15. British Journal of Photography. Henry Greenwood & Company, Limited. 2001.
  16. Lewis, Jacob. "How the Tate Brought a Pioneering Art-Robot Back Online". Gizmodo UK. Retrieved June 10, 2016.
  17. Art/text. Art & Text. 1996.
  18. Phillips, Sherry. "Conservation Notes: Rebooting Max Dean's As Yet Untitled". Art Gallery of Ontario. Retrieved June 10, 2016.
  19. Sean Cubitt; Paul Thomas (November 8, 2013). Relive: Media Art Histories. MIT Press. pp. 259–. ISBN 978-0-262-01942-2.
  20. Ju, Anne. "Raffaello D'Andrea's robotic chair creates stir online, falling apart and reassembling itself". Cornell University News. Cornell University. Retrieved May 28, 2016.
  21. Bosco, Roberta (March 8, 2016). "El robot como experimento estético". El Pais. Retrieved May 28, 2016.
  22. Haider, Saba. "Ever Wished For A Chair That Can Re-assemble On Its Own? Wish Granted". Gizmodo India. Retrieved May 28, 2016.
  23. David Krasner; David Z. Saltz (February 11, 2010). Staging Philosophy: Intersections of Theater, Performance, and Philosophy. University of Michigan Press. pp. 102–. ISBN 978-0-472-02514-5.
  24. Art Papers. Atlanta Art Papers, Incorporated. 2002.
  25. "Vancouver Art Gallery showcases artworks from the collection in The Poetics of Space" (PDF). Vancouver Art Gallery. Vancouver Art Gallery. Retrieved May 27, 2016.
  26. "The Chalmers Awards for Creative Excellence in the Arts". Ontario Arts Council. Archived from the original on December 1, 2008. Retrieved May 26, 2016.
  27. "The Gershon Iskowitz Prize at the AGO". The Art Gallery of Ontario. Retrieved June 10, 2016.

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