Theatre and early work

Eggar began her acting career in several Shakespearean companies, notably playing Titania in a 1962 production of A Midsummer Night's Dream directed by Tony Richardson.^[8] She also appeared on stage in a production of Douglas Seale's Landscape with Figures, where she was noticed by a talent scout, and from there was cast in the biographical film Dr. Crippen (1962) opposite Donald Pleasence.^[9] Her second film role was in 1962 in The Wild and the Willing; in the same year she appeared on stage again as Olivia in a production of Twelfth Night by George Devine.^[8]

In 1963 she played the lead role of Claire Avery in 'Marcia', a second-season episode of The Saint. After her appearance in The Saint Eggar did not appear on television for 10 years, instead focusing exclusively on feature films.

In 1965 Eggar appeared in the thriller The Collector, directed by William Wyler, playing a kidnap victim. She received a nomination for the Academy Award for Best Actress and won a Golden Globe award for her performance.^[10] She was also awarded Best Actress at the Cannes Film Festival in 1966.^[11] On her role as Miranda in The Collector Eggar has said: "My biggest relationship on set was with William Wyler. The tension on set was real. And if the tension wasn't there – if I didn't exude precisely what he wanted – well, Willi just poured cold water over me."^[12]

The following year Eggar starred in the comedy Walk, Don't Run (1966) with Cary Grant (his last motion picture) and Jim Hutton, followed by a lead role as Emma Fairfax in Richard Fleischer's musical adaptation of Doctor Dolittle (1967). She also appeared in The Walking Stick, a psychological thriller by Eric Till where she costarred with David Hemmings, The Molly Maguires (1970), a social drama directed by Martin Ritt in which she starred with Sean Connery, and The Light at the Edge of the World (1971), an adventure movie from a novel by Jules Verne in which she shared the screen with Kirk Douglas and Yul Brynner.

She also played the main character in The Lady in the Car with Glasses and a Gun (1970), a thriller based on a book by French novelist Sébastien Japrisot and the last film directed by Anatole Litvak. She then went to Italy to shoot The Dead Are Alive (1972), a giallo directed by Armando Crispino.

Although she co-starred with Yul Brynner in the television series Anna and the King (1972) she did not make another television guest appearance until 1973, when she starred in the episode 'The Cardboard House' of the romantic anthology series Love Story. That same year she played Phyllis Dietrichson in a TV remake of the 1944 film Double Indemnity.^[13]

Move to United States

In 1973, Eggar moved to the United States, settling in Los Angeles, and appeared first in television, guest-starring in episodes of Starsky & Hutch and Columbo, the latter with Peter Falk and Theodore Bikel in the episode 'The Bye-Bye Sky High IQ Murder Case'. She would go on to star in a number of horror films, including A Name for Evil (1973) and Demonoid Messenger of Death (1981).

During this period, Eggar also appeared in two British-Canadian co-productions, Welcome to Blood City, an early "virtual-reality" thriller directed by Peter Sasdy in which she plays opposite Jack Palance and Keir Dullea, and The Uncanny, a horror movie directed by Denis Héroux.

Eggar was also in the Canadian movie Why Shoot the Teacher?, a dramatic comedy filmed in Alberta by Silvio Narizzano that went on to be the most successful Canadian movie that year. But it is another Canadian movie that was to become one of Samantha's best known film, David Cronenberg's cult sci-fi film The Brood (1979).

In 1980, she filmed the Canadian slasher film Curtains, released in 1983.^[14]

She also appeared as Maggie Gioberti in 'The Vintage Years', the pilot for the drama Falcon Crest, but was replaced by Susan Sullivan when the series went into production.^[3] She appeared twice on The Love Boat, first charming ship's captain, Merrill Stubing (played by Gavin McLeod), as fortune-teller Mary-Louise Murphy in 2 March 1979's 'A Funny Valentine'. Her second sailing, in 'Touchdown Twins', which was aired on 14 February 1981, was as Meg Chase, the mother of Billy (played by Philip Brown (actor)) whose friend Frank (played by Vincent Van Patten) develops a crush on Eggar's character. She appeared in the drama Dark Horse (1992), followed by the superhero film The Phantom (1996). In 1997, she provided the voice of Hera in Disney's animated film Hercules; she would also supply the voice for the subsequent television series. Eggar also had a role in the sci-fi thriller The Astronaut's Wife (1999), which starred Johnny Depp.

She has appeared as the wife of Captain Jean-Luc Picard's brother Robert on the television series Star Trek: The Next Generation, and as Sarah Templeton, the wife of Speaker of the House Nathan Templeton (Donald Sutherland), on the short-lived television series Commander in Chief, which starred Geena Davis. In the year 2000, she had a brief run as Charlotte Devane in the American soap opera All My Children. In 2003, she appeared in the first season of Cold Case, episode 14 ("The Boy in the Box") as Sister Vivian. In 2009, she played the mother of Jack and Becky Gallagher in season 1, episode 11 ("Lines in the Sand") of the Fox television series Mental.

Film

Television