Sandhya_Raman

Sandhya Raman

Sandhya Raman

Indian costume designer

Sandhya Raman is an Indian costume designer and curator whose focus is on socially responsible designs.[1][2] Raman is the founder of Desmania Foundation.[3][4][5][6] Sandhya Raman designs costumes for dancers practicing contemporary as well as traditional dance forms.[7][8][9]

Quick Facts Born, Nationality ...

Education and career

Raman is an alumnus of the National Institute of Design, (Ahmedabad) with a specialization in Apparel and Textile Design.[1][10][11]

Exhibitions

  • Enigmatic East - From Ziro to Infinity at The India Habitat Centre, Delhi on 29 January 2019.[12][4]
  • Enchanted Tree - an interactive exhibition celebrating the diverse textiles of India at Kamaldevi Complex, March 2017[13][14]
  • When the Pleats Dance - evolution of four decades of dance costumes at The Art Gallery of India International Centre[2][10][15]
  • (Un)masked - October 2017 (raised funds for International Medical Health Organization).[16]

Productions

Awards

(Stree) Nari Shakti Puraskar from Govt. of India 2008 and the Creative Excellence Award from UNFPA 2008.[25]

References

  1. [1]
    "Stories crafted in clothes". The Tribune. 28 April 2019.
  2. [2]
    "Dancing pleats". The Statesman. 18 June 2015.
  3. [3]
    "Designing the Classic Language of Costumes". The New Indian Express. Retrieved 26 November 2020.
  4. [4]
    "Focussing on Arunachal's weaves". The New Indian Express. The Sunday Standard. 20 January 2019. Archived from the original on 23 January 2019.
  5. [5]
    "Stories crafted in clothes". Tribuneindia News Service. Retrieved 26 November 2020.
  6. [6]
    Tankha, Madhur (29 January 2019). "Sandhya Raman: Lending a helping hand". The Hindu. ISSN 0971-751X. Retrieved 26 November 2020.
  7. [7]
    "Costumes that go into Indian dances". Business Standard. 14 June 2015.
  8. [8]
    "when silk strikes an enigmatic pose". Deccan Herald. 11 June 2015.
  9. [9]
    Rajan, Anjana (10 June 2015). "Designs for stage". The Hindu.
  10. [10]
    "Clothing the Form". The Indian Express. 15 June 2015.
  11. [11]
    "Sway in sync". The Pioneer. 18 June 2015.
  12. [12]
    "Weaving Arunachal's Textile Lagacy". The Voive of Fashion (29 January 2019).
  13. [13]
    Lowen, Sharon (21 March 2017). "A million Sitas in the forest". The Asian Age. Retrieved 26 November 2020.
  14. [14]
    "IIC| India International Centre - Home". iicdelhi.nic.in. Retrieved 26 November 2020.
  15. [15]
    "when silk strikes an enigmatic pose". Deccan Herald. 11 June 2015.
  16. [16]
    "(Un)Masked: Colorfully layered Third Eye Dancers presentation raises funds for IMHO". 8 December 2017.
  17. [17]
    "Dance drama : Goddess central". livemint. 15 September 2007.
  18. [18]
    "artists have stay ahead curve ; at the same time, not lose human aspect". Sakal Times. 12 January 2018.
  19. [19]
    "Beauty, the Beast and Bharatanatyam". The Hindu. 5 November 2015.
  20. [20]
    "Inspired by the lotus, dancers come together". The hindu. 2 July 2015.
  21. [21]
    ""1... Breath" – Kathak". aditimangaldasdance.com.
  22. [22]
    Maqsood, Zofeen (11 December 2019). "BWW Previews: Rasaja Foundation Presents Pralaya – A Collaboration In Bharatanatyam And Baliness Dance". Broadway World.
  23. [23]
    Molzahn, Laura (2 October 2016). "Indian and Indonesian dance don't mix, except in 'Incomplete Gesture'". Chicago Tribune.
  24. [24]
    Kothari, Sunil (11 November 2016). "The enigma of subjectivity". The Hindu. Retrieved 6 July 2022.
  25. [25]
    Veena (8 December 2017). "(Un)Masked: Colorfully layered Third Eye Dancers presentation raises funds for IMHO". NRI Pulse. Retrieved 26 November 2020.


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