Rewind_(The_Wire)

Rewind (<i>The Wire</i>)

Rewind (The Wire)

Annual issue highlighting critics' poll releases of the year, so titled 1997–

Rewind is the annual year-in-review issue of The Wire, a British music magazine founded in 1982. The year-end issues have been published every January since 1986, adopting the current "Rewind" title in 1997. Each year-end issue has included an annual critics' poll, collating critics' ballots into a list of the year's best releases. The polls survey writers affiliated with the magazine.

The Wire no. 263: the "2005 Rewind" issue

Across its history, critics' polls in The Wire have tended to reflect the magazine's eclectic, avant-garde sensibility and coverage of experimental music across a broad variety of genres. The magazine's first few polls were limited to selecting the best jazz LP of the year, in accordance with its original focus on jazz music. As the magazine's coverage expanded, it began incorporating other lists of the best albums in selected non-jazz genres, but kept the jazz poll at the centre. In 1990 the magazine had its first all-genre poll, and the following year the main poll opened to include albums from any musical genre. Beginning in 2011, the main poll expanded to encompass not only albums, but any musical release of any length in any conceivable format. Nevertheless, the poll has typically continued to emphasise releases from the album format above all others.

History

The American avant-garde jazz saxophonist Ornette Coleman topped The Wire's poll in two consecutive years.

1985–1991: jazz era

American jazz pianist Cecil Taylor (pictured at right) placed first in the 1988 poll and, in 1990, received a "special accolade" for a box set that would have otherwise topped the poll.

The early polls were limited to jazz albums, mirroring the magazine's focus at that time, but the purview gradually expanded; by 1990, the main jazz list was published alongside lists for blues, Latin music, "composition" (i.e., classical music) and "suspect rock" (i.e., experimental rock).[1] The magazine published an all-genre poll for the first time in 1991, a so-called "open vote 'beyond' category" that was still subordinate to the "main" list of jazz and improvised releases.[2] The Mix, a remix album by German electronic group Kraftwerk, was the first release to top an all-genre poll.[2]

1992–2010: Record of the Year

American hip-hop group Arrested Development topped the critics' poll in 1992, the first year that the magazine placed an all-genre list ahead of its jazz list.
With three albums named Record of the Year, English musician Robert Wyatt has topped The Wire's poll more than any other artist.
Two-time poll-topper Björk (pictured), an Icelandic musician, is one of only four artists from outside the Anglosphere to place first in the poll.
American rock band Sonic Youth topped the magazine's poll twice.

In 1992, The Wire stopped privileging its jazz poll and instead began to designate its all-genre poll as its primary year-end list. The blurb accompanying that year's poll announced that the "main chart takes the form of an all-inclusive, open-ended category—contributors were asked to vote for their favourite records across all genres, from jazz to Techno, opera to Africa, metal to Minimalism."[3] The magazine continued to publish genre-specific lists, including for jazz. In 1993, The Wire started calling its all-genre poll the "Record of the Year".[4]

2011–present: Release of the Year

American musician James Ferraro's Far Side Virtual was the first winner of the expanded "Release of the Year" poll.

In 2011, The Wire switched the name of its annual critics' poll from Records of the Year to Releases of the Year. The change meant that critics could cast votes for "any self-contained audio entity, be it a vinyl LP, 12" EP, cassette, CD, download, mixtape, etc."[5] Editor-in-chief Tony Herrington explained the reasoning and observed how it had changed critics' submissions:

We made the change in a spirit of 'all formats acknowledged' democracy, but while a few up-to-speed contributors took us at our word and ran with it, submitting Web 2.0-driven charts containing YouTube uploads and tracks given away via Twitter, the bulk of the electorate continued to cast their votes for old fashioned albums, records or otherwise."[5]

The cover design for the 2017 Rewind—published January 2018, issue number 407—was a work of interactive audiovisual art.[6] Using a custom augmented reality app, a smart device's camera would show the abstract magazine cover as a three-dimensional, with accompanying audio. The project was cited in the 2019 book The Fundamentals of Graphic Design as "an immersive and dynamic experience perfectly reflecting the publication's long-running championing of experimental approaches to making and performing music."[7]

Critics' polls

More information Year, Artist ...
  1. [N 1]
    Several critics had voted for Cecil Taylor's 11-CD box set, In Berlin '88, as their number-one choice for the 1990 poll. However, it was kept off the main list altogether because, according to the introductory essay, "11 against one wasn't really fair odds for the rest". Instead, In Berlin '88 was separately "honoured ... with a special Wire accolade of the year's most impressive recording project."[1]

See also

Citations

  1. [1]
    Wire staff 1991, pp. 28–29.
  2. [2]
    Wire staff 1992, pp. 56–57.
  3. [3]
    Wire staff 1993, p. 24.
  4. [4]
    Wire staff 1994, p. 55.
  5. [5]
    Herrington 2011.
  6. [6]
    Ambrose, Harris & Ball 2019, pp. 31, 190.
  7. [7]
    Ambrose, Harris & Ball 2019, p. 31.
  8. [8]
    Wire staff 1986, p. 38.
  9. [9]
    Wire staff 1987, p. 36.
  10. [10]
    Wire staff 1988, p. 39.
  11. [11]
    Wire staff 1989, p. 54.
  12. [12]
    Wire staff 1990, p. 64.
  13. [13]
    Wire staff 1995, p. 29.
  14. [14]
    Wire staff 1996, p. 32.
  15. [15]
    Wire staff 1997, p. 37.
  16. [16]
    Wire staff 1998, p. 35.
  17. [17]
    Wire staff 1999, p. 27.
  18. [18]
    Wire staff 2000, p. 67.
  19. [19]
    Wire staff 2001, p. 34.
  20. [20]
    Wire staff 2002a, p. 40.
  21. [21]
    Wire staff 2003, p. 45.
  22. [22]
    Wire staff 2004, p. 38.
  23. [23]
    Wire staff 2005, p. 39.
  24. [24]
    Wire staff 2006, p. 41.
  25. [25]
    Wire staff 2007, p. 35.
  26. [26]
    Wire staff 2008, p. 36.
  27. [27]
    Wire staff 2009, p. 26.
  28. [28]
    Wire staff 2010, p. 39.
  29. [29]
    Wire staff 2011, p. 36.
  30. [30]
    Wire staff 2012, p. 30.
  31. [31]
    Wire staff 2013, p. 32.
  32. [32]
    Wire staff 2014, p. 32.
  33. [33]
    Wire staff 2015, p. 32.
  34. [34]
    Wire staff 2016, p. 32.
  35. [35]
    Wire staff 2017, p. 30.
  36. [36]
    Wire staff 2018, p. 32.
  37. [37]
    Wire staff 2019, p. 32.
  38. [38]
    Wire staff 2020, p. 29.
  39. [39]
    Wire staff 2021, p. 34.
  40. [40]
    Wire staff 2022, p. 30.
  41. [41]
    Wire staff 2023, p. 32.
  42. [42]
    Wire staff 2024, p. 48.

References

  • Charts at thewire.co.uk — includes every Rewind poll since 1994, including genre specialist charts
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